The Rolling Stone Collection: 25 Years of Essential Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Catalog numbers:
R102-33 = entire set
PT-23707–23710 = cassettes 1–3 & 7, manufactured for Time-Life by by Sony Music Special Products, ℗ 1993 Sony Music Entertainment Inc.
OPCS-2692–2694 = cassettes 4–6, manufactured for Time-Life by Warner Special Products, ℗ 1993 Warner Special Products

Anmerkung zuletzt geändert am 2015-01-09 22:06 UTC.

Titelliste

1Kassette: 1967–1969
2Kassette: 1969–1970
3Kassette: 1971–1973
4Kassette: 1973–1977
5Kassette: 1977–1982
Nr.TitelKünstlerBewertungLänge
A1God Save the Queen
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1977-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 173) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 365)
recording of:
God Save the Queen
Verfasser(in):
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) und Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
The Sex Pistols4.43:21
A2See No Evil
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
E-Gitarre und Sologesang:
Tom Verlaine
Schlagzeug:
Billy Ficca
Solo-E-Gitarre:
Richard Lloyd (American guitarist and singer, Television)
Hintergrundgesang:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) und Fred Smith (bassist)
phonographisches Urheberrecht (℗) von:
Elektra Records (copyrights holder) (in 1977) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977)
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
See No Evil
Texter und Komponist(in):
Tom Verlaine
publisher:
Double Exposure Music Ltd.
Television4.53:54
A3Watching the Detectives
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
E-Bass [bass]:
Andrew Bodnar (bass player)
Gitarre:
Elvis Costello
Klavier und Orgel:
Steve Nieve
Schlagzeug:
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
vocals:
Elvis Costello
phonographisches Urheberrecht (℗) von:
Elvis Costello (in 1977)
phonographisches Urheberrecht (℗) von:
Demon Records Ltd. (80s UK new wave/reissues) (in 1984)
aufgenommen bei:
Pathway Studios in Islington, London (Greater London), England, Vereinigtes Königreich (in 1976, von 1977-05 bis 1977-06)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 354) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 355)
recording of:
Watching the Detectives
Texter und Komponist(in):
Declan Patrick MacManus
Verfasser(in):
Elvis Costello
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. und Universal Music Publishing International MGB Ltd.
Elvis Costello4.153:44
A4We Three
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (vom 1978 bis heute)
recording of:
We Three
Texter und Komponist(in):
Patti Smith
arranger:
Tom Verlaine
The Patti Smith Group4:18
A5Sex & Drugs & Rock ’n’ Roll
E-Bass:
Norman Watt-Roy (in 1976)
E-Gitarre:
Chaz Jankel (English musician and songwriter) (in 1976)
Schlagzeug:
Charley Charles (UK drummer) (in 1976)
Sologesang:
Ian Dury (in 1976)
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1977) und Templemill Music Ltd (in 1977)
aufgenommen bei:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury & the Blockheads3.83:05
A6Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:27
A7Refugee
assistierende(r) Techniker(in):
Jon Mathias (engineer), Thom Panunzio, Gray Russell, Skip Saylor und Tori Swenson
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine und Tom Petty
Bassgitarre:
Ron Blair
Harmonium, Orgel und Klavier:
Benmont Tench
Perkussion und Schlagzeug:
Stan Lynch
Slide-Gitarre und zwölfsaitige Gitarre und Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
zwölfsaitige Gitarre, Gitarre und Mundharmonika und Sologesang:
Tom Petty
Hintergrundgesang:
Stan Lynch und Benmont Tench
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Refugee
Verfasser(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers4.63:23
A8Little Sister
cover recording of:
Little Sister
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Ry Cooder3:46
A9A Rock ’n’ Roll Fantasy
recording of:
Rock ’n’ Roll Fantasy
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
live recording of:
Rock ’n’ Roll Fantasy
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks45:01
B1Sultans of Swing
Techniker(in):
Rhett Davies
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Bassgitarre:
John Illsley (in 1978-02)
Gitarre:
David Knopfler (in 1978-02) und Mark Knopfler (in 1978-02)
Schlagzeug:
Pick Withers (in 1978-02)
Sologesang:
Mark Knopfler (in 1978-02)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1978), Phonogram Ltd. (London) (company name, NOT a label!) (in 1978, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 33) und Cachitos Nochevieja 2022 (Nummer: 156)
recording of:
Sultans of Swing (in 1978-02)
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music und Straitjacket Songs
Dire Straits4.25:47
B2Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
B3Train in Vain (Stand by Me)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Guy Stevens
Bassgitarre:
Paul Simonon (von 1979-01 bis 1979-03)
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer (von 1979-01 bis 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03)
Schlagzeug:
Topper Headon
Schlagzeug und Perkussion:
Topper Headon (von 1979-01 bis 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1979-01 bis 1979-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 213) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 292)
recording of:
Train in Vain (von 1979-01 bis 1979-03)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
The Clash4.153:09
B4Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.43:04
B5I Will Follow
assistierende(r) Techniker(in):
Kevin Moloney
Techniker(in):
Paul Thomas (engineer)
Produzent(in):
Steve Lillywhite
E-Bass:
Adam Clayton
E-Gitarre:
The Edge (U2 guitarist David Evans)
Schlagzeug:
Larry Mullen, Jr.
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1980)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
I Will Follow
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Chappell Music (UK), Gallo Music, Island Music (Island Music Ltd.), Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Mother Music, PolyGram International Music Publishing B.V., Polygram Music, Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Blue Mountain Music Ltd. (in 1980)
U24.153:37
B6When U Were Mine
Techniker(in):
Jamie Starr (Prince, “The Artist Formerly Known as…”)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
E-Bass, E-Gitarre, Schlagzeug, Synthesizer [ARP Omni], Synthesizer [Oberheim OB-X] und Sologesang:
Prince (“The Artist Formerly Known as…”) (von 1980-05 bis 1980-06)
remixer:
Prince (“The Artist Formerly Known as…”)
zusätzlich remixer:
Mick Guzauski und Bob Mockler (engineer)
arranger:
Prince (“The Artist Formerly Known as…”)
aufgenommen bei:
Wayzata Home Studio (Prince's Home Studio) in Wayzata, Minnesota, Vereinigte Staaten (von 1980-05 bis 1980-06)
mixed at:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980-06)
recording of:
When You Were Mine (von 1980-05 bis 1980-06)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, NPG Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Prince3.73:44
B7Wall of Death
Techniker(in):
Bill Gill
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records)
Bass:
Dave Pegg
E-Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England) und Richard Thompson (UK folk rock singer/songwriter/guitarist)
Schlagzeug:
Dave Mattacks
Hintergrundgesang:
Clive Gregson und Pete Zorn
vocals:
Linda Thompson (UK folk vocalist, ex-wife of Richard Thompson) und Richard Thompson (UK folk rock singer/songwriter/guitarist)
aufgenommen bei:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Wall of Death
Texter und Komponist(in):
Richard Thompson (UK folk rock singer/songwriter/guitarist)
publisher:
Beeswing Music (publisher; use Beeswing Records for release label)
Richard and Linda Thompson53:44
B8The Message
Produzent(in):
Clifton Chase und Ed Fletcher
vocals:
Duke Bootee und Melle Mel (Melvin Glover aka Melle Mel)
Musikvideos:
The Message von Grandmaster Flash & The Furious Five
a cappella versions:
The Message (a cappella) von Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
instrumental versions:
The Message (instrumental) von Grandmaster Flash & The Furious Five
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 59)
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash and the Furious Five4.37:10
6Kassette: 1982–1986
7Kassette: 1986–1992