Classic Gold (multipack)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▶Digitales Medium
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Nr.TitelKünstlerBewertungLänge
1Toccata and Fugue in D minor, BWV 565: 1.Toccata
sonstige Unterstützung:
Erich Thienhaus (Aufgabe: production and recording supervision)
Produzent(in):
Erich Thienhaus
Orgel:
Helmut Walcha (German organist) (am 1956-09-17)
Tonmeister(in):
Hansjoachim Reiser (engineer/producer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1959) und Polydor International GmbH (not for release label use!) (in 1963)
aufgenommen bei:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (am 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (am 1956-09-17)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:35
2Piano Concerto no. 21 in C major, K. 467: 2. Andante
recording engineer und Produzent(in):
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
Klavier:
Géza Anda (Geza Anda, pianist) (in 1961-05)
Orchester:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1961-05)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1961)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Österreich (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:11
3The Tale Of Tsar Saltan (arr. Grigory Feygin): The Flight Of The Bumble-Bee
Klavier:
Irina Saizewa (pianist)
Orchester:
Violin Ensemble of the Bolshoi Theatre, Moscow (Bolshoi Theatre Violin Ensemble)
conductor:
Julij Rejentowitsch (conductor)
arranger:
G. Feigin (Soviet classical violinist, active 1969-)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:10
4Les Contes d'Hoffmann: Act 3: Intermède-Entr'acte (Barcarolle)
Produzent(in):
John Mordler (producer) und Michael Woolcock (producer)
Orchester:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
Tonmeister(in):
James Lock (James Locke, engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Victoria Hall (Geneva) in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:58
5Pavane, op. 50 (excerpt)
Produzent(in):
Hanno Rinke
Chorgesang:
Tanglewood Festival Chorus (in 1986-11)
Orchester:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master)
Interpret(in):
Tanglewood Festival Chorus
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1986-11)
Bearbeitung von:
Pavane, op. 50 von John Oliver (chorus master), Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
teilweise recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré2:33
6Pictures at an Exhibition: Promenade I
Produzent(in):
Günther Breest (producer for classical music)
Orchester:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Medinah Temple in Chicago, Illinois, Vereinigte Staaten (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1976-04)
Orchestrator(in):
Maurice Ravel (French composer) (in 1922)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer) (von 1874-06-02 bis 1874-06-22)
Orchestrierung von:
Pictures at an Exhibition: Promenade (1st) (Bilder einer Ausstellung: I. Promenade, original piano version)
Teil von:
Tableaux d’une exposition (Bilder einer Ausstellung, orchestrated by Ravel)
Modest Mussorgsky1:49
7Messa da Requiem: 2. Dies irae
Chorgesang:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
Orchester:
Berliner Philharmoniker
conductor:
Carlo Maria Giulini (conductor) (in 1989)
Interpret(in):
Berliner Philharmoniker, Ernst‐Senff‐Chor, Carlo Maria Giulini (conductor) und Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:41
88 Slavonic Dances, op. 46, B. 83: No. 1 in C major (Presto)
Produzent(in):
Hans Weber (producer/engineer) und Rudolf Werner (producer at Deutsche Grammophon) (in 1973-12)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (in 1973-12)
conductor:
Rafael Kubelík (conductor) (in 1973-12)
Tonmeister(in):
Heinz Wildhagen (engineer, producer) (in 1973-12)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1975)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-12)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1973-12)
Komponist(in):
Antonín Dvořák (composer) (von 1878-04 bis 1878-08-22)
Teil von:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:38
9An der schönen blauen Donau, op. 314
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss II9:53
10Minuetto In Sol Maggiore (Dal Libro Di Anna Magdalena), BWV Anh. 114
Instrumente:
Roberto Prosseda (pianist)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
Komponist(in):
Christian Petzold
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 4) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 114)
Johann Sebastian Bach1:31
11Jeux interdits (Romance)
Gitarre:
Narciso Yepes (classical guitarist)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
Komponist(in):
[anonymous] (special purpose artist) und [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) und Narciso Yepes (classical guitarist)
Arrangement von:
Romance de Amor
Narciso Yepes2:26
12Valse en ré bémol majeur, op. 64 n°1
Klavier:
Pietro De Maria (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Frédéric Chopin1:55
13Serse, HWV 40: Act 1: "Ombra mai fu"
Techniker(in) und Tonmeister(in):
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
leitende(r) Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Produzent(in):
Wolf Erichson (engineer/producer)
Cembalo:
Edward Brewer (harpsichordist) (in 1989-04) und Edward Brewer (harpsichordist) (in 1990)
Oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (vom 1989-04 bis heute, in 1989-04)
aufgenommen bei:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (vom 1989-04 bis heute) und State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel2:54
14Peer Gynt, op. 23 (incidental music): No. 13 Morning Mood
Orchester:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
Interpret(in):
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1987-06) und Neeme Järvi (Estonian conductor) (in 1987-06)
aufgenommen bei:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg (Göteborg), Västra Götaland (Västra Götaland county), Schweden (in 1987-06)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1987-06)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:11
15Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla Turca
Klavier:
Roberto Prosseda (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:22
16Romeo and Juliet, op. 64: Act 1: 13. Dance Of The Knights
sonstige Unterstützung:
Wolfgang Stengel (Aufgabe: recording supervision)
Produzent(in):
Hanno Rinke
Editing:
Helmut Burk
Orchester:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:20
17Violin Romance no. 2 in F major, op. 50
Geige / Violine:
David Oistrakh (violinist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
teilweise recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50: Adagio cantabile)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 50)
Ludwig van Beethoven1:39
18Boléro, M. 81
Produzent(in):
Thomas Mowrey
Orchester:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
Tonmeister(in):
Joachim Niss und Gernot Westhäuser (Engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1974-04)
recording of:
Boléro (in 1974-04)
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel14:59

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