| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | 2wice | Mission of Burma | | 3:36 |
| 2 | 6000 Shipwrecks | Kite Flying Society | | 3:35 |
| 3 | An Old Familiar Scene | Elf Power | | 4:12 |
| 4 | Benton Harbor Blues | The Fiery Furnaces | | 7:23 |
| 5 | Benton Harbor Blues Again | The Fiery Furnaces | | 5:12 |
| 6 | Black and White Movie | Janove Ottesen | | 3:59 |
| 7 | Born Under a Bad Sign | Richard Hawley | | 3:40 |
| 8 | Carly | The Capes | | 2:46 |
| 9 | Certain Kind of Light | Gus Black | | 2:37 |
| 10 | Controller | The Cops | | 3:25 |
| 11 | Conventional Wisdom | Built to Spill | | 6:21 |
| 12 | Counting 5‒4‒3‒2‒1 | Thursday | 1 | 3:19 |
| 13 | Cruel | Calexico | | 4:00 |
| 14 | Cupid | Pistolita | | 3:06 |
| 15 | Dance in My Blood | Men Women & Children | | 4:18 |
| 16 | Danse sur la merde | Prototypes | | 3:32 |
| 17 | Diferente | Gotan Project | 3.9 | 5:23 |
| 18 | Emily Kane- recording engineer und Produzent(in):
- John Fortis
- assistierende(r) Techniker(in):
- Ashley Krajewski
- Techniker(in):
- Mark “Top” Rankin
- zusätzliche(r) Produzent(in):
- Howard Gray
- Mix:
- John Fortis und Howard Gray
- E-Bass:
- Freddy Feedback
- Gitarre:
- Ian Catskilkin und Chris Chinchilla
- Schlagzeug:
- Mikey Breyer
- vocals:
- Eddie Argos
- aufgenommen bei:
- Apollo Control in Camden , London , England, Vereinigtes Königreich und The Exchange in Camden Town, Camden , London , England, Vereinigtes Königreich
- mixed at:
- Apollo Control in Camden , London , England, Vereinigtes Königreich
- recording of:
- Emily Kane
- Verfasser(in):
- Eddie Argos, Mikey Breyer, Ian Catskilkin, Chris Chinchilla und Freddy Feedback
| Art Brut | | 2:42 |
| 19 | Enemies Like This | Radio 4 | 5 | 4:21 |
| 20 | Everything’s on TV | The Hellacopters | | 3:15 |
| 21 | Face Down | The Red Jumpsuit Apparatus | 3 | 2:47 |
| 22 | Faster Kill Pussycat | Paul Oakenfold | 4 | 3:14 |
| 23 | Forgive & Forget | Alien Ant Farm | 3.6 | 2:59 |
| 24 | Formed a Band- assistierende(r) Techniker(in):
- Ashley Krajewski
- Techniker(in):
- Mark “Top” Rankin
- Produzent(in):
- John Fortis
- zusätzliche(r) Produzent(in):
- Howard Gray
- Mix:
- John Fortis und Howard Gray
- E-Bass:
- Freddy Feedback
- Gitarre:
- Ian Catskilkin und Chris Chinchilla
- Schlagzeug:
- Mikey Breyer
- vocals:
- Eddie Argos
- aufgenommen bei:
- Apollo Control in Camden , London , England, Vereinigtes Königreich und The Exchange in Camden Town, Camden , London , England, Vereinigtes Königreich
- mixed at:
- Apollo Control in Camden , London , England, Vereinigtes Königreich
- recording of:
- Formed a Band
- Verfasser(in):
- Eddie Argos, Mikey Breyer, Ian Catskilkin, Chris Chinchilla und Freddy Feedback
| Art Brut | 5 | 2:59 |
| 25 | Get Your Curse On | His Name Is Alive | | 3:40 |
| 26 | Glasgow Mega‐Snake | Mogwai | 3.3 | 3:35 |
| 27 | Goin’ Against Your Mind | Built to Spill | 5 | 8:41 |
| 28 | Gone Daddy Gone | Gnarls Barkley | 2.55 | 2:29 |
| 29 | Good Day | Angels & Airwaves | 4.5 | 4:40 |
| 30 | Goodnight and Go | Imogen Heap | 3.35 | 3:48 |
| 31 | Hands Open- recording engineer:
- Tom McFall (Chorgesang)
- Programmierung und Produzent(in):
- Jacknife Lee
- assistierende(r) Techniker(in):
- Stefano Soffia und Simon Wakeling
- Techniker(in):
- Tom McFall
- zusätzliche(r) Techniker(in):
- Sam Bell
- assistierende(r) Mix:
- Owen Skinner
- Mix:
- Cenzo Townshend
- Chorgesang:
- Iain Archer, Paul Archer , Charlie Clarke, Fay Russell, Ciaran Gribbin, Hrafnhildur Halldorsdottir, Eugene Kelly , David McGinty, Richeal Reader, Jenny Reeve, Claire Scott, Stacy Sievwright und Sarah Wilson
- phonographisches Urheberrecht (℗) von:
- Polydor Ltd. (UK) (in 2006)
- produced for:
- Big Life Management
- aufgenommen bei:
- Grouse Lodge Studios in County Westmeath, Leinster, Irland, Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich und The Arches in Glasgow, Scotland, Vereinigtes Königreich (Chorgesang)
- recording of:
- Hands Open
- Texter:
- Gary Lightbody
- Komponist(in):
- Nathan Connolly, Gary Lightbody, Jonny Quinn, Tom Simpson und Paul Wilson
- publisher:
- Big Life Music Ltd. und Universal Music Publishing BL Limited
| Snow Patrol | 3.65 | 3:18 |
| 32 | Hayanti Inta | Natacha Atlas | | 3:57 |
| 33 | Heartbeats | José González | 4.45 | 2:30 |
| 34 | Here We Are (Family in the Hallways) | The Appleseed Cast | | 3:41 |
| 35 | Hey There Delilah (acoustic) | Plain White T’s | | 3:51 |
| 36 | Hockey Monkey | The Zambonis | 3 | 1:41 |
| 37 | Hold On, Hold On | Neko Case | 4.5 | 2:44 |
| 38 | Honestly | Cartel | | 3:28 |
| 39 | If Tragedy’s Appealing, Then Disaster’s an Addiction | .moneen. | | 3:20 |
| 40 | I’ll Bring the Sun | Jason Collett | 4 | 3:34 |
| 41 | In Front of the House | Human Television | | 3:14 |
| 42 | In the Beginning | The Stills | | 5:44 |
| 43 | In the Valley | The Lovely Feathers | | 3:05 |
| 44 | Is It Any Wonder | Keane | 3.75 | 3:06 |
| 45 | Jesus Was a Crossmaker | Rachael Yamagata | 5 | 3:40 |
| 46 | Kamichi | Hell Is for Heroes | | 3:55 |
| 47 | Last One | Run Run Run | | 3:11 |
| 48 | Liar (It Takes One to Know One) | Taking Back Sunday | 4 | 3:10 |
| 49 | Lightning Blue Eyes | Secret Machines | | 5:29 |
| 50 | Little Razorblade | The Pink Spiders | | 4:11 |
| 51 | Lloyd, I’m Ready to Be Heartbroken | Camera Obscura | | 3:48 |
| 52 | Look and Listen | The Heavenly States | | 2:59 |
| 53 | Losing Generation | Happyendings | | 3:08 |
| 54 | Mexican Standoff | Elbow | | 4:01 |
| 55 | Mirror Kissers | The Cribs | | 3:35 |
| 56 | Multiply | Jamie Lidell | 4 | 4:27 |
| 57 | Nemo | Umphrey’s McGee | | 4:26 |
| 58 | Nice Day | Persephone’s Bees | | 4:01 |
| 59 | No Surprises | Shawn Lee | | 3:48 |
| 60 | Over and Over | Hot Chip | 4 | 5:46 |
| 61 | Oxygen | Willy Mason | | 3:02 |
| 62 | Paint Your Target | Fightstar | | 3:13 |
| 63 | Photograph | Eagle Seagull | | 6:09 |
| 64 | Professional | Scotch Greens | 4 | 2:44 |
| 65 | Pyrite Pedestal | Pretty Girls Make Graves | 5 | 3:26 |
| 66 | Rock and Roll Evacuation | Electric Six | 5 | 3:37 |
| 67 | Rough Gem | Islands | 5 | 3:37 |
| 68 | Say Hey There | Atmosphere | 3 | 4:29 |
| 69 | Simple Twist of Fate | The Honorary Title | | 2:58 |
| 70 | Sister in Love | Envelopes | | 2:40 |
| 71 | Sleep | OneRepublic | | 5:56 |
| 72 | So Long | Willy Mason | | 2:50 |
| 73 | Springtime Can Kill You | Jolie Holland | 3 | 2:47 |
| 74 | Standing in the Way of Control | Gossip | 4.3 | 4:17 |
| 75 | Strange Days | Thievery Corporation | | 4:21 |
| 76 | Strasbourg | The Rakes | | 2:29 |
| 77 | Swallow | Whysome | | 5:34 |
| 78 | Tearing Up the Oxygen | Maritime | | 3:57 |
| 79 | Telegraph Avenue Kiss | Thursday | 1 | 3:35 |
| 80 | The Coldest Heart | The Classic Crime | 4.5 | 3:42 |
| 81 | The Dragon With the Bleeding Nose | Ken | | 4:05 |
| 82 | The Funeral | Band of Horses | 4.3 | 5:22 |
| 83 | The Gate | Sam Roberts | | 4:14 |
| 84 | Thinking of You (acoustic) | Molly Jenson | | 4:14 |
| 85 | Time to Forgive the Winter | Girls in Hawaii | | 2:57 |
| 86 | Trains to Brazil | Guillemots | 5 | 4:01 |
| 87 | Twelve | ¡Forward, Russia! | 2 | 2:15 |
| 88 | Wake City | Ken | | 4:06 |
| 89 | Walking Disaster | Big 10-4 | | 3:55 |
| 90 | What’s Inside of Me | Starlight Mints | | 3:42 |
| 91 | White Guilt | The Bronx | 3.5 | 3:46 |
| 92 | Why Won’t You | The Rogers Sisters | | 2:51 |
| 93 | Wicked World | Osaka Popstar | | 2:56 |
| 94 | WMD | Blow Up Hollywood | 4 | 3:54 |
| 95 | Words Just Get in the Way | Richard Ashcroft | | 4:54 |
| 96 | You’re All I Have | Snow Patrol | | 3:48 |
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