Girls Night Out

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1cd
2cd
#TitelArtiestWaarderingDuur
1Groovejet (If This Ain’t Love)
technicus:
Gabriel Covacich
co- producent:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") en Boris Dlugosch
achtergrondvocalen:
Sharon Scott (UK acid jazz singer)
gastlead-vocalen:
Sophie Ellis‐Bextor
fonografisch auteursrecht (℗):
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (vanaf 2000 tot nu) en Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-geproduceerd voor:
F&G Management UK
samples:
Love Is You van Carol Williams (US disco musician) en Love Is You (original mix) van Carol Williams (US disco musician)
is een opname van:
Groovejet (If This Ain’t Love)
tekstschrijver:
Sophie Ellis‐Bextor
componist:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") en Rob Davis (songwriter/producer was in Mud)
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music en Universal Music (plain logo: “Universal Music”)
is gebaseerd op:
Love Is You
versie van:
Groovejet
Spiller33:47
2It’s Raining Men
fonografisch auteursrecht (℗):
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
is een opname van:
It’s Raining Men
schrijver:
Paul Jabara en Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
uitgever:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) en Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3:32
3Groove Is in the Heart
aanvullend technicus:
Bob Power
assisterend technicus:
Derek Lategan en Eddie Sancho
technicus:
Mike Rogers (US producer/engineer, aka Tweekin')
aanvullend producent en aanvullende mixer:
Mike Rogers (US producer/engineer, aka Tweekin')
producent:
Deee‐Lite
saxofoon:
Maceo Parker (US funk/jazz saxophonist)
trombone:
Fred Wesley
achtergrondvocalen:
Bootsy Collins (US funk musician & songwriter)
vocalen:
Q‐Tip (American rapper)
verzorgde aanvullend het arrangement:
Mike Rogers (US producer/engineer, aka Tweekin')
verzorgde het arrangement:
Deee‐Lite
samples:
Bring Down the Birds van Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) en Get Up van Vernon Burch
deel van:
Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 68), TV Cream: Real 100 Best Singles Ever (nummer: 83) en Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (nummer: 233)
is een opname van:
Groove Is in the Heart
schrijver:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) en Kier Kirby
componist:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
4Love Shack
assisterend technicus:
Martin Kunitz
technicus:
Dave Cook (US engineer and producer)
producent:
Don Was
mixer:
Tom Durack
basgitaar (als gast):
Sara Lee (UK bassist, singer & songwriter)
drumstel (als gast):
Charley Drayton
gitaar:
Keith Strickland
hoornfamilie (als gast):
Uptown Horns (US horn section, formed in 1980)
keyboard:
Kate Pierson
vocalen:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) en Cindy Wilson
fonografisch auteursrecht (℗):
Reprise Records (in 1989)
opgenomen bij:
Dreamland Studios in Hurley, New York, Verenigde Staten
gemixt bij:
Electric Lady Studios in Greenwich Village, New York, New York, Verenigde Staten
aanvullend geproduceerd bij:
Bearsville Studios in Bearsville, New York, Verenigde Staten
videoclips:
Love Shack van The B‐52’s
deel van:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 41) en Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 243)
is een opname van:
Love Shack
schrijver:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland en Cindy Wilson
uitgever:
Man-Woman Together, Now!
B‐52s4.25:23
5The Only Way Is Up
producent:
Coldcut (Matt Black & Jonathan More)
fonografisch auteursrecht (℗):
Big Life (UK indie/dance) (in 1988)
geproduceerd voor:
Ahead Of Our Time Productions
is een cover-opname van:
The Only Way Is Up
schrijver:
Johnny Henderson (southern soul songwriter) en George Jackson (US soul songwriter/vocalist)
uitgever:
Big Life Music (in 1988) en Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.654:00
6Don’t Get Me Wrong
technicus:
Bruce Lampcov
producent:
Bob Clearmountain en Jimmy Iovine
mixer:
Bob Clearmountain
bas:
Chucho Merchán
drumstel en percussie:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
gitaar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) en Robbie McIntosh (English guitarist for The Pretenders)
piano en synthesizer:
Wix (UK / Paul Wickens)
vocalen:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
fonografisch auteursrecht (℗):
WEA Records Ltd. (holding company based in the UK) en Warner Music UK Ltd. (not for release label use!) (in 2007)
is een opname van:
Don’t Get Me Wrong
tekstschrijver en componist:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
uitgever:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) en Hynde House of Hits Music
The Pretenders4.23:49
7Walking on Sunshine
opgenomen in:
England, Verenigd Koninkrijk
assisterend technicus:
Jon Goldberger (engineer)
technicus en mixer:
Scott Litt (producer and engineer)
aanvullend producent:
Scott Litt (producer and engineer)
producent:
Pat Collier en Katrina and the Waves (British‐American rock band)
basgitaar:
Vince de la Cruz
drumstel en percussie:
Alex Cooper (drummer, member of “Katrina and the Waves”)
gitaar [lead guitar]:
Kimberley Rew
gitaar [rhythm guitar] en lead-vocalen:
Katrina Leskanich
koperblazers [Rumour Brass Section] (als gast):
Ray Beavis, Dick Hanson en John "Irish" Earl (Irish saxophonist)
orgel (als gast):
Nick Glennie‐Smith
achtergrondvocalen:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz en Kimberley Rew
verzorgde het arrangeren van het instrument koperblazers:
Eamon Fitzpatrick
fonografisch auteursrecht (℗):
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
opgenomen bij:
Alaska Studios in London (Greater London), England, Verenigd Koninkrijk en Greenhouse Studio (London) in London (Greater London), England, Verenigd Koninkrijk
gemixt bij:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Verenigde Staten (van 1984-12 tot 1985-03)
deel van:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 91) en Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 378)
is een opname van:
Walking on Sunshine
tekstschrijver:
Kimberley Rew (in 1983)
componist:
Kimberley Rew
uitgever:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music en Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:52
8The Tide Is High
assisterend technicus:
Gary Boatner (engineer) en Doug Schwartz (mastering engineer)
technicus:
Lenise Bent
producent:
Mike Chapman (Australian producer and songwriter)
basgitaar:
Nigel Harrison (in 1980)
drumstel:
Clem Burke (in 1980)
gitaar:
Frank Infante (in 1980) en Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
pauk:
Chris Stein (in 1980)
percussie (als gast):
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) en Emil Richards (in 1980)
achtergrondvocalen [girl-group backup vocals]:
The ‘B’ Girls en Deborah Harry
lead-vocalen:
Deborah Harry (in 1980)
verzorgde het arrangeren van het instrument instruments:
Jimmie Haskell
fonografisch auteursrecht (℗):
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) en Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
opgenomen bij:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Verenigde Staten (in 1980) en United Western Recorders in Hollywood, Los Angeles, California (Californië), Verenigde Staten (in 1980)
is een cover-opname van:
The Tide Is High (in 1980)
aanvullend schrijver:
Howard Barrett (in 1967) en Tyrone Evans (in 1967)
schrijver:
John Holt (in 1967)
uitgever:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group en Sparta Florida Music Group Ltd.
Blondie4.154:35
9Take On Me
bas geprogrammeerd door:
Magne Furuholmen
producent:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) en John Ratcliff
drumcomputer en gitaar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
achtergrondvocalen:
Magne Furuholmen en Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead-vocalen:
Morten Harket
fonografisch auteursrecht (℗):
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) en WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
videoclips:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) van a‐ha (Norwegian synth‐pop band) en Take On Me (official music video, 1985 Steve Barron version) van a‐ha (Norwegian synth‐pop band)
deel van:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 26), The Downloader’s Music Source Book (nummer: 284) en BILLIONS CLUB
is een opname van:
Take On Me
schrijver:
Magne Furuholmen, Morten Harket en Paul Waaktaar-Savoy (guitarist, songwriter and singer)
uitgever:
ATV Music Ltd. en EMI Music Publishing (do not use as a release label!)
versie van:
Miss Eerie
a‐ha4.253:43
10Take a Chance on Me
assisterend opnametechnicus:
Dave Eringa
technicus en producent:
David Bascombe
assisterende mixer:
Ben Darlow
aanvullende overige vocalen [rap]:
MC Kinky
is een cover-opname van:
Take a Chance on Me
schrijver:
Benny Andersson (ABBA) en Björn Ulvaeus
uitgever:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group en Universal/Union Songs Musikförlag AB
deel van:
Mamma Mia! (1999 musical)
Erasure2.853:46
11Do You Really Want to Hurt Me?
assisterend technicus:
Gordon Milne (engineer)
technicus en producent:
Steve Levine (producer)
mixer:
Steve Levine (producer) en Jon Moss
basgitaar:
Mikey Craig (Culture Club bassist)
drumstel en vibrafoon:
Jon Moss
elektrische piano, gitaar en synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
aanvullende vocalen:
Helen Terry (UK singer)
lead-vocalen:
Boy George
fonografisch auteursrecht (℗):
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
opgenomen bij:
Red Bus Studios in London (Greater London), England, Verenigd Koninkrijk (in 1982)
videoclips:
Do You Really Want to Hurt Me van Culture Club (English pop group)
deel van:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (nummer: 58)
is een opname van:
Do You Really Want to Hurt Me
schrijver:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) en Jon Moss
uitgever:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. en Virgin Music (Publishers) Ltd.
Culture Club3.954:24
12Manic Monday
producent:
David Kahne
mixer:
David Leonard (US producer and engineer)
basgitaar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drumstel:
Debbi Peterson (drummer for The Bangles)
gitaar:
Susanna Hoffs en Vicki Peterson
lead-vocalen:
Susanna Hoffs
fonografisch auteursrecht (℗):
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) en Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
deel van:
Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 208)
is een opname van:
Manic Monday
tekstschrijver en componist:
Christopher (Prince, “The Artist Formerly Known as…”)
uitgever:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) en WB Music Corp. (1929–2019)
The Bangles43:05
13Who Can It Be Now?
aanvullend technicus:
Paul Ray (70s/80s US engineer)
technicus:
Jim Barbour en Peter McIan
producent:
Peter McIan
bas:
John Rees
drumstel:
Jerry Speiser (drummer for Men at Work)
gitaar:
Colin Hay en Ron Strykert
saxofoon:
Greg Ham (member of Men at Work)
vocalen:
Colin Hay
fonografisch auteursrecht (℗):
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) en Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
opgenomen bij:
Richmond Recorders in Melbourne, Victoria, Australië
is een opname van:
Who Can It Be Now?
tekstschrijver en componist:
Colin Hay
uitgever:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. en EMI Songs Ltd.
Men at Work4.43:21
14Red Red Wine
producent:
Ray “Pablo” Falconer en UB40
verzorgde het arrangement:
UB40
fonografisch auteursrecht (℗):
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) en DEP International (UB40) (in 1983)
is een cover-opname van:
Red Red Wine
tekstschrijver en componist:
Neil Diamond (in 1967)
uitgever:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) en Bang Records (Bert Berns label) (in 1968)
UB403.83:03
15Brown Eyed Girl
opnametechnicus:
Brooks Arthur (op 1967-03-28)
producent:
Bert Russell Berns
basgitaar:
Eric Gale (op 1967-03-28)
drumstel:
Gary Chester (studio drummer and educator) (op 1967-03-28)
gitaar:
Al Gorgoni (guitarist, composer, arranger, and producer) (op 1967-03-28), Hugh McCracken (op 1967-03-28) en Van Morrison (op 1967-03-28)
orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (op 1967-03-28)
achtergrondvocalen:
The Sweet Inspirations (op 1967-03-28)
lead-vocalen:
Van Morrison (op 1967-03-28)
uitvoerend artiest:
Van Morrison (op 1967-03-28)
fonografisch auteursrecht (℗):
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) en Exile Productions Ltd. (not for Label Release) (in 1973)
opgenomen bij:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Verenigde Staten (op 1967-03-28) en A&R Recording Studio (original studio, 1958–1967) in New York, New York, Verenigde Staten (op 1967-04-07)
deel van:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (nummer: 71) en Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (nummer: 109)
is een opname van:
Brown Eyed Girl (van 1967-03-28 tot 1967-04-07)
tekstschrijver en componist:
Van Morrison
uitgever:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) en Polygram Publishing AB (in 1992)
Van Morrison3.53:04
16Everything I Own
lead-vocalen:
David Gates (singer/songwriter, lead singer of Bread)
fonografisch auteursrecht (℗):
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) en WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
is een opname van:
Everything I Own
tekstschrijver en componist:
David Gates (singer/songwriter, lead singer of Bread)
uitgever:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. en Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:08
17You Make Me Feel Like Dancing
opnametechnicus:
Bill Schnee
assisterend technicus:
Dana Latham
producent:
Richard Perry (producer)
bas:
Chuck Rainey (American bassist)
clavinet:
John Barns
drumstel:
Steve Gadd (drummer)
gitaar:
Larry Carlton en Ray Parker Jr.
achtergrondvocalen:
Clydie King, Becky Louis en Sherlie Matthews (US vocalist)
vocalen:
Leo Sayer
was dirigent:
Gene Page (conductor, composer, arranger and record producer)
verzorgde het arrangeren van het instrument snaarinstrumenten:
Gene Page (conductor, composer, arranger and record producer)
fonografisch auteursrecht (℗):
Chrysalis (in 1976) en Silverbird Ltd. (in 1976)
is een opname van:
You Make Me Feel Like Dancing
tekstschrijver:
Leo Sayer
componist:
Vini Poncia
subuitgever:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) en ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
uitgever:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music en Silverbird Songs Ltd.
Leo Sayer53:36