St. Matthew Passion

~ Release by J.S. Bach; The Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

1▶12" Vinyl: D139D 1 - Part I
2▶12" Vinyl: D139D 2 - Part I (conclusion), Part II (beginning)
3▼12" Vinyl: D139D 3 - Part II (continued)
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 45. Recitative with Chorus "Simon Peter sat outside the court" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:11
2St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 46. Recitative "And then began he to curse and to swear" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:26
3St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
John Bacon (violinist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 47. Aria (Contralto) "Have mercy, Lord, on me" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach6:44
4St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 48. Chorale "Lamb of God, I fall before Thee" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:09
5St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
lead vocals [Judas]:
John King (vocalist) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 49. Recitative with Chorus "Now when the morning came" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
6St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 50. Recitative "And he cast the silver pieces down in the temple" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:58
7St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Roger Garland (violinist) (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 51. Aria (Bass) "Give, O give me back my Lord" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:36
8St. Matthew Passion, BWV 244: Recitative: And they took counsel together
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 52. Recitative "And they took counsel together" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach2:18
9St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 53. Chorale "Commit thy way to Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:12
10St. Matthew Passion, BWV 244: Recitative with Chorus: At that feast then
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
soprano vocals [Pilate's wife]:
Sandra Wilkes (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 54. Recitative with Chorus "At that feast then" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach2:30
11St. Matthew Passion, BWV 244: Chorale: O wondrous love, that suffers this correction!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 55. Chorale "O wondrous love, that suffers this correction!" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:56
12St. Matthew Passion, BWV 244: Recitative: The governor answered
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 56. Recitative "The governor answered" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:16
13St. Matthew Passion, BWV 244: Recitative: To all men Jesus good hath done
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 57. Recitative "To all men Jesus good hath done" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:17
14St. Matthew Passion, BWV 244: Soprano Aria: For love my Saviour now is dying
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo flute:
Richard Adeney (flautist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 58. Aria (Soprano) "For love my Saviour now is dying" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach5:14
15St. Matthew Passion, BWV 244: Recitative with Chorus: But they cried out the more
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
16St. Matthew Passion, BWV 244: Recitative: O gracious God!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:19
17St. Matthew Passion, BWV 244: Contralto Aria: If my tears be unavailing
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:46
18St. Matthew Passion, BWV 244: Recitative with Chorus: And then did the soldiers of the governor
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:30
19St. Matthew Passion, BWV 244: Chorale: O Sacred Head surrounded by crown of piercing thorn
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
Johann Sebastian Bach2:29
4▶12" Vinyl: D139D 4 - Part II (conclusion)

Credits

Release

liner notes:Stanley Webb
David Willcocks (UK composer, organist, choral conductor) (in 1978-12)

Release group

included in:Great Choral Favourites by Various Artists (add compilations to this artist)
excerpts:St. Matthew Passion: Highlights by Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)