It Ain’t Necessarily So: Legendary Classic and Jazz Studio Takes

~ Release by Heifetz (see all versions of this release, 2 available)

Tracklist

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1An Outlandish Suite: No. 2. Florida Night Song
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
An Outlandish Suite: No. 2. Florida Night Song (in 1945-11)
composer:
Susan H. Dyer
Susan Dyer3:00
2Golliwog’s Cakewalk
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Golliwog’s Cakewalk (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
Claude Debussy (French composer) (from 1906-06 until 1908-07)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
Claude Debussy2:34
3Clair de lune
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (in 1945-11)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy3:45
4Ao pé da fogueira
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
Flausino Vale (Brazilian violinist and composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Ao pé da fogueira
Flausino Rodriques do Vale1:15
5Huella, op. 49
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Huella, op. 49 (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Julián Aguirre (Argentinean composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Huella, op. 49 (for piano)
Julián Aguirre2:31
6Prelude in C-sharp minor, op. 34 no. 10
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor (in 1945-11)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
Dmitri Shostakovich2:02
7Prelude in D-flat major, op. 34 no. 15
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
24 Preludes, op. 34, no. 15: Allegretto in D-flat major (in 1945-11)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
Dmitri Shostakovich1:00
8Waves at Play
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist)
recorded at:
World Broadcasting System Studios in New York, New York, United States
recording of:
Waves at Play
composer:
Edwin Grasse (American composer) (in 1914)
Edwin Grasse1:42
9March, from Love for Three Oranges
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
March from The Love for Three Oranges (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra)
Sergei Prokofiev1:29
10Masks, from Romeo and Juliet
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Masks from Romeo and Juliet (for violin and piano, Heifetz) (in 1945-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks
Sergei Prokofiev2:05
11Hexapoda: 1. Gut-Bucket Gus
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: I. Gut-Bucket Gus (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett2:01
12Hexapoda: 2. Jane Shakes Her Hair
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: II. Jane Shakes Her Hair (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:06
13Hexapoda: 3. Betty and Harold Close Their Eyes
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: III. Betty and Harold Close Their Eyes (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:43
14Hexapoda: 4. Jim Jives
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hexapoda: IV. Jim Jives (in 1945-11)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:00
15Hexapoda: 5. …Till Dawn Sunday
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hexapoda: V. Til Dawn Sunday (in 1945-11)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:51
16The Ballad of Mack the Knife, from The Threepenny Opera
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Seven Pieces from "The Threepenny Opera": No. 1. Song of Human Insufficiency / Mack the Knife (for violin and piano, arr. Frenkel) (in 1945-11)
composer:
Kurt Weill (composer)
piano and violin arranger:
Stefan Frenkel
part of:
Seven Pieces from "The Threepenny Opera" (for violin and piano, arr. Frenkel)
Kurt Weill2:23
17Souvenir d’un lieu cher, op. 42: No. 3. Melodie in E-flat
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie (on 1945-11-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Peter Ilyich Tchaikovsky3:49
18Nocturne in E-flat, op. 55 no. 2
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Nocturne in E‐flat, op. 55 no. 2 (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Nocturne no. 16 in E‐flat major, op. 55 no. 2: Lento
Fryderyk Chopin3:56
19Mélodie, from Orphée et Euridice
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (in 1945-11)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:55
20Bird as prophet, from Waldszenen
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (for violin and piano, arr. Auer) (in 1945-11)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
piano and violin arranger:
Leopold Auer (Hungarian violinist and composer)
arrangement of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
Robert Schumann2:35
21Rimsky-Korsakov: Hymn to the Sun, from The Golden Cockerel (arr.Kreisler)
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hymn to the Sun from The Golden Cockerel (for violin and piano, Kreisler) (in 1945-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1919)
arrangement of:
The Golden Cockerel: Act II. Entrance and Aria of Queen Shemakha (Hymn in the Sunshine) (Shemakha)
Nicolai Rimsky-Korsakov3:07
22Dance no. 4
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Dance no. 4 (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
Alexander Krein (Russian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
part of:
Works of Alexander Krein by opus number (number: 4)
arrangement of:
Dances, op. 50: No. 4. Allegretto in A minor
Alexander Krein1:37
23Hungarian Dance no. 7 in A major
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Hungarian Dances: No. 7 in A major (for violin and piano, Joachim) (in 1945-11)
composer:
Johannes Brahms (German composer)
arranger:
Joseph Joachim (Hungarian violinist and composer)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 7 in A major: Allegretto – Vivo
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms2:03
24The Swan
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (violinist) (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (on 1945-12-01)
composer:
Camille Saint‐Saëns (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns2:39
25Size Pictures, op. 30: No. 4. Hills
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
6 Pictures, op. 30: No. 4. Hills (for violin and piano) (in 1945-11)
composer:
Cecil Burleigh
dedicated to:
Gaylord Yost (American violinist and composer)
part of:
6 Pictures, op. 30 (for violin and piano)
Cecil Burleigh1:35
26Small Concert Pieces, op. 21: No. 4. Moto perpetuo
piano:
Emanuel Bay (in 1946-07)
violin:
Jascha Heifetz (violinist) (in 1946-07)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (in 1946-07)
recording of:
4 Small Concert Pieces, op. 21: No. 4. Moto perpetuo (for violin and piano) (in 1946-07)
composer:
Cecil Burleigh
dedicated to:
Albert Spalding (violinist)
part of:
4 Small Concert Pieces, op. 21 (for violin and piano)
Cecil Burleigh1:17
27Berceuse, from Jocelyn
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements) (on 1946-07-13)
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
arrangement of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
Benjamin Godard3:15
28Where My Caravan Has Rested
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Where My Caravan Has Rested (on 1946-07-13)
lyricist:
Edward Teschemacher
composer:
Hermann Löhr
part of:
Romany Songs
Hermann Löhr2:57
29When You Make Love to Me (Don’t Make Believe)Jim Hoyl1:40