Artie Shaw and His Orchestra: 1944-45

~ Release by Artie Shaw and His Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Lucky Number
clarinet:
Artie Shaw (on 1945-06-12)
2:53
2You Go to My Head
clarinet:
Artie Shaw (on 1945-06-12)
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:14
3The Man I Love
clarinet:
Artie Shaw (on 1945-06-13)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:13
4I Could Write a Book
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-12)
alto saxophone:
Louis Prisby (on 1945-06-12) and Rudy Tanza (on 1945-06-12)
baritone saxophone:
Chuck Gentry (on 1945-06-12)
bass:
Morris Rayman (on 1945-06-12)
clarinet:
Artie Shaw (on 1945-06-12)
drums (drum set):
Lou Fromm (on 1945-06-12)
guitar:
Barney Kessel (on 1945-06-12)
piano:
Dodo Marmarosa (on 1945-06-12)
tenor saxophone:
Ralph Rosenlund (on 1945-06-12) and Jon Walton (on 1945-06-12)
trombone:
Gus Dixon (on 1945-06-12), Harry Rodgers (US big-band trombonist and arranger) (on 1945-06-12), Bob Swift (on 1945-06-12) and Ollie Wilson (on 1945-06-12)
trumpet:
Roy Eldridge (on 1945-06-12), Stan Fishelson (on 1945-06-12), Bernie Glow (on 1945-06-12) and George Schwartz (on 1945-06-12)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-12)
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:08
5Thrill of a Lifetime
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-13)
alto saxophone:
Louis Prisby (on 1945-06-13) and Rudy Tanza (on 1945-06-13)
baritone saxophone:
Chuck Gentry (on 1945-06-13)
bass:
Morris Rayman (on 1945-06-13)
clarinet:
Artie Shaw (on 1945-06-13)
drums (drum set):
Lou Fromm (on 1945-06-13)
guitar:
Barney Kessel (on 1945-06-13)
piano:
Dodo Marmarosa (on 1945-06-13)
tenor saxophone:
Ralph Rosenlund (on 1945-06-13) and Jon Walton (on 1945-06-13)
trombone:
Gus Dixon (on 1945-06-13), Harry Rodgers (US big-band trombonist and arranger) (on 1945-06-13), Bob Swift (on 1945-06-13) and Ollie Wilson (on 1945-06-13)
trumpet:
Roy Eldridge (on 1945-06-13), Stan Fishelson (on 1945-06-13), Bernie Glow (on 1945-06-13) and George Schwartz (on 1945-06-13)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-13)
recording of:
Thrill of a Lifetime (from the film “Thrill of a lifetime”)
lyricist:
Sam Coslow and Carmen Lombardo
composer:
Friedrich Hollaender
3:25
6Lucky Number
clarinet:
Artie Shaw (on 1945-06-14)
2:44
7Kasbah
alto saxophone:
Louis Prisby (on 1945-06-14) and Rudy Tanza (on 1945-06-14)
baritone saxophone:
Chuck Gentry (on 1945-06-14)
clarinet:
Artie Shaw (on 1945-06-14)
double bass [bass]:
Morris Rayman (on 1945-06-14)
drums (drum set):
Lou Fromm (on 1945-06-14)
guitar:
Barney Kessel (on 1945-06-14)
piano:
Dodo Marmarosa (on 1945-06-14)
tenor saxophone:
Ralph Rosenlund (on 1945-06-14) and Jon Walton (on 1945-06-14)
trombone:
Gus Dixon (on 1945-06-14), Harry Rodgers (US big-band trombonist and arranger) (on 1945-06-14), Bob Swift (on 1945-06-14) and Ollie Wilson (on 1945-06-14)
trumpet:
Roy Eldridge (on 1945-06-14), Stan Fishelson (on 1945-06-14), Bernie Glow (on 1945-06-14) and George Schwartz (on 1945-06-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-14)
3:05
8Lament
clarinet:
Artie Shaw (on 1945-06-14)
3:23
9Love Walked In
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-03)
alto saxophone:
Louis Prisby (on 1945-07-03) and Rudy Tanza (on 1945-07-03)
baritone saxophone:
Chuck Gentry (on 1945-07-03)
bass:
Morris Rayman (on 1945-07-03)
clarinet:
Artie Shaw (on 1945-07-03)
drums (drum set):
Lou Fromm (on 1945-07-03)
guitar:
Barney Kessel (on 1945-07-03)
piano:
Dodo Marmarosa (on 1945-07-03)
tenor saxophone:
Ralph Rosenlund (on 1945-07-03) and Jon Walton (on 1945-07-03)
trombone:
Gus Dixon (on 1945-07-03), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-03), Bob Swift (on 1945-07-03) and Ollie Wilson (on 1945-07-03)
trumpet:
Roy Eldridge (on 1945-07-03), Stan Fishelson (on 1945-07-03), Bernie Glow (on 1945-07-03) and George Schwartz (on 1945-07-03)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-03)
recording of:
Love Walked In (on 1945-07-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:55
10Soon
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-03)
alto saxophone:
Louis Prisby (on 1945-07-03) and Rudy Tanza (on 1945-07-03)
baritone saxophone:
Chuck Gentry (on 1945-07-03)
bass:
Morris Rayman (on 1945-07-03)
clarinet:
Artie Shaw (on 1945-07-03)
drums (drum set):
Lou Fromm (on 1945-07-03)
guitar:
Barney Kessel (on 1945-07-03)
piano:
Dodo Marmarosa (on 1945-07-03)
tenor saxophone:
Ralph Rosenlund (on 1945-07-03) and Jon Walton (on 1945-07-03)
trombone:
Gus Dixon (on 1945-07-03), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-03), Bob Swift (on 1945-07-03) and Ollie Wilson (on 1945-07-03)
trumpet:
Roy Eldridge (on 1945-07-03), Stan Fishelson (on 1945-07-03), Bernie Glow (on 1945-07-03) and George Schwartz (on 1945-07-03)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-03)
3:06
11Keepin’ Myself for You
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-06)
alto saxophone:
Louis Prisby (on 1945-07-06) and Rudy Tanza (on 1945-07-06)
baritone saxophone:
Chuck Gentry (on 1945-07-06)
clarinet:
Artie Shaw (on 1945-07-06)
double bass [bass]:
Morris Rayman (on 1945-07-06)
drums (drum set):
Lou Fromm (on 1945-07-06)
guitar:
Barney Kessel (on 1945-07-06)
piano:
Dodo Marmarosa (on 1945-07-06)
tenor saxophone:
Ralph Rosenlund (on 1945-07-06) and Jon Walton (on 1945-07-06)
trombone:
Gus Dixon (on 1945-07-06), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-06), Bob Swift (on 1945-07-06) and Ollie Wilson (on 1945-07-06)
trumpet:
Roy Eldridge (on 1945-07-06), Stan Fishelson (on 1945-07-06), Bernie Glow (on 1945-07-06) and George Schwartz (on 1945-07-06)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-06)
recording of:
Keepin’ Myself for You (on 1945-07-06)
lyricist:
Sidney Clare
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
3:11
12No One but You
clarinet:
Artie Shaw (on 1945-07-06)
3:05
13Natch
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-06)
alto saxophone:
Louis Prisby (on 1945-07-06) and Rudy Tanza (on 1945-07-06)
baritone saxophone:
Chuck Gentry (on 1945-07-06)
bass:
Morris Rayman (on 1945-07-06)
clarinet:
Artie Shaw (on 1945-07-06)
drums (drum set):
Lou Fromm (on 1945-07-06)
guitar:
Barney Kessel (on 1945-07-06)
piano:
Dodo Marmarosa (on 1945-07-06)
tenor saxophone:
Ralph Rosenlund (on 1945-07-06) and Jon Walton (on 1945-07-06)
trombone:
Gus Dixon (on 1945-07-06), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-06), Bob Swift (on 1945-07-06) and Ollie Wilson (on 1945-07-06)
trumpet:
Roy Eldridge (on 1945-07-06), Stan Fishelson (on 1945-07-06), Bernie Glow (on 1945-07-06) and George Schwartz (on 1945-07-06)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-06)
3:17
14That’s for Me
clarinet:
Artie Shaw (on 1945-07-11)
recording of:
That’s for Me (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:13
15They Can’t Take That Away From Me
clarinet:
Artie Shaw (on 1945-07-11)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1945-07-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:48
16They Can’t Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:45
17Our Love Is Here to Stay
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:56
18I Was Doing All Right
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
I Was Doing All Right
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:08
19Someone to Watch Over Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-17)
alto saxophone:
Louis Prisby (on 1945-07-17) and Rudy Tanza (on 1945-07-17)
baritone saxophone:
Chuck Gentry (on 1945-07-17)
bass:
Morris Rayman (on 1945-07-17)
clarinet:
Artie Shaw (on 1945-07-17)
drums (drum set):
Lou Fromm (on 1945-07-17)
guitar:
Barney Kessel (on 1945-07-17)
piano:
Dodo Marmarosa (on 1945-07-17)
tenor saxophone:
Ralph Rosenlund (on 1945-07-17) and Jon Walton (on 1945-07-17)
trombone:
Gus Dixon (on 1945-07-17), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-17), Bob Swift (on 1945-07-17) and Ollie Wilson (on 1945-07-17)
trumpet:
Roy Eldridge (on 1945-07-17), Stan Fishelson (on 1945-07-17), Bernie Glow (on 1945-07-17) and George Schwartz (on 1945-07-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-17)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1945-07-17)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:05
20Things Are Looking Up
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-17)
alto saxophone:
Louis Prisby (on 1945-07-17) and Rudy Tanza (on 1945-07-17)
baritone saxophone:
Chuck Gentry (on 1945-07-17)
bass:
Morris Rayman (on 1945-07-17)
clarinet:
Artie Shaw (on 1945-07-17)
drums (drum set):
Lou Fromm (on 1945-07-17)
guitar:
Barney Kessel (on 1945-07-17)
piano:
Dodo Marmarosa (on 1945-07-17)
tenor saxophone:
Ralph Rosenlund (on 1945-07-17) and Jon Walton (on 1945-07-17)
trombone:
Gus Dixon (on 1945-07-17), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-17), Bob Swift (on 1945-07-17) and Ollie Wilson (on 1945-07-17)
trumpet:
Roy Eldridge (on 1945-07-17), Stan Fishelson (on 1945-07-17), Bernie Glow (on 1945-07-17) and George Schwartz (on 1945-07-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-17)
recording of:
Things Are Looking Up (A Damsel in Distress) (on 1945-07-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:09
21The Maid With the Flaccid Air
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-19)
alto saxophone:
Louis Prisby (on 1945-07-19) and Rudy Tanza (on 1945-07-19)
baritone saxophone:
Chuck Gentry (on 1945-07-19)
bass:
Morris Rayman (on 1945-07-19)
clarinet:
Artie Shaw (on 1945-07-19)
drums (drum set):
Lou Fromm (on 1945-07-19)
guitar:
Barney Kessel (on 1945-07-19)
piano:
Dodo Marmarosa (on 1945-07-19)
tenor saxophone:
Ralph Rosenlund (on 1945-07-19) and Jon Walton (on 1945-07-19)
trombone:
Gus Dixon (on 1945-07-19), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-19), Bob Swift (on 1945-07-19) and Ollie Wilson (on 1945-07-19)
trumpet:
Roy Eldridge (on 1945-07-19), Stan Fishelson (on 1945-07-19), Bernie Glow (on 1945-07-19) and George Schwartz (on 1945-07-19)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-19)
3:52
22They Didn’t Believe Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-21)
alto saxophone:
Louis Prisby (on 1945-07-21) and Rudy Tanza (on 1945-07-21)
baritone saxophone:
Chuck Gentry (on 1945-07-21)
bass:
Morris Rayman (on 1945-07-21)
clarinet:
Artie Shaw (on 1945-07-21)
drums (drum set):
Lou Fromm (on 1945-07-21)
guitar:
Barney Kessel (on 1945-07-21)
piano:
Dodo Marmarosa (on 1945-07-21)
tenor saxophone:
Ralph Rosenlund (on 1945-07-21) and Jon Walton (on 1945-07-21)
trombone:
Gus Dixon (on 1945-07-21), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-21), Bob Swift (on 1945-07-21) and Ollie Wilson (on 1945-07-21)
trumpet:
Roy Eldridge (on 1945-07-21), Stan Fishelson (on 1945-07-21), Bernie Glow (on 1945-07-21) and George Schwartz (on 1945-07-21)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-21)
recording of:
They Didn’t Believe Me (on 1945-07-21)
lyricist:
Herbert Reynolds (lyricist)
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Girl From Utah
2:59
23No One but You
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-21)
alto saxophone:
Louis Prisby (on 1945-07-21) and Rudy Tanza (on 1945-07-21)
baritone saxophone:
Chuck Gentry (on 1945-07-21)
bass:
Morris Rayman (on 1945-07-21)
clarinet:
Artie Shaw (on 1945-07-21)
drums (drum set):
Lou Fromm (on 1945-07-21)
guitar:
Barney Kessel (on 1945-07-21)
piano:
Dodo Marmarosa (on 1945-07-21)
tenor saxophone:
Ralph Rosenlund (on 1945-07-21) and Jon Walton (on 1945-07-21)
trombone:
Gus Dixon (on 1945-07-21), Harry Rodgers (US big-band trombonist and arranger) (on 1945-07-21), Bob Swift (on 1945-07-21) and Ollie Wilson (on 1945-07-21)
trumpet:
Roy Eldridge (on 1945-07-21), Stan Fishelson (on 1945-07-21), Bernie Glow (on 1945-07-21) and George Schwartz (on 1945-07-21)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-21)
3:03
3▶CD