| # | Title | Artist | Rating | Length |
|---|
| 1 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:30 |
| 2 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:28 |
| 3 | Everywhere (2018 remaster) | Fleetwood Mac | 3.85 | 3:43 |
| 4 | Baby Jane | Rod Stewart | | 4:43 |
| 5 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 6 | Take On Me | a‐ha | 4.4 | 3:48 |
| 7 | Simply Irresistible | Robert Palmer | 3.6 | 4:14 |
| 8 | Back on the Chain Gang (2007 remaster) | Pretenders | 4.5 | 3:51 |
| 9 | Babooshka- assistant engineer:
- John Barratt (from 1979-09 until 1980-05)
- engineer:
- Jon Kelly (from 1979-09 until 1980-05)
- producer:
- Kate Bush and Jon Kelly
- analog synthesizer [CS 80] and lead vocals:
- Kate Bush (from 1979-09 until 1980-05)
- balalaika:
- Paddy Bush (from 1979-09 until 1980-05)
- drums (drum set):
- Stuart Elliott (from 1979-09 until 1980-05)
- electric bass guitar:
- John Giblin (from 1979-09 until 1980-05)
- electric guitar:
- Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (from 1979-09 until 1980-05)
- Rhodes piano [Fender Rhodes]:
- Max Middleton (from 1979-09 until 1980-05)
- background vocals:
- Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (in 1982)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (from 1979-09 until 1980-05)
- recording of:
- Babooshka (from 1979-09 until 1980-05)
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Ltd. and Kate Bush Music Ltd.
| Kate Bush | 3.55 | 3:29 |
| 10 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 11 | Kayleigh (2017 remaster) | Marillion | 3.7 | 4:03 |
| 12 | Self Control | Laura Branigan | 4.2 | 4:07 |
| 13 | Give Me the Night (single version)- recording engineer and mixer:
- Bruce Swedien
- assistant engineer:
- Sheridan Eldridge, Ralph Osborne and Mark Sackett
- producer:
- Quincy Jones
- bass guitar:
- Abraham Laboriel
- bass synthesizer:
- Richard Tee
- drums (drum set):
- John “JR” Robinson
- flute and saxophone:
- Kim Hutchcroft and Larry Williams
- guitar:
- George Benson and Lee Ritenour
- percussion:
- Paulinho da Costa
- piano:
- Herbie Hancock
- synthesizer:
- Michael Boddicker
- background vocals:
- Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- produced for:
- Quincy Jones Productions, Inc.
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Give Me the Night
- lyricist and composer:
- Rod Temperton
- publisher:
- Rodsongs , Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| George Benson | 3.65 | 4:58 |
| 14 | Ain’t Nobody | Chaka Khan | | 4:05 |
| 15 | Kokomo- engineer and mixer:
- Keith Wechsler
- producer:
- Terry Melcher
- accordion:
- Van Dyke Parks (from 1988-03-22 until 1988-04-06)
- acoustic guitar:
- Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
- alto saxophone:
- Joel Peskin (from 1988-03-22 until 1988-04-06)
- bass:
- Rod Clark (from 1988-03-22 until 1988-04-06)
- drums (drum set):
- Jim Keltner (from 1988-03-22 until 1988-04-06)
- slide guitar [electric slide guitar]:
- Ry Cooder (from 1988-03-22 until 1988-04-06)
- background vocals:
- Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (from 1988-03-22 until 1988-04-06), Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- lead vocals:
- Mike Love (from 1988-03-22 until 1988-04-06) and Carl Wilson (from 1988-03-22 until 1988-04-06)
- performer:
- The Beach Boys (from 1988-03-22 until 1988-04-06)
- phonographic copyright (℗) by:
- WEA International Inc. , Elektra (in 1988) and Touchstone Pictures (in 1988)
- music videos:
- Kokomo by The Beach Boys
- recording of:
- Kokomo (from 1988-03-22 until 1988-04-06)
- writer:
- Mike Love , Scott McKenzie, Terry Melcher and John Phillips
- publisher:
- Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division , Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
| The Beach Boys | 4.35 | 3:36 |
| 16 | True | Spandau Ballet | 3.65 | 5:28 |
| 17 | Some People | Cliff Richard | | 3:51 |
| 18 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 19 | Believe It or Not (from “Greatest American Hero”) | Joey Scarbury | 4 | 3:15 |
| 20 | Girls on Film (2010 remaster) | Duran Duran | 3.7 | 3:32 |
| 21 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:52 |
| 22 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.85 | 4:28 |
| 23 | La Bamba | Los Lobos | 4.15 | 2:53 |
| 24 | It Started with a Kiss | Hot Chocolate | 3 | 4:02 |
| 25 | Everybody Needs Somebody to Love | The Blues Brothers | 4.3 | 3:25 |
| 26 | I Can’t Wait | Nu Shooz | 4 | 3:38 |
| 27 | If You Don’t Know Me by Now | Simply Red | 3.4 | 3:26 |
| 28 | Each Time You Break My Heart | Nick Kamen | 3.5 | 4:33 |
| 29 | Life in a Northern Town | The Dream Academy | 4.3 | 4:16 |
| 30 | Superwoman (edit version) | Karyn White | | 4:32 |
| 31 | Always on My Mind- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1987, in 1991)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 42)
- cover recording of:
- Always on My Mind
- writer:
- Johnny Christopher , Mark James and Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Copyright Control , Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. and Sebanine Music
- sub-publisher:
- Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. and Screen Gems–EMI Music Ltd.
- recording of:
- Always on My Mind
- writer:
- Johnny Christopher , Mark James and Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Copyright Control , Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. and Sebanine Music
- sub-publisher:
- Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. and Screen Gems–EMI Music Ltd.
| Pet Shop Boys | 4.3 | 3:54 |
| 32 | Gimme Gimme Gimme | Narada Michael Walden feat. Patti Austin | | 4:41 |
| 33 | Josephine | Chris Rea | | 3:57 |
| 34 | St. Elmo’s Fire (Man in Motion) | John Parr | 3.8 | 4:11 |
| 35 | 18 and Life | Skid Row | 3.85 | 3:51 |
| 36 | Frankie (edit version) | Sister Sledge | | 4:16 |
| 37 | You’re the Inspiration- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records , Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| Chicago | 5 | 3:50 |
| 38 | Twist in My Sobriety | Tanita Tikaram | 4.7 | 4:50 |
| 39 | Love Shack (edit) | The B‐52s | 3.65 | 4:17 |
| 40 | Edge of Seventeen (2016 remaster) | Stevie Nicks | 4.05 | 5:29 |
| 41 | It’s My Life | Talk Talk | 3.75 | 3:52 |
| 42 | We’re Not Gonna Take It (single version)- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.35 | 3:37 |
| 43 | Once in a Lifetime (2005 remaster)- additional engineer:
- Jack Nuber, John Potoker and Steven Stanley
- assistant engineer:
- Kendal Stubbs
- engineer:
- Dave Jerden
- producer:
- Brian Eno and Talking Heads
- mixer:
- David Byrne , Brian Eno, Dave Jerden and John Potoker
- bass:
- Tina Weymouth
- drums (drum set):
- Chris Frantz
- guitar and lead vocals:
- David Byrne
- keyboard:
- Jerry Harrison
- background vocals:
- Brian Eno and Nona Hendryx
- arranger:
- Talking Heads
- vocals arranger:
- David Byrne and Brian Eno
- phonographic copyright (℗) by:
- Sire Records Company (in 1980)
- additionally recorded at:
- Eldorado Studios in Burbank, California, United States and Sigma Sound Studios in New York, New York, United States
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, United States (lead vocals, background vocals) and Sigma Sound Studios in New York, New York, United States (lead vocals, background vocals)
- mixed at:
- Eldorado Studios in Burbank, California, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 28), Helsingin Sanomat: 100 maailman parasta laulua (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 54)
- recording of:
- Once in a Lifetime
- lyricist:
- David Byrne
- composer:
- David Byrne , Brian Eno, Chris Frantz, Jerry Harrison and Tina Weymouth
- publisher:
- Bleu Disque Music Co. , Careers–BMG Music Publishing, Inc., E.G. Music Ltd. and Index Music
| Talking Heads | 4.4 | 4:19 |
| 44 | Something’s Gotten Hold of My Heart | Marc Almond | | 4:40 |
| 45 | Two of Hearts | Stacey Q | 4 | 3:57 |
| 46 | The Harder I Try | Brother Beyond | 1 | 3:29 |
| 47 | You Might Need Somebody | Randy Crawford | | 4:14 |
| 48 | What’s Love Got to Do with It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:50 |
| 49 | Sharp Dressed Man (2003 remaster) | ZZ Top | 4.6 | 4:13 |
| 50 | Epic (radio edit) | Faith No More | 4 | 3:59 |
| 51 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:53 |
| 52 | More Bounce to the Ounce | Zapp | 3 | 5:11 |
| 53 | Major Tom (Coming Home) | Peter Schilling | 4.35 | 5:01 |
| 54 | Here I Go Again 87 (2018 remaster)- producer:
- Kevin Elson, Keith Olsen and Mike Stone
- mixer:
- Keith Olsen
- drums (drum set) and percussion:
- Aynsley Dunbar
- electric bass guitar:
- Neil Murray
- electric guitar and background vocals:
- John Sykes
- guest keyboard and keyboard:
- Don Airey and Bill Cuomo
- solo electric guitar:
- Adrian Vandenberg
- lead vocals:
- David Coverdale
- phonographic copyright (℗) by:
- Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
- mixed at:
- Goodnight LA Studios in Van Nuys, California, United States
- music videos:
- Here I Go Again ’87 by Whitesnake
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 17)
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4.05 | 4:35 |
| 55 | In Private | Dusty Springfield | 4 | 4:22 |
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