Lucia di Lammermoor

~ Release by Donizetti; Maria Callas, Ferruccio Tagliavini, Piero Cappuccilli, Bernard Ładysz, Philharmonia Orchestra and Chorus, Tullio Serafin (see all versions of this release, 6 available)

Annotation

Recorded: 16-21 III.1959, Kingsway Hall, London.

(P)1960 EMI Records Ltd.
(P) 1997 Digital remastering EMI Records Ltd.
(C) 1997 EMI Records Ltd.

Comes with 144-pages booklet.
Made in Holland. Printed in Holland

Annotation last modified on 2016-10-06 05:14 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Lucia di Lammermoor: Atto II, Scena I. “Lucia fra poco a te verrà … Tremante l'aspetto”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:12
2Lucia di Lammermoor: Atto II, Scena I. “Appressati, Lucia … l pallor funesto, orrendo”
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti5:19
3Lucia di Lammermoor: Atto II, Scena I. “Soffriva nel pianto … Un folle t'accese”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:39
4Lucia di Lammermoor: Atto II, Scena I. “Che fia? … Suonar di giubilo”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:34
5Lucia di Lammermoor: Atto II, Scena I. “Se tradirmi tu potrai … Tu che vedi il pianto mio”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:03
6Lucia di Lammermoor: Atto II, Scena II. “Per te d'immenso giubilo … Per poco fra le tenebre sparì la …”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:24
7Lucia di Lammermoor: Atto II, Scena II. “Dov'è Lucia? … Qui giungere or la vedrem”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:41
8Lucia di Lammermoor: Atto II, Scena II. “Piange la madre estinta”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:22
9Lucia di Lammermoor: Atto II, Scena II. “Chi mi frena in tal momento”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
mezzo-soprano vocals [Alisa]:
Margreta Elkins (mezzo-soprano) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:36
10Lucia di Lammermoor: Atto II, Scena II. “T'allontana, sciagurato … Rispettate in me di Dio”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:12
11Lucia di Lammermoor: Atto II, Scena II. “Sconsigliato! In queste porte chi ti guida?”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1959-03-16)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:00
12Lucia di Lammermoor: Atto II, Scena II. “Esci, fuggi, il foror che mi accende”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Arturo]:
Leonard Del Ferro (tenor) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:22
13Lucia di Lammermoor: Atto III, Scena I. “D'imenso giubilo s'innalzi un grido”
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:23
14Lucia di Lammermoor: Atto III, Scena I. “Dalle stanze ove Lucia tratta avea col suo consorte”
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:25
15Lucia di Lammermoor: Atto III, Scena I. “Oh! Qual funesto avvenimento!”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:14
16Lucia di Lammermoor: Atto III, Scena I. “Il dolce suno mi colpi di sua voce! … Ardon gli incensi”
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
tenor vocals [Normanno]:
Renzo Casellato (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti11:49
17Lucia di Lammermoor: Atto III, Scena I. “Spargi d'amaro pianto”
producer:
Walter Legge (British classical producer)
baritone vocals [Enrico]:
Piero Cappuccilli (baritone) (from 1959-03-16 until 1959-03-21)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:08
18Lucia di Lammermoor: Atto III, Scena II. “Tombe degli avi miei”
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:00
19Lucia di Lammermoor: Atto III, Scena II. “Fra poco a me ricovero darà negletto avello”
producer:
Walter Legge (British classical producer)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:05
20Lucia di Lammermoor: Atto III, Scena II. “Oh, meschina! Oh, fato orrendo!”
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:24
21Lucia di Lammermoor: Atto III, Scena II. “Tu che a Dio spiegasti l'ali”
producer:
Walter Legge (British classical producer)
bass vocals [Raimondo]:
Bernard Ładysz (bass-baritone) (from 1959-03-16 until 1959-03-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-03-16 until 1959-03-21)
tenor vocals [Edgardo]:
Ferruccio Tagliavini (tenor) (from 1959-03-16 until 1959-03-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-03-16 until 1959-03-21)
conductor:
Tullio Serafin (conductor) (from 1959-03-16 until 1959-03-21)
chorus master:
Roberto Benaglio (conductor) (from 1959-03-16 until 1959-03-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-03-16 until 1959-03-21)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1959-03-16 until 1959-03-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:03

Credits

Release group

included in:The Complete Studio Recordings 1949-1969 by Maria Callas (soprano)
excerpts:Lucia di Lammermoor: Highlights (1959 London recording) by Donizetti (Italian opera composer); Callas (soprano), Tagliavini (tenor), Cappuccilli (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Serafin (conductor)
Discogs:https://www.discogs.com/master/560848 [info]
other databases:https://www.operadis-opera-discography.org.uk/ALDOLUCI.HTM#152 [info]
Allmusic:https://www.allmusic.com/album/mw0001515211 [info]