From This Moment On

~ Veröffentlichung von Cole Porter (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Vol… 1
2▼CD: Vol..2
Nr.TitelKünstlerBewertungLänge
1Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Lee Wiley3:10
2Find Me a Primitive Man
recording of:
Find Me a Primitive Man
Texter und Komponist(in):
Cole Porter (composer)
Lee Wiley3:25
3Friendship
vocals:
Judy Garland (am 1940-04-15)
Interpret(in):
Johnny Mercer
recording of:
Friendship (am 1940-04-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
Teil von:
Anything Goes
Teil von:
DuBarry Was a Lady (1939 stage musical)
Judy Garland & Johnny Mercer52:37
4Make It Another Old Fashioned, Please
recording of:
Make It Another Old-Fashioned, Please (Panama Hattie musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1940)
Teil von:
Panama Hattie (1940 Cole Porter musical)
Ethel Merman2:58
5Let’s Be Buddies
recording of:
Let’s Be Buddies (Panama Hattie musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1940)
Teil von:
Panama Hattie (1940 Cole Porter musical)
Teil von:
Panama Hattie (1942 film)
Ethel Merman & Joan Carroll3:23
6Dream Dancing
recorded in:
New York, New York, Vereinigte Staaten (am 1941-09-10)
vocals:
Fred Astaire (am 1941-09-10)
Orchester:
Harry Sosnik and His Orchestra (am 1941-09-10)
recording of:
Dream Dancing (from “You’ll Never Get Rich”) (am 1941-09-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire2:43
7Since I Kissed My Baby Goodbye
Fred Astaire & The Delta Rhythm Boys2:58
8Let’s Do It
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Billie Holiday2:59
9What Is This Thing Called Love
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Lena Horne2:44
10Let’s Not Talk About Love
recording of:
Let's Not Talk About Love (Let's Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
Danny Kaye2:25
11Ev’rything I Love
alto saxophone:
Sol Kane (am 1941-11-27) und Clint Neagley (am 1941-11-27)
baritone saxophone:
Chuck Gentry (am 1941-11-27)
Gitarre:
Tom Morgan (Big band era guitarist) (am 1941-11-27)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1941-11-27)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1941-11-27)
Kontrabass:
Sid Weiss (am 1941-11-27)
Posaune:
Cutty Cutshall (am 1941-11-27) und Lou McGarity (am 1941-11-27)
Schlagzeug:
Ralph Collier (drums, percussion) (am 1941-11-27)
Tenorsaxophon:
George Berg (am 1941-11-27) und Vido Musso (am 1941-11-27)
Trompete:
Billy Butterfield (am 1941-11-27), Al Davis (am 1941-11-27) und Joe Ferrante (am 1941-11-27)
vocals:
Peggy Lee (jazz vocalist) (am 1941-11-27)
recording of:
Everything I Love (Let’s Face It! musical) (am 1941-11-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Benny Goodman with Peggy Lee3:05
12You Irritate Me So
recording of:
You Irritate Me So
Verfasser(in):
Cole Porter (composer)
Hildegarde2:56
13Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-01-19)
alto saxophone:
Fred Stulce (am 1942-01-19)
Bass:
Hank Stern (Jazz bassist) (am 1942-01-19)
Cello:
Cy Bernard (am 1942-01-19)
Geige / Violine:
Harry Bluestone (am 1942-01-19), Sam Freed (am 1942-01-19), Nick Pisani (am 1942-01-19) und Mischa Russell (violinist) (am 1942-01-19)
Gitarre:
Clark Yocum (am 1942-01-19)
Harfe:
Ann Mason (American harpist) (am 1942-01-19)
Instrumente:
Manny Gershman (am 1942-01-19)
Klarinette:
Heinie Beau (am 1942-01-19)
Klavier:
Skitch Henderson (am 1942-01-19)
Oboe:
Charles Strickfaden (am 1942-01-19)
Tenorsaxophon:
Don Lodice (am 1942-01-19)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-01-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Axel Stordahl (am 1942-01-19)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-01-19)
Teil von:
V Disc (by matrix number) (Nummer: VP 65)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1942-01-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frank Sinatra13:06
14You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-30)
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
conductor:
Paul Weston (am 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (am 1942-07-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Dinah Shore2:56
15Ev’ry Time We Say Goodbye
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Maxine Sullivan3:07
16I Love You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-11)
Sologesang:
Bing Crosby (am 1944-02-11)
Orchester:
John Scott Trotter and His Orchestra (am 1944-02-11)
cover recording of:
I Love You (Mexican Hayride musical) (am 1944-02-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical) (am 1944-02-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Bing Crosby2:37
17Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters3.53:07
18Blow, Gabriel, Blow
recording of:
Blow, Gabriel Blow (Anything Goes)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Ethel Merman2:27
19Look What I Found
recording of:
Look What I Found (from Around the World)
Verfasser(in):
Cole Porter (composer)
Larry Laurence2:53
20Be a Clown
vocals:
Judy Garland und Gene Kelly (US dancer/actor)
Orchester:
MGM Orchestra
conductor:
Lennie Hayton
recording of:
Be a Clown (The Pirate film) (am 1947-07-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1946)
Teil von:
The Pirate (1948 film)
Judy Garland & Gene Kelly2:37
21Wunderbar
Sologesang:
Alfred Drake (actor, singer) und Patricia Morison
conductor:
Pembroke Davenport (conductor)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Wunderbar (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Kiss Me, Kate (musical)
Patricia Morison & Alfred Drake3:37
22Brush Up Your Shakespeare
recording of:
Brush Up Your Shakespeare (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
Teil von:
Kiss Me, Kate (musical)
Harry Clark & Jack Diamond1:41
3▶CD: Vol… 3
4▶CD: Vol… 4

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