The Navy Swings!

~ Release by Shelly Manne (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1It Could Happen to You
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
It Could Happen to You
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:23
2Teef
producer:
Vil Vohler
bass:
Juney Booth
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Mike Wofford
tenor saxophone:
John Gross
trumpet:
Gary Barone
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1970)
3:41
3Steve
producer:
Vil Vohler
bass:
Juney Booth
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Mike Wofford
tenor saxophone:
John Gross
trumpet:
Gary Barone
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1970)
4:05
4The King Swings
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
2:22
5Green Dolphin Street
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
2:19
6The Champ
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
The Champ
composer:
Dizzy Gillespie
publisher:
Skyview Music
2:10
7A Gem From Tiffany
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
A Gem from Tiffany
composer:
Bill Holman
1:45
8Love for Sale
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
instrumental recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
1:56
9Wouldn't You
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
Wouldn't You
composer:
Dizzy Gillespie and Ray Passman
2:01
10The Breeze and I
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
instrumental recording of:
The Breeze and I
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucía
2:02
11Speak Low
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
instrumental recording of:
Speak Low (One Touch of Venus)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
1:50
12Fan Tan
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
2:25
13Morris Minor
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
2:37
14Frank's Tune
producer:
Vil Vohler
bass:
Monty Budwig
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Frank Strozier
piano:
Mike Wofford
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1965 until 1967)
recording of:
Frank's Tune
composer:
Frank Strozier
2:21
15Summertime
producer:
Vil Vohler
bass:
Monty Budwig
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Frank Strozier
piano:
Mike Wofford
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1965 until 1967)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:25
16Alone Together
producer:
Vil Vohler
bass:
Monty Budwig
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Frank Strozier
piano:
Mike Wofford
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1965 until 1967)
instrumental recording of:
Alone Together
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:25
17March of the Siamese Children
producer:
Vil Vohler
bass:
Monty Budwig
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Frank Strozier
piano:
Mike Wofford
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1965 until 1967)
recording of:
March of the Siamese Children (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
3:01
18The Man I Love
producer:
Vil Vohler
bass:
Monty Budwig
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Frank Strozier
piano:
Mike Wofford
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1965 until 1967)
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:02
19Softly as in a Morning Sunrise
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:01
20Yesterdays
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
instrumental recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:37
21Easy High-Flying Phyllis
producer:
Vil Vohler (in 1970)
bass:
Juney Booth (in 1970)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1970)
piano:
Mike Wofford (in 1970)
tenor saxophone:
John Gross (in 1970)
trumpet:
Gary Barone (in 1970)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1970)
4:06
22Here's That Rainy Day
producer:
Vil Vohler (in 1970)
bass:
Juney Booth (in 1970)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1970)
piano:
Mike Wofford (in 1970)
tenor saxophone:
John Gross (in 1970)
trumpet:
Gary Barone (in 1970)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1970)
instrumental recording of:
Here’s That Rainy Day (in 1970)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:13
23The Navy Swings
producer:
Vil Vohler
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Russ Freeman (pianist)
tenor saxophone:
Richie Kamuca
trumpet:
Conte Candoli
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1961 until 1965)
recording of:
The Navy Swings
writer:
Vil Vohler
1:19

Credits

Release

photography:Stan Levey
Florence Manne
liner notes:Scott Yanow
additional producer:Peter Jacobson (cellist, producer, songwriter-singer, chamber musician, teacher and music selector)
mastering:Peter Jacobson (cellist, producer, songwriter-singer, chamber musician, teacher and music selector)
John Jungklaus
design:Mario Levesque
Discogs:https://www.discogs.com/release/6917980 [info]
ASIN:US: B00006FSSC [info]