Top of the Pops: 1970–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Waterloo
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1973-12-17)
Bassgitarre:
Rutger Gunnarsson (am 1973-12-17)
Gitarre:
Janne Schaffer (am 1973-12-17, am 1974-02-20)
Moog, mellotron und Klavier:
Benny Andersson (ABBA) (am 1973-12-17)
Schlagzeug:
Ola Brunkert (am 1973-12-17, am 1974-02-20)
Tenorsaxophon:
Christer Eklund (am 1974-01-04)
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1974) und Polar Music International AB (in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1973-12-17, am 1974-01-04, am 1974-02-20)
Teil von:
Sweden in the Eurovision Song Contest (Schweden beim Eurovision Song Contest) (Nummer: 1974) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1974)
recording of:
Waterloo (English version) (von 1973-12-17 bis 1974-01)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Overseas Songs (beendet), Polar Music AB (beendet), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1974 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1974 bis heute) und Universal/Union Songs Musikförlag AB (vom 1974 bis heute)
übersetzte Version von:
Waterloo (Swedish version)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.752:45
2Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:58
3I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:52
4The Tears of a Clown
recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3:04
5War
cover recording of:
War
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr3:48
6Stoned Love
recording of:
Stoned Love
Texter und Komponist(in):
Ken Thomas (British producer and engineer) und Frank Wilson (Motown singer/songwriter)
Verfasser(in):
Yennek Samoht und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd.
The Supremes2:59
7Never Can Say Goodbye
arranger:
City Life (arranger for Gloria Gaynor) und Harold Wheeler
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
Gloria Gaynor3:00
8Theme From Shaft
Bearbeitung von:
Theme From ‘Shaft’ von Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:16
9You’re the First, the Last, My Everything
Produzent(in):
Barry White
recording of:
You’re the First, the Last, My Everything (in 1974)
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White4.44:32
10Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:19
11Rock Me Gently
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:28
12A Simple Game
cover recording of:
A Simple Game
Texter und Komponist(in):
Mike Pinder
The Four Tops2:58
13Indiana Wants Me
recording of:
Indiana Wants Me
Texter und Komponist(in):
R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor3:45
14The Banner Man
Blue Mink3:29
15In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970) und Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.73:32
16The Pushbike Song
phonographisches Urheberrecht (℗) von:
The Image Music Group Pty. Ltd. (in 1996)
recording of:
The Pushbike Song
Verfasser(in):
Idris Lloyd Jones (The Mixtures) und James Evan Jones (The Mixtures)
publisher:
PolyGram Music Publishing und Universal Publishing
The Mixtures2:32
17Let’s Work Together
recording engineer und Mix:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
Techniker(in):
Joe Bellamy, Paul du Gré und Willie "Bass" Rice (engineer)
Produzent(in):
Canned Heat, Fito de la Parra und Skip Taylor
Bassgitarre:
Larry Taylor (US bassist) (von 2001-03 bis 2002-12)
flute, Horn [horns] und Mundharmonika:
Stanley Behrens (von 2001-03 bis 2002-12)
Gitarre [rhythm guitar]:
Harvey Mandel (American guitarist) (von 2001-03 bis 2002-12)
Perkussion, Schlagzeug und Timbales:
Fito de la Parra (von 2001-03 bis 2002-12)
Slide-Gitarre:
John Paulus (von 2001-03 bis 2002-12)
vocals:
Dallas Hodge (von 2001-03 bis 2002-12)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1970)
aufgenommen bei und mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (von 2001-03 bis 2002-12)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat42:46
18When I’m Dead and Gone
sonstige Unterstützung:
Chris Kimsey
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre und Gitarre:
Benny Gallagher, Graham Lyle und Tom McGuinness
Keyboard [keyboards]:
Dennis Coulson und Benny Gallagher
Mandoline:
Graham Lyle
Perkussion:
Hughie Flint
Sologesang [vocals]:
Dennis Coulson, Benny Gallagher und Graham Lyle
phonographisches Urheberrecht (℗) von:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
When I’m Dead and Gone
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint3:38
19Rocket Man (I Think It’s Going to Be a Long Long Time)
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Synthesizer:
David Hentschel
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 149) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John3.84:40
20Lady Eleanor
recording of:
Lady Eleanor
Texter und Komponist(in):
Alan Hull
publisher:
Hazy Music
Lindisfarne4:12
21American Pie, Pt. 1
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
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Nennungen

Veröffentlichungsgruppe

Teil von:Top of the Pops (UMC) (Nummer: 2) (Reihenfolge: 2)