R&B Soul Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Last Night
Mar-Kays2:40
2I Thank You
produttore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
registrazione di:
I Thank You (il 1968-01-05)
autore:
Isaac Lee Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) e Birdees Music (nel 1968)
Sam & Dave2:46
3Ain’t Nothing but a House Party
The Show Stoppers2:36
4Niki Hoeky
John Speaker2:32
5Expressway to Your Heart
produttore:
Gamble-Huff
arrangiatore:
Gamble-Huff
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1966)
registrazione di:
Expressway to Your Heart (nel 1966)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
EMI Blackwood Music Inc., Mijac Double Diamond Music, Mijac Music, One Song Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Soul Survivors2:21
6Shotgun
tecnico di registrazione:
Lawrence T. Horn
produttore:
Berry Gordy e Lawrence T. Horn
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer)
chitarra :
Eddie Willis (nel 1964) e Willie Woods (US guitarist & songwriter) (nel 1964)
membranofono :
Benny Benjamin (US drummer) (nel 1964)
organo :
Vic Thomas (keyboard) e Victor Thomas (keyboardist) (nel 1964)
organo Hammond [B-3] :
Johnny Griffith
sassofono tenore e voce principale:
Junior Walker (nel 1964)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1964)
voce di accompagnamento:
Willie Woods (US guitarist & songwriter) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 27)
registrazione di:
Shotgun (nel 1964)
autore:
Autry De Walt
compositore:
Autry De Walt e Junior Walker
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. e What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:00
7Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
compresa in:
Dance for Me
Sly & the Family Stone4.153:00
8Gotta See Jane
registrazione di:
Gotta See Jane
autore:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), Ron Miller (US songwriter Ronald Alonzo Miller) e R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor3:08
9Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:47
10Show Me
registrata a:
Nashville, Tennessee, Stati Uniti (il 1967-02-01)
produttore:
Buddy Killen
batteria [drums] :
Clyde Williams (US drummer) (il 1967-02-01)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1967-02-01)
sassofono tenore :
Charles Farley (il 1967-02-01)
tromba :
Emile Hall (il 1967-02-01) e Leroy Monroe (il 1967-02-01)
trombone :
Anthony Dorsey (il 1967-02-01) e Sly Sellers (il 1967-02-01)
voce:
Joe Tex (American southern soul musician) (il 1967-02-01)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1967-02-01)
parte di:
Cachitos Nochevieja 2022 (numero: 28)
registrazione di:
Show Me (il 1967-02-01)
autore:
Joe Tex (American southern soul musician)
editore:
London Tree Music e Tree Publishing Co., Inc.
Joe Tex2:56
11(Your Love Keeps Lifting Me) Higher and Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson (songwriter), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson4.82:58
12I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:38
13Boogaloo Down Broadway
The Fantastic Johnny C2:35
14Take a Letter Maria
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1969-08-19)
produttore:
Ahmet Ertegun (US songwriter/producer)
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
voce:
R.B. Greaves (il 1969-08-19)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
direttore d'orchestra:
Arif Mardin (il 1969-08-19)
arrangiatore:
Arif Mardin
registrazione di:
Take a Letter Maria (il 1969-08-19)
paroliere e compositore:
R.B. Greaves
editore:
PolyGram Music Publishing
R.B. Greaves42:43
15Farther on Down the Road
Joe Simon3:09
16I Pick a Rose for My Rose
registrazione di:
I’ll Pick a Rose for My Rose
autore:
James Dean (US soul songwriter), Marv Johnson e William Weatherspoon
editore:
Jobete Music (UK) Ltd.
Marv Johnson2:41
17I Hear a Symphony
registrazione cover di:
I Hear a Symphony
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division e Jobete (now‐defunct US music publisher, affiliated with BMI) (nel 1965)
The Isley Brothers3:21
18Too Many Fish in the Sea
registrazione di:
Too Many Fish in the Sea
autore:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
The Marvelettes2:31
19Too Weak to Fight
registrazione di:
Too Weak to Fight
autore:
Clarence Carter, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”), George Jackson (US soul songwriter/vocalist) e Johnny Keyes (songwriter)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:17
20Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:59