Easter Oratorio BWV 249 / Magnificat BWV 243

~ Release by Johann Sebastian Bach; Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Easter Oratorio: Sinfonia
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:01
2Easter Oratorio: Adagio
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:16
3Easter Oratorio: Chorus: 'Kommt, eilet und laufet'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
chorus master:
Simon Schouten (chorus master) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:46
4Easter Oratorio: Recitativo: 'O kalter Manner Sinn!'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1998-02-03 until 1998-02-09)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1998-02-03 until 1998-02-09)
soprano vocals:
Lisa Larsson (soprano) (from 1998-02-03 until 1998-02-09)
tenor vocals:
Gerd Türk (German tenor) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:04
5Easter Oratorio: Aria: 'Seele, deine Spezereien'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach11:01
6Easter Oratorio: Recitativo: 'Hier ist die Gruft'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1998-02-03 until 1998-02-09)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1998-02-03 until 1998-02-09)
tenor vocals:
Gerd Türk (German tenor) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:47
7Easter Oratorio: Aria: 'Sanfte soll mein Todeskummer'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Gerd Türk (German tenor) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:17
8Easter Oratorio: Recitativo: 'Indessen seufzen wir'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1998-02-03 until 1998-02-09)
soprano vocals:
Lisa Larsson (soprano) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:05
9Easter Oratorio: Aria: 'Saget, saget mir geschwinde'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1998-02-03 until 1998-02-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:47
10Easter Oratorio: Recitativo: 'Wir sind erfreut'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:40
11Easter Oratorio: Chorus: 'Preis und Dank'
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1998-02-03 until 1998-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1998-02-03 until 1998-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1998-02-03 until 1998-02-09)
chorus master:
Simon Schouten (chorus master) (from 1998-02-03 until 1998-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-02-03 until 1998-02-09)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1998-02-03 until 1998-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:20
12Magnificat: Chorus: 'Magnificat anima mea Dominum'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1996-02-03 until 1996-02-09)
soprano vocals:
Lisa Larsson (soprano) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:51
13Magnificat: Aria: 'Et exsultavit spiritus meusin Deo'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals [sop II]:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:27
14Magnificat: Aria: 'Quia respexit humilitatem'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Lisa Larsson (soprano) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:24
15Magnificat: Chorus: 'Omnes generationes'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:13
16Magnificat: Aria: 'Quia fecit mihi magna qui potens est'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
17Magnificat: Aria: 'Et misericordia'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 1996-02-03 until 1996-02-09)
tenor vocals:
Gerd Türk (German tenor) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:15
18Magnificat: Chorus: 'Fecit potentiam in brachio suo'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:49
19Magnificat: Aria: 'Deposuit potentes de sede'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Gerd Türk (German tenor) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
20Magnificat: Aria: 'Esurientes implevit bonus'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:44
21Magnificat: Chorus: 'Suscepit Israel puerum suum'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 1996-02-03 until 1996-02-09)
soprano vocals [Sop I]:
Lisa Larsson (soprano) (from 1996-02-03 until 1996-02-09)
soprano vocals [sop II]:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:22
22Magnificat: Chorus: 'Sicut locutus est ad patres nostros'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:18
23Magnificat: Chorus: 'Gloria Patri, gloria Filio'
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1996-02-03 until 1996-02-09)
orchestra:
Amsterdam Baroque Orchestra (from 1996-02-03 until 1996-02-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-02-03 until 1996-02-09)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-02-03 until 1996-02-09)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (from 1996-02-03 until 1996-02-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:49