Shakespeare’s Musick

~ Release by Musicians of The Globe, Philip Pickett (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Hollis Berrie
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Hollis Berrie (in 1995-04)
composer:
English anon. ([anonymous], special purpose artist)
[anonymous]1:46
2Daphne
recording engineer:
Gosia Jankowska, Roger de Schot and Ko Witteveen (engineer)
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer), Fiona Gale and Gosia Jankowska
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04, in 1996-05)
conductor:
Philip Pickett (musician) (in 1995-04, in 1996-05)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-05)
[anonymous]2:36
3My Robin Is to the Greenwood Gone
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Robin is to the greenwood gone [The Schoole of Musicke, no. 21] (in 1995-04)
composer:
[anonymous] (special purpose artist)
lute arranger:
Thomas Robinson (English renaissance composer, fl. 1600) (in 1603)
part of:
The Schoole of Musicke
[anonymous]1:37
4Tickle My Toe
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Tickle My Toe (in 1995-04)
composer:
English Renaissance anon. ([anonymous], special purpose artist)
[anonymous]1:31
5It Was a Lover and His Lass
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
soprano vocals:
Libby Crabtree (in 1995-04) and Rachel Elliot (soprano) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
First Book of Ayres: It Was a Lover and His Lass (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer) (until 1600)
is based on:
A Lover and His Lass (original poem)
part of:
First Book of Ayres
Thomas Morley3:16
6Kemp’s Jig
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Kemp's Jig (in 1995-04)
written in:
England, United Kingdom
writer:
[traditional] (special purpose artist)
publisher:
Logo Songs Ltd.
[anonymous]1:22
7Take, O Take Those Lips Away
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Rosalind Waters (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Take, Oh Take Those Lipps Away (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Wilson (English baroque composer and lutenist)
John Wilson2:51
8Bonny Sweet Robin
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
harpsichord:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
Giles Farnaby4:24
9Farewell, Dear Love
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love (in 1995-04)
composer:
Robert Jones (English lutenist and composer)
Robert Jones4:58
10Tarletones Riserrectione, P 59
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Tarleton's Riserrectione, P. 59 (for lute solo) (in 1995-04)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 59)
John Dowland1:41
11Hold, Lingel, Hold
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
mezzo-soprano vocals:
Jeanette Ager (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]2:34
12How Should I Your True Love Know
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
soprano vocals:
Meredith Hall (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]1:19
13Walsingham
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]0:46
14Get You Hence
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04) and Rosalind Waters (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Get you hence (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson1:25
15The First Booke of Consort Lessons: La Coranto
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: La coranto (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:34
16La Coranto in C major, MB 45
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Coranto (or Jig) in C, MB 28/45 (in 1995-04)
composer:
William Byrd (English composer)
William Byrd1:10
17Hark, Hark! The Lark
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Hark, Hark! the Lark (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson1:27
18The First Booke of Consort Lessons: La Volta
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Lavolto (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:38
19The First Booke of Consort Lessons: La Volta (arr. William Byrd)
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
arranger:
William Byrd (English composer)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
La Volta No. 2 in G minor, MB 91 (in 1995-04)
composer:
William Byrd (English composer)
part of:
Musica Britannica Volume 27's catalogue of William Byrd's keyboard music (number: 91) and Fitzwilliam Virginal Book (number: FVB 155)
part of:
Fitzwilliam Virginal Book
Thomas Morley1:20
20The Poor Soul Sat Sighing “Willow Song”
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Meredith Hall (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The Willow Song (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
[traditional] (special purpose artist)
[anonymous]9:52
21Robin
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]2:10
22Mistresse Mine, Well May You Fare “O Mistress Mine”
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: O Mistress Mine (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:42
23O Mistris Mine, MB 83
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
O mistress mine, MB 28/83 (in 1995-04)
composer:
William Byrd (English composer)
William Byrd5:09
24Full Fathom Five
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Full Fathom Five Thy Father Lies (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer) (in 1611)
Robert Johnson2:00
25Where the Bee Sucks, There Suck I
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Where the Bee Sucks (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson0:56
26Can She Excuse
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Can She Excuse (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:29
27The Frog Galliard
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: The Frog Galliard (in 1995-04)
lute arranger:
Thomas Morley (English Renaissance composer)
is based on:
The Frog Galliard, P. 23a
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:00
28Go From My Window
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Go From My Window (Fitzwilliam virginal book, nos. 9 (I) and 42 (II)) (in 1995-04)
virginal arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
Fitzwilliam Virginal Book, no. 9: Goe from my window
is based on:
Go From My Window, P. 64
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley4:00
2▶CD