Classica: The Platinum Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmina Burana
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff?:??
2Carmen Suite
orchestra:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet?:??
3Sinfonia N. 40
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1976-04)
conductor:
Karl Böhm (Austrian conductor) (in 1976-04)
balance engineer:
Günter Hermanns (producer/engineer) (in 1976-04)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1976-04)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1976-04)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart?:??
4Canone E Giga
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Canon and Gigue in D major, P. 37, T. 337
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel?:??
5Al Chiaro Di Luna
piano:
Saleem Ashkar (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven?:??
6Aria Sulla IV Corda
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach?:??
7Danza Ungherese N. 5
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (conductor) (from 1982-04 until 1982-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms?:??
8Intermezzo (C. Rusticana)
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni?:??
9Sogno D'Amore
piano:
Maurizio Baglini
recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Classic 100: Piano (2025) (number: 36) and The Music of Liszt (number: S. 541)
Franz Liszt?:??
10Il Cigno
engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer)
cello:
Wolfgang Herzer (in 1974-10)
piano:
Alfons Kontarsky (pianist) and Aloys Kontarsky (pianist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1974-10)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns?:??
11Minuetto
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (in 1992-03)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1992-03)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini?:??
12Aria (Variazioni Goldberg)
piano:
Ramin Bahrami (pianist)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach?:??
13Valzer Del Fiori
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (conductor) (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky?:??
14Danza Degli Spiriti Beati
orchestra:
Camerata Ducale
conductor:
Guido Rimonda (Italian violinist and conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet “Dance of the Blessed Spirits” (arr. Mottl)
arranger:
Felix Mottl
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck?:??
15Per Elisa
piano:
Roberto Prosseda (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven?:??
16Te Deum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
arranger:
Walter Kolneder
recording of:
Te Deum, H. 146: Prélude (catch-all for arrangements)
composer:
Marc‐Antoine Charpentier (composer)
arrangement of:
Te Deum, H. 146: Prélude
Marc‐Antoine Charpentier?:??
17la Cavalcata Delle Valchirie
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (conductor) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner?:??
18Gymnopedie N. 1
piano:
Roberto Prosseda (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie?:??
19Va' Pensiero
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi?:??
3▶CD