Verdi Without Words: Grand Opera for Orchestra

~ Release by Verdi; Cincinnati Pops Orchestra, Erich Kunzel (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Aida: Selections from Act I
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
partial instrumental recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
partial instrumental recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
partial instrumental recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi8:22
2Aida: Act I: “Celeste Aida”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:57
3Aida: Act II: Triumphal Scene
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
partial instrumental recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial instrumental recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial instrumental recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:26
4Otello: Act IV: “Ave Maria” / “Niun mi tema” (Final Scene)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
partial instrumental recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
partial instrumental recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:28
5Il trovatore: Act II: “Vedi! Le fosche notturne spoglie” (Anvil Chorus)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:08
6Il trovatore: Act III: “Di quella pira l'orrendo foco”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:12
7La traviata: Act I: Prelude
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:48
8La traviata: Act I: “Dell'invito trascorsa è già l'ora” (Introduction)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:30
9La traviata: Act I: “Libiamo ne' lieti calici” (Brindisi)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi1:55
10La traviata: Act I: “Che è ciò?” (Waltz)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto I. “Che è ciò?” (Violetta, Alfredo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:25
11La traviata: Act I: “Un dì felice, eterea”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:46
12La traviata: Act I: “Sempre libera degg'io”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:16
13La traviata: Act II: “Di Provenza il mar, il suol”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:06
14Rigoletto: Act I: “Questa o quella”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:52
15Rigoletto: Act I: “Caro nome”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi3:09
16Rigoletto: Act III: “La donna è mobile”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:10
17Rigoletto: Act III: “Un dì, se ben rammentomi”
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi5:09
18Falstaff: Act III: “Tutto nel mondo è burla” (Finale)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:16
19Nabucco: Act III: “Va, pensiero” (Chorus of the Hebrew Slaves)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:10

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