Don Carlos

~ Veröffentlichung von Verdi; Plácido Domingo, Montserrat Caballé, Ruggero Raimondi, Shirley Verrett, Sherrill Milnes, Giovanni Foiani, Simon Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Anmerkung

digital remastering ℗ 1986 EMI Records Ltd.

Anmerkung zuletzt geändert am 2017-05-21 08:16 UTC.

Titelliste

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1Don Carlo: Atto Quarto, Prima Scena. Introduzione e Scena: “Ella giammai m'amò!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: Introduzione von Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) von Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Dormirò sol nel manto mio regal" (Filippo) von Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
teilweise recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:31
2Don Carlo: Atto Quarto, Prima Scena. Scena: “Il Grand’ Inquisitor!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Bass-Gesang [L'inquisitore]:
Giovanni Foiani (operatic bass)
Tenor-Gesang [Lerma]:
Ryland Davies (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto IV, Scena I, No. 11. Scena: "Il Grand'Inquisitor!" (Lerma, L'Inquisitore, Filippo) von Ryland Davies (tenor), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena I, No. 11. Scena: "Nell'ispano suol mai l'eresia dominò" (L'Inquisitore, Filippo) von Giovanni Foiani (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto IV, Scena I, No. 11. Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) von Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
teilweise recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:06
3Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Giustizia, giustizia, Sire!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:02
4Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Ardita troppo voi favellate!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:59
5Don Carlo: Atto Quarto, Prima Scena. Scena e quartetto: “Ah! sii maledetto, sospetto fatale”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone) (von 1970-08-18 bis 1970-08-31)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone) (von 1970-08-18 bis 1970-08-31)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:35
6Don Carlo: Atto Quarto, Prima Scena. Scena: “Pietà! Pietà! Perdon!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:48
7Don Carlo: Atto Quarto, Prima Scena. Aria: “O don fatale, o don crudel”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
Kompilation von:
Don Carlo: Atto IV, Scena I, No. 13. Scena ed aria: "Ah più non vedrò la Regina! O don fatale, o don crudel" (Eboli) von Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto IV, Scena I, No. 13. Scena ed aria: "O mia Regina, io t'immolai" (Eboli) von Shirley Verrett (mezzo-soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:01
8Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Son io, mio Carlo.”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
teilweise recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:32
9Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Per me giunto è il dì supremo” … “O Carlo ascolta, la madre…”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Per me giunto è il dì supremo" (Rodrigo) von Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "Che parli tu di morte?" (Carlo, Rodrigo) von Plácido Domingo (tenor), Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto IV, Scena II, No. 14. Morte di Rodrigo e sommossa: "O Carlo, ascolta, la madre t'aspetta" (Rodrigo) von Sherrill Milnes (baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:43
10Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “lo morrò ma lieto in core”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:39
11Don Carlo: Atto Quarto, Seconda Scena. Morte di Rodrigo e Sommossa: “Mio Carlo, a te la spada io rendo.”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [Filippo]:
Ruggero Raimondi (bass-baritone)
Bass-Gesang [L'inquisitore]:
Giovanni Foiani (operatic bass)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Tenor-Gesang [Lerma]:
Ryland Davies (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:32
12Don Carlo: Atto Quinto. Scena ed aria: “Tu che le vanità…”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
Kompilation von:
Don Carlo: Atto V, No. 15. Scena ed aria: Introduzione von Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) von Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) von Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor), Don Carlo: Atto V, No. 15. Scena ed aria: "Addio! Addio, bei sogni d'ôr" (Elisabetta) von Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto V, No. 15. Scena ed aria: "Tu che le vanità" (Elisabetta) von Montserrat Caballé (soprano), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
teilweise recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto IV (V)
Giuseppe Verdi11:02
13Don Carlo: Atto Quinto. Scena e duetto d’addio e scena finale: “È dessa!” … “Un detto, un sol”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "È dessa!" - "Un detto, un sol" (Carlo, Elisabetta) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto V. Scena, duetto d'addio e finale: "Vago sogno m'arrise!" (Carlo, Elisabetta) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:07
14Don Carlo: Atto Quinto. Scena e duetto d’addio e scena finale: “Ma lassù ci vedremo”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto V. Scena, duetto d'addio e finale: "Ma lassù ci vedremo" (Carlo, Elisabetta) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto V. Scena, duetto d'addio e finale: "Sì, per sempre!" (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Simon Estes (bass-baritone), Giovanni Foiani (operatic bass), Ruggero Raimondi (bass-baritone), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
teilweise recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:10

Nennungen

Veröffentlichung

gedruckt in:Deutschland
Fotografie:Reg Wilson (theatre photographer)
phonographisches Urheberrecht (℗) von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
ASIN:UK: B00002507D [Info]