My Personal Choice

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Body and Soul
Produzent(in):
Hans Georg Brunner‐Schwer (in 1968)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968)
instrumental recording of:
Body and Soul (in 1968)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:36
2Teach Me Tonight
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
George Mraz (jazz bassist) (in 1969)
Schlagzeug:
Ray Price (jazz drummer with The Oscar Peterson Trio, among others) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
instrumental recording of:
Teach Me Tonight (in 1969)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
5:07
3It Never Entered My Mind
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
George Mraz (jazz bassist) (in 1969)
Schlagzeug:
Ray Price (jazz drummer with The Oscar Peterson Trio, among others) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
instrumental recording of:
It Never Entered My Mind (in 1969)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:00
4Lulu's Back in Town
Produzent(in):
Hans Georg Brunner‐Schwer (in 1968)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968)
instrumental recording of:
Lulu’s Back in Town (in 1968)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:09
5Naptown Blues
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Gitarre:
Herb Ellis (jazz guitarist) (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Sam Jones (US jazz bassist) (in 1969)
Schlagzeug:
Bobby Durham (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
cover recording of:
Naptown Blues (in 1969)
Komponist(in):
Wes Montgomery
5:22
6By the Time I Get to Phoenix
Produzent(in):
Willy Fruth (in 1969) und Claus Ogerman (in 1969)
Gitarre:
Bucky Pizzarelli (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Sam Jones (US jazz bassist) (in 1969)
Schlagzeug:
Bobby Durham (in 1969)
conductor:
Claus Ogerman (in 1969)
arranger:
Claus Ogerman (in 1969)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1969)
instrumental recording of:
By the Time I Get to Phoenix (in 1969)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
4:26
7A Little Jazz Exercise
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
A Little Jazz Exercise (in 1969)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
2:46
8A Child Is Born
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
A Child Is Born (Original instrumental version) (in 1969)
Komponist(in):
Thad Jones (American jazz trumpeter)
2:38
9On a Clear Day (You Can See Forever)
Produzent(in):
Hans Georg Brunner‐Schwer (in 1968)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968)
Kontrabass:
Sam Jones (US jazz bassist) (in 1968)
Schlagzeug:
Bobby Durham (in 1968)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968)
instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1968)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:25
10Dream of You
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Ray Brown (jazz bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
Vibraphon:
Milt Jackson (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) und Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Dream of You (in 1969)
Texter und Komponist(in):
Benny Carter
4:18
11Reunion Blues
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Ray Brown (jazz bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
Vibraphon:
Milt Jackson (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) und Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Reunion Blues (in 1969)
Komponist(in):
Milt Jackson
6:41
12Smile
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Smile (Modern Times; original instrumental version) (in 1969)
Verfasser(in):
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:59
13Wheatland
Produzent(in):
Hans Georg Brunner‐Schwer (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Wheatland (in 1969)
Komponist(in):
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
7:13
14Once Upon a Summertime
Produzent(in):
Gene Puerling (American vocalist and vocal arranger) (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
George Mraz (jazz bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) und Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Once Upon a Summertime (La Valse des lilas) (in 1969)
Texter:
Eddy Marnay (French lyricist)
Komponist(in):
Eddie Barclay und Michel Legrand
Übersetzer:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Ltd. (beendet), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing AB (Sweden)
übersetzte Version von:
La Valse des lilas
3:39
15Sesame Street
Produzent(in):
Gene Puerling (American vocalist and vocal arranger) (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
George Mraz (jazz bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) und Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
Sesame Street Theme (in 1969)
Texter:
Bruce Hart (US songwriter), Joe Raposo (piano, composer, Sesame Street) und Jon Stone (US writer for Sesame Street)
Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Stage Harbor Publishing Inc. und Sesame Street Inc. (in 1970)
2:57
16The Shadow of Your Smile
Produzent(in):
Gene Puerling (American vocalist and vocal arranger) (in 1969)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1969)
Kontrabass:
George Mraz (jazz bassist) (in 1969)
Schlagzeug:
Louis Hayes (in 1969)
vocals:
Len Dresslar (in 1969), Bonnie Herman (in 1969) und Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (in 1969)
vocals arranger:
Gene Puerling (American vocalist and vocal arranger) (in 1969)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1969)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (in 1969)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
4:30

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Veröffentlichung

ASIN:DE: B000031WRM [Info]