Greatest Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Would I Lie to You
Interpret(in):
Charles & Eddie
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4.254:39
2Release MeWilson Phillips4:55
3Cambodia
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1981, in 2001), RAK, EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Cambodia
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. und Warner/Chappell Music Scandinavia AB
Kim Wilde53:58
4Orchard Road
recording of:
Orchard Road
Texter:
Leo Sayer
Komponist(in):
Alan Tarney
Leo Sayer4:26
5Mated
cover recording of:
Mated
Verfasser(in):
Roger Powell (US musician, programmer, and columnist, band "Utopia"), Todd Rundgren, Kasim Sulton und John “Willie” Wilcox
publisher:
MIDI Evil Music und Willie Wilcox Music
David Grant & Jaki Graham3:51
6Suddenly Last Summer
recording of:
Suddenly Last Summer
Texter und Komponist(in):
Martha Davis (of The Motels)
Motels3:32
7Whenever You Need Me
recording of:
Whenever You Need Me
Texter und Komponist(in):
Carol Ann Decker und Ronald Phillip Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
Virgin Music (Publishers) Ltd.
T’Pau4:02
8I’ve Been in Love Before
recording of:
I've Been in Love Before
Texter und Komponist(in):
Nick Van Eede
Cutting Crew5:07
9The Harder I TryBrother Beyond13:29
10Sweet Sixteen
Techniker(in):
Dave Concors, Neil Dorfsman und Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
assistierende(r) Mix:
Craig Vogel
Mix:
Gary Langan
Bass:
Marcus Miller (jazz musician) (in 1986)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1986) und Steve Stevens (US guitarist and songwriter) (in 1986)
Keyboard und Schlagzeug:
Keith Forsey (drummer, producer and songwriter) (in 1986)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986), BMG Ariola München GmbH (in 1987) und Chrysalis Records, Inc. (not for release label use!) (in 1987)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideo für:
Sweet Sixteen von Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music und Rare Blue Music Inc
Billy Idol3.84:14
11Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:02
12For Your Blue Eyes Only
recording of:
For Your Blue Eyes Only
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (producer, arranger and composer)
Tony Hadley4:00
13Home on Monday
assistierende(r) Techniker(in):
John Hodge (engineer)
Techniker(in):
Ross Cockle und Paul Grupp
Produzent(in):
John Boylan und Little River Band
Mix:
Paul Grupp
Akustikgitarre:
Beeb Birtles und Graeham Goble
Bass:
George McArdle
E-Gitarre:
Beeb Birtles und David Briggs (producer, guitarist of Little River Band)
Klavier:
Peter Sullivan
Schlagzeug:
Derek Pellicci
Hintergrundgesang:
Beeb Birtles, Graeham Goble und Glenn Shorrock
Sologesang:
Glenn Shorrock
Orchester:
Melbourne Symphony Orchestra
conductor:
Riccardo Formosa
Saiteninstrumente arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1975), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australien
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Home on Monday
Texter:
Beeb Birtles und Glenn Shorrock
Komponist(in):
Glenn Shorrock
publisher:
Tumbleweed Music Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band23:54
14What Other Reason
recording of:
What Other Reason
Texter und Komponist(in):
Clark Datchler
Johnny Hates Jazz3:21
15Something’s Gotten Hold of My Heart
recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney4:41
16Caravan of Love
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:38

Nennungen

Veröffentlichung

hergestellt in:Niederlande, Kingdom of the Netherlands
gedruckt in:Niederlande, Kingdom of the Netherlands
Fotografie:Benelux Press
design:Studio van Dijken (ICT, media and graphic design studio)
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1997)
lizensiert von:EMI Int. Records Ltd.
The Hit Label
Discogs:https://www.discogs.com/release/2541857 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/286845 [Info]