Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 2 available)

Tracklist

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1Weihnachtsoratorium, BWV 248: Pt. 1: No. 1. Chor. "Jauchzet, frohlocket, auf, preiset die Tage"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:29
2Weihnachtsoratorium, BWV 248: Pt. 1: No. 2. Rezitativ. "Es begab sich aber zu der Zeit"
Johann Sebastian Bach1:09
3Weihnachtsoratorium, BWV 248: Pt. 1: No. 3. Rezitativ. "Nun wird mein liebster Bräutigam"
Johann Sebastian Bach0:52
4Weihnachtsoratorium, BWV 248: Pt. 1: No. 4. Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:57
5Weihnachtsoratorium, BWV 248: Pt. 1: No. 5. Choral. "Wie soll ich dich empfangen"
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
6Weihnachtsoratorium, BWV 248: Pt. 1: No. 6. Rezitativ. "Und sie gebar ihren ersten Sohn"
Johann Sebastian Bach0:24
7Weihnachtsoratorium, BWV 248: Pt. 1: No. 7. Choral. "Er ist auf Erden kommen arm"
Johann Sebastian Bach2:55
8Weihnachtsoratorium, BWV 248: Pt. 1: No. 8. Aria. "Großer Herr, o starker König"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:26
9Weihnachtsoratorium, BWV 248: Pt. 1: No. 9. Choral. "Ach mein herzliebes Jesulein"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:12
10Weihnachtsoratorium, BWV 248: Pt. 2: No. 10. Sinfonia
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:43
11Weihnachtsoratorium, BWV 248: Pt. 2: No. 11. Rezitativ. "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
12Weihnachtsoratorium, BWV 248: Pt. 2: No. 12. Choral. "Brich an, o schönes Morgenlicht"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
13Weihnachtsoratorium, BWV 248: Pt. 2: No. 13. Rezitativ. "Und der Engel sprach zu ihnen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:41
14Weihnachtsoratorium, BWV 248: Pt. 2: No. 14. Rezitativ. "Was Gott dem Abraham verheißen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
15Weihnachtsoratorium, BWV 248: Pt. 2: No. 15. Aria. "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:45
16Weihnachtsoratorium, BWV 248: Pt. 2: No. 16. Rezitativ. "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:18
17Weihnachtsoratorium, BWV 248: Pt. 2: No. 17. Choral. "Schaut hin, dort liegt im finstern Stall"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
18Weihnachtsoratorium, BWV 248: Pt. 2: No. 18. Rezitaitv. "So geht denn hin"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
19Weihnachtsoratorium, BWV 248: Pt. 2: No. 19. Aria. "Schlafe, mein Liebster"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:23
20Weihnachtsoratorium, BWV 248: Pt. 2: No. 20. Rezitativ. "Und alsobald war da bei dem Engel"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:16
21Weihnachtsoratorium, BWV 248: Pt. 2: No. 21. Chor. "Ehre sei Gott in der Höhe"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:55
22Weihnachtsoratorium, BWV 248: Pt. 2: No. 22. Rezitativ. "So recht, ihr Engel"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
23Weihnachtsoratorium, BWV 248: Pt. 2: No. 23. Choral. "Wir singen dir in deinem Heer"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
24Weihnachtsoratorium, BWV 248: Pt. 3: No. 24. Chor. "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:18
25Weihnachtsoratorium, BWV 248: Pt. 3: No. 25. Rezitativ. "Und da die Engel von ihnen gen Himmel führen"
Johann Sebastian Bach0:11
26Weihnachtsoratorium, BWV 248: Pt. 3: No. 26. Chor. "Lasset uns nun gehen gen Bethlehem"
Johann Sebastian Bach0:47
27Weihnachtsoratorium, BWV 248: Pt. 3: No. 27. Rezitativ. "Er hat sein Volk getröst"
Johann Sebastian Bach0:38
28Weihnachtsoratorium, BWV 248: Pt. 3: No. 28. Choral. "Dies hat er alles uns getan"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
29Weihnachtsoratorium, BWV 248: Pt. 3: No. 29. Duett. "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:50
30Weihnachtsoratorium, BWV 248: Pt. 3: No. 30. Rezitativ. "Und sie kamen eilend"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
31Weihnachtsoratorium, BWV 248: Pt. 3: No. 31. Aria. "Schließe, mein Herze, dies selige Wunder"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:04
32Weihnachtsoratorium, BWV 248: Pt. 3: No. 32. Rezitativ. "Ja, ja, mein Herz"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:28
33Weihnachtsoratorium, BWV 248: Pt. 3: No. 33. Choral. "Ich will dich mit Fleiß bewahren"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
34Weihnachtsoratorium, BWV 248: Pt. 3: No. 34. Rezitativ. "Und die Hirten kehrten wieder um"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
35Weihnachtsoratorium, BWV 248: Pt. 3: No. 35. Choral. "Seid froh dieweil"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
36Weihnachtsoratorium, BWV 248: Pt. 3: No. 24. Chor. "Herrscher des Himmels, erhöre das Lallen" (Reprise)
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:23
37Weihnachtsoratorium, BWV 248: Pt. 4: No. 36. Chor. "Fallt mit Danken, fallt mit Loben"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:46
38Weihnachtsoratorium, BWV 248: Pt. 4: No. 37. Rezitativ. "Und da acht Tage um waren"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
39Weihnachtsoratorium, BWV 248: Pt. 4: No. 38. Rezitativ und Arioso-Choral. "Immanuel, o süßes Wort"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:30
40Weihnachtsoratorium, BWV 248: Pt. 4: No. 39. Aria. "Flößt, mein Heiland"
choir vocals:
Soloists of the Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:16
41Weihnachtsoratorium, BWV 248: Pt. 4: No. 40. Rezitativ und Arioso-Choral. "Wohlan, dein Name soll allein"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:36
42Weihnachtsoratorium, BWV 248: Pt. 4: No. 41. Aria. "Ich will nur dir zu Ehren leben"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
43Weihnachtsoratorium, BWV 248: Pt. 4: No. 42. Choral. "Jesus richte mein Beginnen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:19
44Weihnachtsoratorium, BWV 248: Pt. 5: No. 43. Chor. "Ehre sei dir, Gott, gesungen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:48
45Weihnachtsoratorium, BWV 248: Pt. 5: No. 44. Rezitativ. "Da Jesus geboren war zu Bethlehem"
Johann Sebastian Bach0:22
46Weihnachtsoratorium, BWV 248: Pt. 5: No. 45. Chor und Rezitativ. "Wo ist der neugeborne König der Jüden"
Johann Sebastian Bach1:39
47Weihnachtsoratorium, BWV 248: Pt. 5: No. 46. Choral. "Dein Glanz all Finsternis verzehrt"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
48Weihnachtsoratorium, BWV 248: Pt. 5: No. 47. Aria. "Erleucht auch meine finstre Sinnen"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:22
49Weihnachtsoratorium, BWV 248: Pt. 5: No. 48. Rezitativ. "Da das der König Herodes hörte"
Johann Sebastian Bach0:12
50Weihnachtsoratorium, BWV 248: Pt. 5: No. 49. Rezitativ. "Warum wollt ihr erschrecken"
Johann Sebastian Bach0:27
51Weihnachtsoratorium, BWV 248: Pt. 5: No. 50. Rezitativ. "Und ließ versammeln alle Hohepriester"
Johann Sebastian Bach1:22
52Weihnachtsoratorium, BWV 248: Pt. 5: No. 51. Terzett. "Ach, wenn wird die Zeit erscheinen?"
alto vocals:
Paul Esswood (countertenor) (in 1972)
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:42
53Weihnachtsoratorium, BWV 248: Pt. 5: No. 52. Rezitativ. "Mein Liebster herrschet schon"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:29
54Weihnachtsoratorium, BWV 248: Pt. 5: No. 53. Choral. "Zwar ist solche Herzensstube"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
55Weihnachtsoratorium, BWV 248: Pt. 6: No. 54. Chor. "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
56Weihnachtsoratorium, BWV 248: Pt. 6: No. 55. Rezitativ. "Da berief Herodes die Weisen heimlich"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
57Weihnachtsoratorium, BWV 248: Pt. 6: No. 56. Rezitativ. "Du Falscher, suche nur den Herrn zu fällen"
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
58Weihnachtsoratorium, BWV 248: Pt. 6: No. 57. Aria. "Nur ein Wink von seinen Händen"
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
59Weihnachtsoratorium, BWV 248: Pt. 6: No. 58. Rezitativ. "Als sie nun den König gehöret hatten"
tenor vocals [Evangelist]:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
60Weihnachtsoratorium, BWV 248: Pt. 6: No. 59. Choral. "Ich steh an deiner Krippen hier"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
61Weihnachtsoratorium, BWV 248: Pt. 6: No. 60. Rezitativ. "Und Gott befahl ihnen im Traum"
Johann Sebastian Bach0:22
62Weihnachtsoratorium, BWV 248: Pt. 6: No. 61. Rezitativ. "So geht! Genug, mein Schatz geht nicht von hier"
Johann Sebastian Bach1:52
63Weihnachtsoratorium, BWV 248: Pt. 6: No. 62. Aria. "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
64Weihnachtsoratorium, BWV 248: Pt. 6: No. 63. Rezitativ. "Was will der Höllen Schrecken nun"
alto vocals:
Paul Esswood (countertenor) (in 1972)
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
65Weihnachtsoratorium, BWV 248: Pt. 6: No. 64. Choral. "Nun seid ihr wohl gerochen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:36