Modern Art

~ Veröffentlichung von Art Pepper (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

This album, recorded in 1956 and 1957, is the second part of a two-volume set released by Aladdin Records, comprising the saxophonist's full body of recorded material for this label. Combining bebop with West Coast cool, Modern Art documents memorable performances of standards, including the luscious ballad "Bewitched, Bothered and Bewildered," and the steamy "Summertime." Pepper's version of this latter track is replete with a thick, almost haunting, reverb effect. Other standouts are the stripped-down versions of "Blues In" and "Blue Out," two tunes that feature Pepper's lamenting sax as it soliloquizes over a simple walking bass line. Art Pepper was one of the world's greatest alto saxophonists. Though firmly rooted in the jazz tradition, Pepper possessed a strongly unique sensibility, and his career ups and downs (largely due to drug addiction) never seemed to affect his ability to play with precision, clarity, and insight.

Source : http://www.cduniverse.com/productinfo.asp?pid=1230501&style=music&fulldesc=T

Anmerkung zuletzt geändert am 2017-01-11 18:25 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Blues In
recording engineer:
Thorne Nogar (am 1956-12-28)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1956-12-28)
Klavier:
Russ Freeman (pianist) (am 1956-12-28)
Kontrabass [bass]:
Ben Tucker (am 1956-12-28)
Schlagzeug:
Chuck Flores (am 1956-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-12-28)
recording of:
Blues In (am 1956-12-28)
Komponist(in):
Pepper
6:03
2Bewitched, Bothered and Bewildered
recording engineer:
Thorne Nogar (am 1956-12-28)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1956-12-28)
Klavier:
Russ Freeman (pianist) (am 1956-12-28)
Kontrabass [bass]:
Ben Tucker (am 1956-12-28)
Schlagzeug:
Chuck Flores (am 1956-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-12-28)
instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (am 1956-12-28)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
4:28
3Stompin' at the Savoy
recording engineer:
Thorne Nogar (am 1956-12-28)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1956-12-28)
Klavier:
Russ Freeman (pianist) (am 1956-12-28)
Kontrabass [bass]:
Ben Tucker (am 1956-12-28)
Schlagzeug:
Chuck Flores (am 1956-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-12-28)
instrumental recording of:
Stompin’ at the Savoy (am 1956-12-28)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:06
4What Is This Thing Called Love
recording engineer:
Thorne Nogar (am 1956-12-28)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1956-12-28)
Klavier:
Russ Freeman (pianist) (am 1956-12-28)
Kontrabass [bass]:
Ben Tucker (am 1956-12-28)
Schlagzeug:
Chuck Flores (am 1956-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-12-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
6:07
5Blues Out
recording engineer:
Thorne Nogar (am 1956-12-28)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1956-12-28)
Klavier:
Russ Freeman (pianist) (am 1956-12-28)
Kontrabass [bass]:
Ben Tucker (am 1956-12-28)
Schlagzeug:
Chuck Flores (am 1956-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-12-28)
recording of:
Blues Out (am 1956-12-28)
Komponist(in):
Pepper
4:49
6When You're Smiling
recording engineer:
Bunny Robine (am 1957-01-14)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1957-01-14)
Klavier:
Russ Freeman (pianist) (am 1957-01-14)
Kontrabass [bass]:
Ben Tucker (am 1957-01-14)
Schlagzeug:
Chuck Flores (am 1957-01-14)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-14)
instrumental recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1957-01-14)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
4:54
7Cool Bunny
recording engineer:
Bunny Robine (am 1957-01-14)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1957-01-14)
Klavier:
Russ Freeman (pianist) (am 1957-01-14)
Kontrabass [bass]:
Ben Tucker (am 1957-01-14)
Schlagzeug:
Chuck Flores (am 1957-01-14)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-14)
recording of:
Cool Bunny (am 1957-01-14)
Komponist(in):
Pepper
4:16
8Diane's Dilemma
recording engineer:
Bunny Robine (am 1957-01-14)
Produzent(in):
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (am 1957-01-14)
Klavier:
Russ Freeman (pianist) (am 1957-01-14)
Kontrabass [bass]:
Ben Tucker (am 1957-01-14)
Schlagzeug:
Chuck Flores (am 1957-01-14)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-14)
recording of:
Diane's Dilemma (am 1957-01-14)
Komponist(in):
Pepper
3:51
9Diane's Dilemma (alternate take)
recording engineer:
Bunny Robine (am 1957-01-14)
alto saxophone:
Art Pepper (am 1957-01-14)
Klavier:
Russ Freeman (pianist) (am 1957-01-14)
Kontrabass [bass]:
Ben Tucker (am 1957-01-14)
Schlagzeug:
Chuck Flores (am 1957-01-14)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-14)
recording of:
Diane's Dilemma (am 1957-01-14)
Komponist(in):
Pepper
4:57
10Summertime
recording engineer:
Bunny Robine (am 1957-01-14)
alto saxophone:
Art Pepper (am 1957-01-14)
Klavier:
Russ Freeman (pianist) (am 1957-01-14)
Kontrabass [bass]:
Ben Tucker (am 1957-01-14)
Schlagzeug:
Chuck Flores (am 1957-01-14)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-01-14)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
7:20
11Fascinatin' Rhythm (alternate take)
alto saxophone:
Art Pepper (am 1957-04-01)
Klavier:
Carl Perkins (Jazz pianist from the bop era, west coast) (am 1957-04-01)
Kontrabass [bass]:
Ben Tucker (am 1957-04-01)
Schlagzeug:
Chuck Flores (am 1957-04-01)
aufgenommen bei:
Audio Arts in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-01)
instrumental recording of:
Fascinatin’ Rhythm (am 1957-04-01)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) und Harms, Inc. (in 1924)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
Lady, Be Good (full musical)
4:02
12Begin the Beguine (alternate take)
alto saxophone:
Art Pepper (am 1957-04-01)
Klavier:
Carl Perkins (Jazz pianist from the bop era, west coast) (am 1957-04-01)
Kontrabass [bass]:
Ben Tucker (am 1957-04-01)
Schlagzeug:
Chuck Flores (am 1957-04-01)
aufgenommen bei:
Audio Arts in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-01)
instrumental recording of:
Begin the Beguine (am 1957-04-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
6:19
13Webb City (alternate take)
alto saxophone:
Art Pepper (am 1957-04-01)
Klavier:
Carl Perkins (Jazz pianist from the bop era, west coast) (am 1957-04-01)
Kontrabass [bass]:
Ben Tucker (am 1957-04-01)
Schlagzeug:
Chuck Flores (am 1957-04-01)
aufgenommen bei:
Audio Arts in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-01)
recording of:
Webb City (am 1957-04-01)
Komponist(in):
Bud Powell
4:35