Varèse Sarabande: A 30th Anniversary Celebration

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Four Brothers: Four Brothers
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
David Arnold (English score composer)
editor:
Robbie Boyd (engineer)
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Paramount Pictures
recording of:
Four Brothers
orchestrator:
Nicholas Dodd (conductor)
composer:
David Arnold (English score composer)
David Arnold2:46
2Inside Man: Good and Ready
engineer:
Frank Wolf (engineer at Skyline Recording)
producer:
Terence Blanchard (American trumpeter and score composer) and Spike Lee
editor:
Todd Bozung
orchestra:
The Hollywood Studio Symphony
conductor:
Terence Blanchard (American trumpeter and score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
Terence Blanchard2:20
324: Main Title (orchestral videogame version)
producer:
Sean Callery (composer)
mixer:
Larold Rebhun
performer:
Sean Callery (composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
"24" Theme
composer:
Sean Callery (composer)
Sean Callery2.754:40
4American Gangster: Frank Lucas
Marc Streitenfeld2:41
5Zodiac: Graysmith’s Theme
assistant engineer:
Robert Gatley (engineer), Judy Kirschner, Dan Thompson (Assistant engineer) and André Zweers
producer:
Martin Erskine and David Shire (American score composer)
mixer:
Leslie Ann Jones (recording engineer)
editor:
Marrie Ebbing and Jonathon Stevens (engineer)
orchestra:
Skywalker Symphony Orchestra
conductor:
David Shire (American score composer)
phonographic copyright (℗) by:
Warner Bros. Ent. (in 2007)
recorded at:
Skywalker Sound in Nicasio, California, United States
recording of:
Graysmith's Theme
orchestrator and composer:
David Shire (American score composer)
David Shire2:28
6Breach: Dangerous World
recording engineer and mixer:
Brad Haehnel
producer:
Mychael Danna (Canadian score composer)
editor:
Jen Monnar
orchestra:
Hollywood Studio Symphony
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
recording of:
Dangerous World
orchestrator:
Nicholas Dodd (conductor)
composer:
Mychael Danna (Canadian score composer)
Mychael Danna4:38
7Million Dollar Baby: Blue Morgan (End Credits)
engineer:
Robert Fernandez (engineer)
producer:
Clint Eastwood (American actor and director)
orchestra:
Hollywood Studio Symphony
conductor:
Lennie Niehaus (American saxophonist and score composer)
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
The Eastwood Scoring Stage in Burbank, California, United States
recording of:
Blue Morgan (End Credits)
orchestrator:
Lennie Niehaus (American saxophonist and score composer)
composer:
Clint Eastwood (American actor and director)
Clint Eastwood4:31
8An Unfinished Life: Main Title
Deborah Lurie3:28
9The Lives of Others: The Invisible Front
recording engineer and mixer:
Jan Holzner
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Adam Klemens
phonographic copyright (℗) by:
Colosseum Schallplatten GmbH (not for release label use!)
recorded at and mixed at:
Barrandov Studios in Praha (Prague), Czechia
recording of:
Die unsichtbare Front
composer:
Stéphane Moucha and Gabriel Yared (Lebanese‐French score composer)
Gabriel Yared & Stéphane Moucha2:41
10All the King’s Men: Give Me the Hammer and I’ll Nail ’em Up!
James Horner5:56
11Lions for Lambs: Last Shift
Mark Isham5:00
12House of Sand and Fog: The Waves of the Caspian Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
synthesizer programming:
Randy Kerber and Ian Underwood
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
editor:
Ramiro Belgardt and Simon Rhodes (senior recording engineer at Abbey Road Studios)
orchestra:
Hollywood Studio Symphony
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
James Horner4:02
13Sylvia: Opening
recording engineer and mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
programming:
Nathaniel Méchaly (French musician and film composer)
assistant engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) and Mirek Stiles
producer:
Jean-Pierre Arquié and Gabriel Yared (Lebanese‐French score composer)
editor:
Sophie Cornet
conductor:
Gabriel Yared (Lebanese‐French score composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Opening
orchestrator:
John Bell (orchestrator) and Gabriel Yared (Lebanese‐French score composer)
composer:
Gabriel Yared (Lebanese‐French score composer)
Gabriel Yared2:29
14Hostel II: Suite
Nathan Barr6:33
15The Grudge 2: Ju-On 2
Christopher Young2:54
16The Reaping: The Boy
recording engineer:
Casey Stone (engineer)
engineer:
Dave Collins (US mastering engineer)
producer:
John Frizzell (American score composer) and Frederik Wiedmann
mixer:
Larry Mah and Casey Stone (engineer)
editor:
Jim Harrison (music editor)
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.)
recorded at:
Eastwood Scoring Stage in Burbank, California, United States
recording of:
The Boy
composer:
John Frizzell (American score composer)
John Frizzell4:46
17Gothika: Miranda’s Theme
John Ottman1:50
181408: Fire!
recording engineer and mixer:
Andrew Dudman (UK recording engineer and mixer, early 21c)
assistant engineer:
Lewis Jones (engineer) and Stephen Marshall (engineer)
producer:
Kirsty Whalley (engineer and keyboardist) and Gabriel Yared (Lebanese‐French score composer)
editor:
Kirsty Whalley (engineer and keyboardist)
keyboard:
Gabriel Yared (Lebanese‐French score composer)
conductor:
Jeff Atmajian
phonographic copyright (℗) by:
The Weinstein Company (in 2007)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Fire!
orchestrator:
Jeff Atmajian
composer and arranger:
Gabriel Yared (Lebanese‐French score composer)
Gabriel Yared4:42
19I Know Who Killed Me: Prelude / Reunited
Joel McNeely3:22
20The Day After Tomorrow: The Day After Tomorrow
orchestra:
Hollywood Studio Symphony
conductor:
Blake Neely
Harald Kloser3:29
21I, Robot: I, Robot Theme (End Credits)
recording engineer:
Kevin Globerman, John Kurlander (engineer), Matt Patterson (engineer) and John Rodd (engineer)
engineer:
Bill Talbott and William Stein (engineer)
producer:
Marco Beltrami (American score composer)
mixer:
John Kurlander (engineer)
assistant editor:
Jeremy Raub
editor:
Alex Gibson (musician/editor)
orchestra:
Hollywood Studio Symphony
conductor:
Pete Anthony (American conductor and orchestrator.) and Marco Beltrami (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Robert Wise Stage
recording of:
End Credits (I, Robot)
composer:
Marco Beltrami (American score composer)
Marco Beltrami3:15

Credits

Release

ASIN:US: B0015I2OFU [info]