Salt: Original Motion Picture Soundtrack

~ Release by James Newton Howard (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Prisoner Exchange
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Prisoner Exchange
composer:
James Newton Howard (American score composer)
4:09
2Escaping the CIA
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Escaping the CIA
composer:
James Newton Howard (American score composer)
5:21
3Cornered
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Cornered
composer:
James Newton Howard (American score composer)
1:10
4Orlov’s Story
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Orlov’s Story
composer:
James Newton Howard (American score composer)
4:44
5Chase Across DC
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Chase Across DC
composer:
James Newton Howard (American score composer)
6:51
6Hotel Room Preparations / Parade
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Hotel Room Preparations / Parade
composer:
James Newton Howard (American score composer)
3:14
7Attack on St. Bart’s Cathedral
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Attack on St. Bart’s Cathedral
composer:
James Newton Howard (American score composer)
3:11
8A Dark Goddamn Hole
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
A Dark Goddamn Hole
composer:
James Newton Howard (American score composer)
1:47
9Taser Puppet
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Taser Puppet
composer:
James Newton Howard (American score composer)
1:35
10You Are My Greatest Creation
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
You Are My Greatest Creation
composer:
James Newton Howard (American score composer)
4:14
11Destiny
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Destiny
composer:
James Newton Howard (American score composer)
2:23
12Barge Apocalypse
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Barge Apocalypse
composer:
James Newton Howard (American score composer)
2:26
13Day X
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Day X
composer:
James Newton Howard (American score composer)
1:38
14I’m Going Home
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
I’m Going Home
composer:
James Newton Howard (American score composer)
2:17
15Eight Floors Down
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Eight Floors Down
composer:
James Newton Howard (American score composer)
2:51
16Arming the Football
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Arming the Football
composer:
James Newton Howard (American score composer)
2:12
17Not Safe With Me
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Not Safe With Me
composer:
James Newton Howard (American score composer)
2:27
18You’re About to Become Famous
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
You’re About to Become Famous
composer:
James Newton Howard (American score composer)
1:39
19Mano a Mano
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Mano a Mano
composer:
James Newton Howard (American score composer)
1:51
20Garroted
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Garroted
composer:
James Newton Howard (American score composer)
3:32
21Go Get Em
recording engineer:
Shawn Murphy (producer/engineer)
co-producer:
Stuart Michael Thomas
producer:
James Newton Howard (American score composer)
assistant mixer:
Matt Ward (music engineer for films/tv)
mixer:
Joel Iwataki
assistant editor:
Steven R. Galloway
editor:
Joe E. Rand (editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Madison Gate Records, Inc.
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
James Newton Howard Studios in Santa Monica, California, United States
recording of:
Go Get Em
composer:
James Newton Howard (American score composer)
3:10