Classics 2001

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Ave Maria (arr. Gounod) (Andrea Bocelli)
recording engineer:
Thijs Hoekstra, Everett Porter und Roger de Schot
Produzent(in):
Anna Barry (classical producer)
Mix und Tonmeister(in):
Jean‐Marie Geijsen
Tenor-Gesang:
Andrea Bocelli (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
aufgenommen bei:
Auditorium Conciliazione in Roma (Rom), Roma, Lazio, Italien
recording of:
Ave Maria (Bach/Gounod)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach43:04
2Thaïs: Méditation (Kennedy)
Produzent(in):
James Mallinson (producer)
Geige / Violine:
Nigel Kennedy (violinist) (in 1983-12)
Orchester:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet5:40
3Turandot: Nessun Dorma! (Luciano Pavarotti)
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:59
4Lakmé: Dôme Épais le Jasmin (Joan Sutherland)Léo Delibes3:48
5Nocturne
Secret Garden3:13
6Samson: Let the Bright Seraphim (Kiri Te Kanawa)
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
Georg Friedrich Händel5:55
7Violin Concerto No. 1 in G Minor, Op. 26: Adagio (Kyung Wha Chung)
recording engineer:
James Lock (James Locke, engineer) (von 1972-05-15 bis 1972-05-20)
Produzent(in):
Ray Minshull (record producer)
Geige / Violine:
Kyung Wha-Chung (Kyung-Wha Chung, violinist) (von 1972-05-15 bis 1972-05-20)
Orchester:
Royal Philharmonic Orchestra (von 1972-05-15 bis 1972-05-20)
conductor:
Rudolf Kempe (conductor) (von 1972-05-15 bis 1972-05-20)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-05-15 bis 1972-05-20)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio) (von 1972-05-15 bis 1972-05-20)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:41
8Gladiator - Now We Are Free
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard44:21
9Ride of the Valkyries (Sir Georg Solti)
Techniker(in):
James Lock (James Locke, engineer)
Produzent(in):
Christopher Raeburn (producer)
Orchester:
Wiener Philharmoniker (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
conductor:
Sir Georg Solti (conductor) (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1982-10-11 bis 1982-10-12)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1982-10-14 bis 1982-10-15)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:06
10Riders on the Storm
Produzent(in):
Jaz Coleman
Đàn Tranh:
Trần Quang Hải
Geige / Violine:
Nigel Kennedy (violinist)
Perkussion:
Chris Goody
Orchester:
Symfonický orchestr hlavního města Prahy FOK (Prager Symphoniker)
conductor:
Peter Scholes (NZ composer & conductor)
zusätzlich conductor:
Petr Pýcha
arranger und Orchestrator(in):
Jaz Coleman
cover recording of:
Riders on the Storm
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
Nigel Kennedy6:19
11'O Sole Mio
recording of:
’O sole mio
Texter:
Giovanni Capurro (in 1898)
Komponist(in):
Eduardo Di Capua (in 1898) und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) und Gennarelli Casa Editrice
The Three Tenors2:34
12Requiem: Pie Jesu (Sarah Brightman)
Partner-Techniker(in):
Martin Levan
Techniker(in):
John Kurlander (engineer)
Produzent(in):
David R. Murray
Orgel:
James Lancelot (in 1984-12)
Chorgesang:
Winchester Cathedral Choir (in 1984-12)
Diskantstimme:
Paul Miles-Kingston (in 1984-12)
Soprangesang:
Sarah Brightman (in 1984-12)
Orchester:
English Chamber Orchestra (in 1984-12)
conductor:
Lorin Maazel (conductor) (in 1984-12)
chorus master:
Martin Neary (English organist and choral conductor)
phonographisches Urheberrecht (℗) von:
The Really Useful Group Ltd. (not for release label use!)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1984-12-20 bis 1984-12-22)
Musikvideos:
Pie Jesu von Sarah Brightman & Paul Miles-Kingston with Winchester Cathedral Choir
recording of:
Requiem: Pie Jesu (von 1984-12-20 bis 1984-12-22)
Texter und Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited und The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Requiem
Andrew Lloyd Webber33:58
13The Piano: The Heart Asks Pleasure First (Jean-Yves Thibaudet)
Klavier:
Jean‐Yves Thibaudet (pianist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
Michael Nyman2:12
14Serse: Ombra Mai Fu (Andreas Scholl)
Countertenorgesang [Serse]:
Andreas Scholl (countertenor)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:00
15Tosca: E Lucevan le Stelle (José Carreras)
Tenor-Gesang [Cavaradossi]:
José Carreras (Spanish tenor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:07
16Star Wars - Main Theme
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
Komponist(in):
John Williams (American score composer and conductor) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams5:38
17Victory
recording of:
Victory
Komponist(in):
Tonči Huljić
basiert auf:
Aureliano in Palmira: Sinfonia
bond3:27
18Granada
Produzent(in):
Günther Breest (producer for classical music) und Bobby Schmidt
Tenor-Gesang:
Plácido Domingo (tenor) (in 1975-10)
Orchester:
London Symphony Orchestra (in 1975-10)
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist) (in 1975-10)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
recording of:
Granada (original Spanish version) (in 1975-10)
Texter und Komponist(in):
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. und Peer International Corporation (BMI) (vom 1932 bis heute)
Plácido Domingo3:52
19Carousel - You'll Never Walk Alone (Rodgers)
vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Bryn Terfel3:02
2CD