Futurpiano

~ Release by George Antheil, Arthur Lourie, Leo Ornstein; Daniele Lombardi (see all versions of this release, 2 available)

Annotation

8 page booklet
Liner notes in English, dated June 2009

On back tray insert

Futurist piano music composed between 1913 and 1933 performed by Daniele Lombardi. Booklet features detailed historical notes and archive images. Cover design after Fortunato Depero (1932). An LTM recording. Made in EU

In booklet

Recorded by renowned Italian pianist Daniele Lombardi in Rome and Lugano in 1995, Futurpiano collects together key works by three radical composers linked with Futurism, and the 20th Century musical avant-garde.
Recorded at Auditorio ella RSI, Lugano (Lourié, Ornstein); Studi Edipan, Rome (Antheil). Recorded 1995.
Cover design by Moderne and Atomluft after Futurismo journal cover by Fortunato Depero (1932). With thanks to Michael Broyles, Detlef Gojowy, Vladimir Markov, Daniele Lombardi, Carol J. Oja, Vivian Perlis, Fulvio Sola, Gerry Basso. An LTM CD released under license from Daniele Lombardi.
© + ℗ Daniele Lombardi 1995; 2009

On disc

Made in EU

Annotation last modified on 2024-05-09 19:41 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Synthèses, op. 16: 1. Lent
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 1. Lent (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie2:55
2Synthèses, op. 16: 2. Modérément animéArthur Vincent Lourie2:12
3Synthèses, op. 16: 3. Vite (Aigu)Arthur Vincent Lourie2:34
4Synthèses, op. 16: 4. Assez vite, mais toujours mesuréArthur Vincent Lourie1:23
5Synthèses, op. 16: 5. Mesuré
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Synthèses, op. 16: No. 5. Mesuré (in 1995)
composer:
Артур Сергеевич Лурье
part of:
Synthèses, op. 16
Arthur Vincent Lourie1:56
6Formes en l'air (à Pablo Picasso): 1.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 1 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie2:54
7Formes en l'air (à Pablo Picasso): 2.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 2 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie3:03
8Formes en l'air (à Pablo Picasso): 3.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Formes en l'air: No. 3 (in 1995)
composer:
Артур Сергеевич Лурье
dedicated to:
Pablo Picasso (famous painter)
part of:
Formes en l'air
Arthur Vincent Lourie3:49
9Suicide in an Airplane
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Suicide in an Airplane, S006 (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (from 1913 to ????)
Leo Ornstein3:49
10Three Moods: 1. Anger
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 1. Anger (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein2:21
11Three Moods: 2. Grief
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 2. Grief (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein3:30
12Three Moods: 3. Joy
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
Three Moods, S005: No. 3. Joy (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer) (in 1913)
part of:
Three Moods, S005
Leo Ornstein2:59
13À la chinoise
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Auditorio della RSI in Lugano, Ticino, Switzerland (in 1995)
recording of:
À la Chinoise, op. 39, S060 (in 1995)
composer:
Leo Ornstein (Russian-born American avant-garde composer)
part of:
Works of Leo Ornstein by opus number (number: op. 39)
Leo Ornstein4:06
14Mechanisms: 1.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 1. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil6:00
15Mechanisms: 2.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 2. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil3:45
16Mechanisms: 3.
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
edit of:
Mechanisms by Daniele Lombardi
recording of:
Mechanisms, W. 50: 3. (in 1995)
composer:
George Antheil (composer and pianist) (in 1923)
part of:
Mechanisms, W. 50 (for piano)
George Antheil2:52
1720 preludi de La femme 100 têtes - after Max Ernst: 1. Thoughtfully, Not Too Slow
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: I. Thoughtfully. Not too slow (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:24
1820 preludi de La femme 100 têtes - after Max Ernst: 2. Thoughtfully, Not Too Slow
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: II. Thoughtfully. Not too slow (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:12
1920 preludi de La femme 100 têtes - after Max Ernst: 3. Faintly Energetic
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: III. Faintly Energetic (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:11
2020 preludi de La femme 100 têtes - after Max Ernst: 5. Furioso
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: V. Furioso (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:18
2120 preludi de La femme 100 têtes - after Max Ernst: 6. Floating
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VI. Floating (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:57
2220 preludi de La femme 100 têtes - after Max Ernst: 7. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VII. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:59
2320 preludi de La femme 100 têtes - after Max Ernst: 8. Electrical, spiccato
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: VIII. Electrical. Spiccato (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:49
2420 preludi de La femme 100 têtes - after Max Ernst: 9. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: IX. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:38
2520 preludi de La femme 100 têtes - after Max Ernst: 10. Slightly, Brutal Tempo
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: X. Slightly brutal tempo (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:35
2620 preludi de La femme 100 têtes - after Max Ernst: 13. Nostalgic, Twisted, Slowly
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XIII. Nostalgic. Twisted slowly (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:54
2720 preludi de La femme 100 têtes - after Max Ernst: 15. Slowly
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XV. Slowly (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:54
2820 preludi de La femme 100 têtes - after Max Ernst: 16. Lights Flashing
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XVI. Lights Flashing (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:05
2920 preludi de La femme 100 têtes - after Max Ernst: 25. Minuet?
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXV. Minuet? (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:45
3020 preludi de La femme 100 têtes - after Max Ernst: 26. Onward Christian Soldiers
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXVI. Onward Christian Soldiers (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:29
3120 preludi de La femme 100 têtes - after Max Ernst: 32. Sad
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXII. Sad (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:19
3220 preludi de La femme 100 têtes - after Max Ernst: 33. Mystic Tempo
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXIII. Mystic Temple (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil2:16
3320 preludi de La femme 100 têtes - after Max Ernst: 35. Furioso
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XXXV. Furioso (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:19
3420 preludi de La femme 100 têtes - after Max Ernst: 40. Nostalgic
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XL. Nostalgic (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:01
3520 preludi de La femme 100 têtes - after Max Ernst: 44. A Machine
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XLIV. A Machine (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil1:14
3620 preludi de La femme 100 têtes - after Max Ernst: 45. Cruel, Quick
piano:
Daniele Lombardi
phonographic copyright (℗) by:
Daniele Lombardi (in 1995)
recorded at:
Studi Edipan in Roma (Rome), Roma, Lazio, Italy (in 1995)
recording of:
La Femme 100 têtes, W. 60: XLV. Cruel. Quick (in 1995)
composer:
George Antheil (composer and pianist) (from 1932 until 1933)
dedicated to:
Max Ernst (German artist)
part of:
La Femme 100 têtes, W. 60
George Antheil0:34

Credits

Release

sound engineer:Digeo Fasolis (sound engineer)
Giovanni Fornari
producer:Danilo Prefumo
mastering:Friedrich Schumacher (sound engineer)
copyrighted (©) by:Daniele Lombardi (in 1995, in 2009)
phonographic copyright (℗) by:Daniele Lombardi (in 2009)
design:Atomluft
Fortunato Depero (in 1932: task: cover design after)
licensed from:Daniele Lombardi
design:Moderne
purchase for download and purchase for mail-order:https://www.ltmrecordings.com/futurpiano_ltmcd2541.html [info]
Discogs:https://www.discogs.com/release/6689383 [info]
discography entry:https://www.ltmrecordings.com/futurpiano_ltmcd2541.html [info]
show notes:https://www.ltmrecordings.com/futurpiano_ltmcd2541.html [info]