The Definitive Collection 1956-62

~ Veröffentlichung von Shirley Bassey (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
Nr.TitelBewertungLänge
1A Lovely Way To Spend An Evening
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
A Lovely Way to Spend an Evening
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Chappell Music (UK), Memory Lane Music Ltd. und Victoria Music Publishing Co. Ltd.
3:22
2This Love Of Mine
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
This Love of Mine
Texter:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Komponist(in):
Sol Parker (songwriter) und Henry Sanicola
publisher:
Embassy Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:07
3You're Nearer
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
You’re Nearer
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
2:41
4Goodbye Lover, Hello Friend
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Goodbye Lover, Hello Friend
Texter:
Norman Newell
Komponist(in):
Michael Carr (songwriter)
3:53
5Where Or When
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
3:25
6Where Are You?
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Where Are You?
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
3:16
7Let's Face The Music And Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
3:08
8I Should Care
cover recording of:
I Should Care
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:47
9Let's Fall In Love
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
33:04
10The Second Time Around
cover recording of:
The Second Time Around
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) und Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
Teil von:
The 33rd Academy Award for Best Original Song (Nummer: 2)
4:22
11Imagination
Produzent(in):
Norman Newell
Orchester:
Nelson Riddle and His Orchestra
cover recording of:
Imagination
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
4:01
12All The Things You Are
cover recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
3:07
13I Get A Kick Out Of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:49
14Everything I Have Is Yours
cover recording of:
Everything I Have Is Yours
Texter:
Harold Adamson
Komponist(in):
Burton Lane
3:13
15Spring Is Here
cover recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
4:00
16All Of Me
Produzent(in):
Norman Newell
Orchester:
Nelson Riddle and His Orchestra
cover recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:44
17I Can't Get You Out Of My Mind
recording of:
I Can't Get You Out of My Mind
Verfasser(in):
Vic Lewis
3:39
18Angel D'amore
2:38
19Where Shall I Find Him
3:19
20It Might As Well Be Spring
2:55

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