Essential Classics, Vol. 212: Billie Holiday (Digital download)

~ Release by Billie Holiday (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength
1I'll Be Seeing You
producer:
Milt Gabler
alto saxophone:
Lem Davis (saxophonist) (on 1944-04-01)
double bass:
John Simmons (bassist) (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
arranger:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
recorded at:
WOR Studios in New York, New York, United States (on 1944-04-01)
recording of:
I’ll Be Seeing You (on 1944-04-01)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
3:31
2Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.653:31
3I'm a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
43:25
4On the Sunny Side of the Street2:59
5Lover Man
producer:
Milt Gabler
alto saxophone:
Jack Cressey (on 1944-10-04) and Hymie Shertzer (on 1944-10-04)
double bass [bass]:
Haig Stephens (on 1944-10-04)
drums (drum set):
Johnny Blowers (on 1944-10-04)
guitar:
Carl Kress (on 1944-10-04)
piano:
Dave Bowman (jazz pianist) (on 1944-10-04)
tenor saxophone:
Larry Binyon (on 1944-10-04) and Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (on 1944-10-04)
trumpet:
Russ Case (US trumpeter & bandleader)
lead vocals:
Billie Holiday (on 1944-10-04)
orchestra:
Toots Camarata and His Orchestra (on 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (on 1944-10-04)
recording of:
Lover Man (on 1944-10-04)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
43:20
6I've Got My Love to Keep Me Warm
miscellaneous support:
Leroy Lovett (on 1955-02-14)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.753:58
7Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:21
8Willow Weep for Me
recorded in:
Los Angeles, California, United States (on 1954-09-03)
recording of:
Willow Weep for Me (on 1954-09-03)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
33:08
9Cheek to Cheek
double bass:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-14)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:37
10Love Me or Leave Me
recorded in:
Los Angeles, California, United States (on 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Love Me or Leave Me (on 1954-09-03)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
42:36
2Digital Media