Violin Adagios

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2001 Decca Music Group Limited
This Compilation ℗ 2001 Decca Music Group Limited

Annotation last modified on 2024-12-30 11:47 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Thaïs: Acte Deux: Méditation religieuse
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:40
2Violin Concerto no. 1 in G minor, op. 26: 2. Adagio
recording engineer:
James Lock (James Locke, engineer) (from 1972-05-15 until 1972-05-20)
producer:
Ray Minshull (record producer)
violin:
Kyung Wha-Chung (Kyung-Wha Chung, violinist) (from 1972-05-15 until 1972-05-20)
orchestra:
Royal Philharmonic Orchestra (from 1972-05-15 until 1972-05-20)
conductor:
Rudolf Kempe (conductor) (from 1972-05-15 until 1972-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-15 until 1972-05-20)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (from 1972-05-15 until 1972-05-20)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:39
312 Violin Concertos, op. 8 "Il cimento dell'armonia e dell' invenzione": Concerto no. 4 in F minor for Solo Violin "L'Inverno": 2. Largo (excerpt)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi42:20
4Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: 2. Largo ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:29
5Adagio in E major, K. 261
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1970-01)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-01)
conductor:
Sir Alexander Gibson (conductor) (in 1970-01)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (in 1970-01)
recording of:
Adagio for Violin and Orchestra in E major, K. 261 (in 1970-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 261), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 261) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 261)
Wolfgang Amadeus Mozart6:42
6Vocalise, op. 34, no. 14
producer:
Hein Dekker (recording producer) and Hermine Sterringa
piano:
Phillip Moll (pianist) (in 1996-08)
violin:
Akiko Suwanai (violinist) (in 1996-08)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-08)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, unspecified arranger) (in 1996-08)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Vasilyevich Rachmaninoff5:27
7Violin Concerto in D major, op. 77: II. Adagio
recording engineer:
James Lock (James Locke, engineer) and Philip Siney (sound engineer)
producer:
Paul Myers (classical record producer)
violin:
Joshua Bell (violinist) (on 1994-05-29)
orchestra:
The Cleveland Orchestra (on 1994-05-29)
conductor:
Christoph von Dohnányi (German conductor) (on 1994-05-29)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1996) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1996)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1994-05-29)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (on 1994-05-29)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:10
8Violin Concerto, op. 14: II. Andante
engineer:
Duncan Mitchell (engineer) (in 1996-01)
producer:
Chris Hazell
violin:
Joshua Bell (violinist) (in 1996-01)
orchestra:
Baltimore Symphony Orchestra (in 1996-01)
conductor:
David Zinman (conductor) (in 1996-01)
balance engineer:
Simon Eadon (classical music engineer) (in 1996-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (in 1996-01)
recording of:
Concerto for Violin and Orchestra, op. 14: II. Andante (in 1996-01)
composer:
Samuel Barber (American composer) (in 1939)
part of:
Concerto for Violin and Orchestra, op. 14
Samuel Barber8:47
9Mélodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) (arranged for violin and piano)
piano:
István Hajdu (pianist) (from 1973-02-12 until 1973-02-16)
violin:
Arthur Grumiaux (Belgian violinist) (from 1973-02-12 until 1973-02-16)
recorded at:
Concertgebouw: Kleine Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (from 1973-02-12 until 1973-02-16)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:44
10Violin Sonata no. 5 in F major, op. 24 "Spring": 2. Adagio molto espressivo
producer:
Michael Woolcock (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1974-06)
violin:
Itzhak Perlman (violinist and conductor) (in 1974-06)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-06)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo (in 1974-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:26
11Violin Concerto in D, op. 35, TH. 59: 2. Canzonetta (Andante)
engineer:
Cees Heijkoop (recording engineer) (in 1994-10) and Thijs Hoekstra (in 1994-10)
producer:
Ursula Singer
violin:
Leila Josefowicz (violinist) (from 1994-10-12 until 1994-10-14)
orchestra:
Academy of St Martin in the Fields (from 1994-10-12 until 1994-10-14)
conductor:
Sir Neville Marriner (conductor) (from 1994-10-12 until 1994-10-14)
balance engineer:
Ursula Singer (in 1994-10)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1994-10-12 until 1994-10-14)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (from 1994-10-12 until 1994-10-14)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Peter Ilich Tchaikovsky4.56:57
12Gypsy Melodies, op. 55: No. 4. Songs My Mother Taught Me
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
piano:
István Hajdu (pianist) (from 1973-02-12 until 1973-02-16)
violin:
Arthur Grumiaux (Belgian violinist) (from 1973-02-12 until 1973-02-16)
recorded at:
Concertgebouw: Kleine Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-02-12 until 1973-02-16)
recording of:
Gypsy Melodies: Songs My Mother Taught Me (for violin and piano, arr. Kreisler) (from 1973-02-12 until 1973-02-16)
composer:
Antonín Dvořák (composer)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Antonín Dvořák2:08
13None but the Lonely Heart
recorded in:
London (Greater London), England, United Kingdom
producer:
Raymond Few (Ray Few, producer)
violin:
Josef Sakonov
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Josef Sakonov
arranger:
Sidney Sax (violinist and concertmaster)
recording of:
6 Romances, op. 6: No. 6. Нет, только тот, кто знал / None but the Lonely Heart (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arrangement of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
Peter Ilich Tchaikovsky3:24
14The Gadfly, op. 97: III. Youth. Romance
producer:
Andrew Cornall (engineer / producer)
violin:
Alexander Kerr (violinist) (in 1998-09)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1998-09)
conductor:
Riccardo Chailly (conductor) (in 1998-09)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-09)
recording of:
The Gadfly, op. 97: III. Youth. Allegretto moderato (in 1998-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
part of:
The Gadfly, op. 97
Dmitri Dmitriyevich Shostakovich3:50
2▶Digital Media