100 Christmas Masterworks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1In dulci jubilo
recorded in:
München, Bayern, Deutschland (in 1966-06)
Baritongesang:
Hermann Prey (baritone) (in 1966-06)
Tenor-Gesang:
Fritz Wunderlich (operatic tenor) (in 1966-06)
arranger:
Fritz Neumeyer (cembalist, pianist and composer)
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32) (in 1966-06)
Komponist(in):
Michael Praetorius (composer and organist) (in 1607)
Version von:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius2:40
2Messiah, HWV 56: XVI. "Rejoice Greatly, o Daughter of Zion"
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Soprangesang:
Arleen Augér (soprano) (in 1988-01)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:53
3Vesperae solennes de Confessore, K. 339: V. "Laudate Dominum"
Produzent(in):
Christopher Alder (editor/engineer/producer)
Orgel:
Kay Johannsen (in 1999-07)
Chorgesang:
Swedish Radio Choir (Swedischer Rundfunkchor) (in 1999-07)
Soprangesang:
Rachel Harnisch (soprano) (in 1999-07)
Orchester:
Berliner Philharmoniker (in 1999-07)
conductor:
Claudio Abbado (conductor) (in 1999-07)
chorus master:
Maria Wieslander (Swedish organist / harpsichordist) (in 1999-07)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1999-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:31
4Christmas Carols, op. 8: 3. "Die Könige"
Klavier:
Malcolm Martineau (pianist)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Weihnachtslieder, op. 8: III. Die Könige
Texter:
Peter Cornelius (German composer, lived from 1824 to 1874)
Komponist(in):
Peter Cornelius (German composer, lived from 1824 to 1874) (in 1856)
Teil von:
Weihnachtslieder, op. 8
Peter Cornelius2:39
5Christmas Oratorio, BWV 248: No. 8. Aria. "Großer Herr, o starker König"
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1987-01)
Bass-Gesang [Herod]:
Olaf Bär (baritone) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:27
6Tomorrow Shall Be My Dancing Day
Blechblasinstrumente:
Stockholm Chamber Brass
Perkussion:
Markus Leoson (percussionist)
vocals:
Anne Sofie von Otter (mezzo-soprano)
arranger:
Svante Henryson
recording of:
Tomorrow Shall Be My Dancing Day (traditional English)
Texter und Komponist(in):
[traditional] (special purpose artist)
[traditional]1:51
7Panis angelicus, CFF 209
recording engineer und Tonmeister(in):
Stephan Flock (in 2002-02)
Techniker(in):
Jürgen Bulgrin (sound engineer) (in 2002-02), Wolf‐Dieter Karwatky (in 2002-02) und Chris Nelson (recording engineer) (in 2002-02)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Stephan Flock (in 2002-02) und Ingmar Haas (engineer) (in 2002-02)
Tenor-Gesang:
Plácido Domingo (tenor) (in 2002-02)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2002-02)
conductor:
Marcello Viotti (conductor) (in 2002-02)
aufgenommen bei:
Auditorium di Milano, Fondazione Cariplo in Milano (Milan), Milano, Lombardia, Italien (in 2002-02)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 2002-02)
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
César Franck3:41
8Samson, HWV 57: No. 86. Air. "Let the Bright Seraphim"
recording engineer:
Heinz Wildhagen (engineer, producer)
Produzent(in):
Dr. Manfred Richter (Producer for Deutsche Grammophon)
Cello:
Kenneth Heath (cellist) (von 1968-10 bis 1968-11)
Cembalo:
Iwona Fütterer (harpsichordist) (von 1968-10 bis 1968-11)
Fagott:
Detlev Kühl (bassoonist) (von 1968-10 bis 1968-11)
flute:
Wolfgang Haag (flautist) (von 1968-10 bis 1968-11) und Herbert Segel (flautist) (von 1968-10 bis 1968-11)
Horn:
Hermann Baumann (horn player) (von 1968-10 bis 1968-11) und Werner Meyendorf (horn) (von 1968-10 bis 1968-11)
Kontrabass:
Herbert Duft (double bass player) (von 1968-10 bis 1968-11)
Oboe:
Manfred Clement (oboist) (von 1968-10 bis 1968-11) und Andreas Schwinn (oboist) (von 1968-10 bis 1968-11)
Orgel:
Elmar Schloter (organist) (von 1968-10 bis 1968-11)
Posaune:
Franz Eder (von 1968-10 bis 1968-11) und Lothar Zirkelbach (trombonist) (von 1968-10 bis 1968-11)
Trompete:
Maurice André (French trumpeter) (von 1968-10 bis 1968-11) und Paul Lachenmeier (trumpet) (von 1968-10 bis 1968-11)
Soprangesang [Israelitish Woman]:
Sheila Armstrong (soprano) (von 1968-10 bis 1968-11)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (von 1968-10 bis 1968-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (von 1968-10 bis 1968-11)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (von 1968-10 bis 1968-11)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
George Frideric Handel3:21
9Herz und Mund und Tat und Leben, Cantata BWV 147
Soprangesang:
Renée Fleming (soprano)
Orchester:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
arranger:
Chris Hazell
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:50
10Beata viscera Mariae Virginis
Chorgesang:
Sistine Chapel Choir
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano)
chorus master:
Massimo Palombella (chorus master)
recording of:
Beata viscera
Komponist(in):
Pérotin (European composer, fl. c. 1200 CE)
Pérotin3:52
11Geistliches Wiegenlied, op. 91, no. 2
Bratsche / Viola:
Wolfram Christ (violist and conductor) (in 1982-03)
Klavier:
Daniel Barenboim (pianist and conductor) (in 1982-03)
Soprangesang:
Jessye Norman (soprano) (in 1982-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1983)
aufgenommen bei:
Studio Lankwitz in Lankwitz, Berlin, Deutschland (in 1982-03)
recording of:
2 Gesänge, op. 91: Nr. 2. Geistliches Wiegenlied (in 1982-03)
Texter:
Franz Emanuel August Geibel (poet)
Komponist(in):
Johannes Brahms (German composer)
Teil von:
2 Gesänge, op. 91
Johannes Brahms6:14
12O Jesulein süss
Bratsche / Viola:
Torbjörn Helander (violist) (in 1998-11)
Cello:
Ole Karlsson (cellist) (in 1998-11)
Geige / Violine:
Ulf Forsberg (violinist) (in 1998-11) und Ulrika Jansson (violinist) (in 1998-11)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
arranger:
Annette Isserlis (violist)
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1998-11)
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß" (catch-all for arrangements) (in 1998-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Geistliches Lied, BWV 493 "O Jesulein süß"
Johann Sebastian Bach4:10
13Serse, HWV 40: "Ombra mai fu"
assistierende(r) Techniker(in):
Andrew Mellor (engineer) (von 2008-04 bis 2008-05)
Produzent(in):
Daniel Zalay
Tenor-Gesang:
Rolando Villazón (tenor) (von 2008-04 bis 2008-05)
Orchester:
Gabrieli Players (von 2008-04 bis 2008-05)
conductor:
Paul McCreesh (conductor) (von 2008-04 bis 2008-05)
Tonmeister(in):
Hans‐Ulrich Bastin (von 2008-04 bis 2008-05) und Bastian Schick (von 2008-04 bis 2008-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (von 2008-04 bis 2008-05)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (von 2008-04 bis 2008-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel2:44
14Messiah, HWV 56: Pt. 1: III. "Ev'ry Valley Shall Be Exalted"
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Tenor-Gesang:
Howard Crook (tenor) (in 1988-01)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:38
15Exsultate, jubilate, K. 165: IV. "Alleluja". Allegro
leitende(r) Produzent(in):
Dr. Peter Czornyj und Charlotte Kriesch
Produzent(in):
Hans-Bernhard Bätzing (engineer, producer)
Orgel:
Roger Hamilton (Irish harpsichordist) (in 1993-09)
Soprangesang:
Barbara Bonney (soprano) (in 1993-09)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1993-09)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (Salzburg revision) (in 1993-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
Wolfgang Amadeus Mozart2:39
16In the Bleak Midwinter
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
In the bleak mid-winter (arr. Wilberg) (in 2010-07)
Texter:
Christina Rossetti (bis 1872)
Komponist(in):
Gustav Holst (composer)
arranger:
Mack Wilberg
Arrangement von:
In the Bleak Midwinter (Gustav Holst version)
Gustav Holst4:04
17Otello, Act IV: "Ave Maria, piena di grazia" (Desdemona's Prayer)
Soprangesang [Desdemona]:
Anna Netrebko (soprano)
Orchester:
Mahler Chamber Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi4:57
18Christmas Oratorio, BWV 248: No. 4. Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Mezzosoprangesang [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
Interpret(in):
Anthony Robson (oboist) (in 1987-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:06
19Once in Royal David's City
Orgel:
Simon Johnson (organist) (in 2015-06)
Chorgesang:
St. Paul’s Cathedral Choir (London) (in 2015-06)
Diskantstimme:
Nathaniel Morley (treble) (in 2015-06)
conductor:
Andrew Carwood (in 2015-06)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 2015-06)
recording of:
Once in Royal David’s City (arr. Rutter) (in 2015-06)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
arranger:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
Arrangement von:
Once in Royal David’s City
Henry John Gauntlett3:14
20O Come All Ye Faithful
Orgel:
Simon Johnson (organist) (in 2015-06)
Chorgesang:
St. Paul’s Cathedral Choir (London) (in 2015-06)
conductor:
Andrew Carwood (in 2015-06)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 2015-06)
recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”) (in 2015-06)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
Übersetzer:
Frederick Oakeley (in 1841)
Arrangement von:
O Come, All Ye Faithful
übersetzte Version von:
Adeste fideles (original latin version)
John Francis Wade3:59
21"Hark! The Herald Angels Sing"
Pfeifenorgel [organ]:
Christopher Herrick (organist)
Chorgesang:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
arranger:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Hark! The Herald Angels Sing (Christmas carol)
Texter:
Charles Wesley (hymn writer) (in 1739)
zusätzlicher Texter:
George Whitefield (in 1753)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1840)
arranger:
William H. Cummings (in 1855)
Teil von:
The New English Hymnal (hymn book) (Nummer: 26)
Felix Mendelssohn2:25
22In the Bleak Midwinter
Chorgesang:
St. Paul’s Cathedral Choir (London) (in 2015-06)
conductor:
Andrew Carwood (in 2015-06)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 2015-06)
recording of:
In the Bleak Midwinter (Gustav Holst version) (in 2015-06)
Texter:
Christina Rossetti
Komponist(in):
Gustav Holst (composer) (in 1906)
Teil von:
The New English Hymnal (hymn book) (Nummer: 28)
basiert auf:
Cranham (hymn tune)
Version von:
In the Bleak Midwinter (poem)
Teil von:
3 Hymns for the English Hymnal
Gustav Holst4:46
23O Little Town of Bethlehem
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recording of:
O Little Town of Bethlehem (traditional carol with the tune “Forest Green”, as sung in the UK and the Episcopal Church in the U.S.)
Texter:
Phillips Brooks (in 1868)
Komponist(in):
[traditional] (special purpose artist)
zusätzliche(r) Komponist(in):
Ralph Vaughan Williams (English composer) (in 1906)
arranger:
Ralph Vaughan Williams (English composer)
publisher:
Oxford University Press (in 1906)
Teil von:
The New English Hymnal (hymn book) (Nummer: 32)
basiert auf:
The Ploughboy's Dream
Version von:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
Ralph Vaughan Williams3:07
24I Saw Three Ships
Chorgesang:
Choir of Clare College, Cambridge (in 1979)
Orchester:
Orchestra of Clare College, Cambridge (in 1979)
conductor:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1979)
recording of:
I Saw Three Ships (for choir and orchestra, arr. Rutter) (in 1979)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
Arrangement von:
I Saw Three Ships
[traditional]2:17
25Es ist ein' Ros' entsprungen
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Die Weihnachtsgeschichte, op. 10: II. (Choral) Es ist ein Ros' entsprungen (von 1996-01 bis 1996-03)
Komponist(in):
Hugo Distler (German composer, organist & choral conductor, 1908-1942)
basiert auf:
Es ist ein Ros entsprungen (original anonymous version)
Teil von:
Die Weihnachtsgeschichte, op. 10
Michael Praetorius4:18
26Still, weil's Kindlein schlafen will
Orchester:
Brass Ensemble of the Berlin Philharmonic Orchestra
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1977)
instrumental recording of:
Still, Still, Still
Texter:
Georg Götsch
Komponist(in):
[traditional] (special purpose artist)
[traditional]0:52
27The First Nowell
Orgel:
Simon Preston (organist, conductor, composer)
Chorgesang:
Choir of King’s College, Cambridge (in 1961)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1961)
arranger:
Sir David Willcocks (UK composer, organist, choral conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1961)
aufgenommen bei:
King’s College Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1961)
recording of:
The First Nowell (in 1961)
Texter, Verfasser(in) und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 682)
recording of:
The First Nowell (David Willcocks arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Sir David Willcocks (UK composer, organist, choral conductor)
Arrangement von:
The First Nowell
[traditional]4:50
28Adventi ének (Veni, Veni Emmanuel)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Adventi ének (von 1996-01 bis 1996-03)
Komponist(in):
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1943)
Kodály Zoltán3:56
29Up! Good Christen Folk, and Listen
Chorgesang:
Choir of Westminster Abbey
recording of:
Up! Good Christen Folk, and Listen
Texter:
George Ratcliffe Woodward (in 1901)
Komponist(in):
[anonymous] (special purpose artist)
arranger:
George Ratcliffe Woodward
publisher:
Oxford University Press
basiert auf:
O quam mundum
George Ratcliffe Woodward1:24
30Gaudete
Chorgesang:
St. Paul’s Cathedral Choir (London) (in 2015-06)
conductor:
Andrew Carwood (in 2015-06)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 2015-06)
recording of:
Gaudete (in 2015-06)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
[traditional]1:42
31Stille Nacht, heilige Nacht
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
arranger:
Donald Fraser (composer and conductor)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Stille Nacht, heilige Nacht (von 1996-01 bis 1996-03)
Texter:
Josef Mohr (composer/author) (in 1816)
Komponist(in):
Franz Xaver Gruber (composer/author) (in 1818)
Teil von:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber3:36
32There Is No Rose of Swych Vertu
Chorgesang:
Gabrieli Consort (von 2007-07-19 bis 2007-07-21)
conductor:
Paul McCreesh (conductor) (von 2007-07-19 bis 2007-07-21)
aufgenommen bei:
Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, Vereinigtes Königreich (von 2007-07-19 bis 2007-07-21)
recording of:
There Is No Rose of Such Virtu (15th century carol) (von 2007-07-19 bis 2007-07-21)
Texter und Komponist(in):
[anonymous] (special purpose artist)
basiert auf:
There Is No Rose
[traditional]4:59
33The Holly and the Ivy
Chorgesang:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
recording of:
The Holly and the Ivy (arr. Davies)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Sir Henry Walford Davies (English organist and composer)
Arrangement von:
The Holly and the Ivy
[traditional]3:35
34God Rest Ye Merry, Gentlemen
Instrumente:
Philip Jones Brass Ensemble
Chorgesang:
The Bach Choir
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
God Rest Ye Merry, Gentlemen (arr. Willcocks)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Sir David Willcocks (UK composer, organist, choral conductor)
Arrangement von:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
[traditional]3:01
35A Shepherd's Carol
Pfeifenorgel [organ]:
Christopher Herrick (organist)
Chorgesang:
Choir of Westminster Abbey
vocals:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
recording of:
A Shepherd's Carol
Texter:
W. H. Auden
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist)
Benjamin Britten5:03
36Maria durch ein Dornwald ging
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Drei Weihnachtliche Liedsätze: Nr. 1. Maria durch ein Dornwald ging (von 1996-01 bis 1996-03)
Komponist(in):
Heinrich Kaminski
Teil von:
Drei Weihnachtliche Liedsätze
recording of:
Maria durch ein Dornwald ging
Texter und Komponist(in):
[traditional] (special purpose artist)
[traditional]2:11
37Ding Dong! Merrily On High
Pfeifenorgel [organ]:
Christopher Herrick (organist)
vocals:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
recording of:
Ding Dong! Merrily on High (arr. Charles Wood)
Texter:
George Ratcliffe Woodward
Komponist(in):
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
arranger:
Charles Wood (Irish composer)
Arrangement von:
Ding Dong! Merrily on High
Thoinot Arbeau2:03
388 geistliche Gesänge, op. 138: 4. "Unser lieben Frauen Traum"
Chorgesang:
Thomanerchor Leipzig
conductor:
Georg Christoph Biller (conductor)
recording of:
Unser lieben Frauen Traum, op. 138, Nr. 4
Komponist(in):
Max Reger (German composer) (in 1914)
Teil von:
8 Geistliche Gesänge, op. 138
Max Reger2:16
39Birjina gaztettobat zegoen
conductor:
Paul McCreesh (conductor)
recording of:
Birjina gaztetto bat zegoen
Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Angelus ad virginem
[traditional]2:32
40Jesus Christ the Apple Tree
Pfeifenorgel [organ]:
Christopher Herrick (organist)
vocals:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
Elizabeth Poston2:55
418 geistliche Gesänge, op. 138: 3. Nachtlied
Chorgesang:
Thomanerchor Leipzig
conductor:
Georg Christoph Biller (conductor)
recording of:
Nachtlied, op. 138, Nr. 3
Texter:
Petrus Herbert
Komponist(in):
Max Reger (German composer) (in 1914)
Teil von:
8 Geistliche Gesänge, op. 138
Max Reger2:48
42Fanfares in D major (Suite no. 1): I. [Rondeau]
Orgel:
Simon Preston (organist, conductor, composer)
Pauke:
Norbert Schmitt (timpani)
Trompete:
Bernhard Läubin (trumpeter), Hannes Läubin (trumpeter) und Wolfgang Läubin (trumpeter)
arranger:
Friedrich Held (Classical trumpeter & trombonist)
recording of:
Suite de Symphonies no. 1: I. Rondeau
Komponist(in):
Jean‐Joseph Mouret (composer)
Teil von:
Suite de Symphonies no. 1
Jean‐Joseph Mouret2:01
43Christmas Oratorio, BWV 248: No. 10. Sinfonia pastorale
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:19
44Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": I. Vivace – Grave
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: I. Vivace - Grave (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:30
45Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": II. Allegro
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
Techniker(in) und Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (vom 1987-04 bis heute, in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: II. Allegro (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:01
46Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": III. Adagio – Allegro – Adagio
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
Techniker(in) und Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (vom 1987-04 bis heute, in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (vom 1987-04 bis heute, in 1987-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (vom 1987-04 bis heute, in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:19
47Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": IV. Vivace
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:00
48Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": V. Allegro –
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:05
49Concerto grosso in G minor, op. 6 no. 8 "Christmas Concerto": VI. Largo. Pastorale
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
Techniker(in) und Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (vom 1987-04 bis heute, in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:10
50Messiah, HWV 56: Pt. 1: XIII. "Pifa (Pastoral Symphony)"
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel1:15
51Orchestral Suite no. 3 in D major, BWV 1068: II. Air
leitende(r) Produzent(in):
Dr. Andreas Holschneider
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Bratsche / Viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
Cello:
Anthony Pleeth (cellist) (in 1978-06)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
Geige / Violine:
Monica Huggett (violinist) (in 1978-06) und Simon Standage (English violinist and conductor) (in 1978-06)
Querflöten (alle Arten):
Stephen Preston (flutist) (in 1978-06)
Violone:
Richard Webb (cellist) (in 1978-06)
Orchester:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
Tonmeister(in):
Karl-August Naegler (balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) und Polydor International GmbH (not for release label use!) (in 1979)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1978-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:54
52In nativitatem Domini canticum, H. 416: III. Nuit
Marc‐Antoine Charpentier4:43
53The Four Seasons, Violin Concerto in F minor, op. 8/4, RV 297 "Winter": I. Allegro non molto - Allegro
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Cembalo und Orgel:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
Geige / Violine:
Gidon Kremer (violinist) (in 1980-02)
Solo-Cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
Orchester:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1980-02)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1980-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:41
54The Four Seasons, Violin Concerto in F minor, op. 8/4, RV 297 "Winter": II. Largo
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Cembalo und Orgel:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
Geige / Violine:
Gidon Kremer (violinist) (in 1980-02)
Solo-Cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
Orchester:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1980-02)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1980-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:30
55The Four Seasons, Violin Concerto in F minor, op. 8/4, RV 297 "Winter": III. Allegro
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Cembalo und Orgel:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
Geige / Violine:
Gidon Kremer (violinist) (in 1980-02)
Solo-Cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
Orchester:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1980-02)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (in 1980-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:30
56Canzon noni toni a 12, C 183
Giovanni Gabrieli3:28
57Jesu, Joy of Man's Desiring, BWV 147/X
Techniker(in) und Tonmeister(in):
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
leitende(r) Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Produzent(in):
Wolf Erichson (engineer/producer)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
aufgenommen bei:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1989-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:24
58Noël pour les instruments, H. 531: III. Vous qui désirez sans fin
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Orchester:
The English Concert (in 1990-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1990-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1990-10)
recording of:
Noël pour les instruments, H.531: Vous qui désirez sans fin (in 1990-10)
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Noël pour les instruments, H.531
Marc‐Antoine Charpentier2:10
59Noël sur les instruments, H. 534: V. A la venue de Noël
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Noël sur les instruments, H. 534: A la venue de Noël
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Noël sur les instruments, H. 534
Marc‐Antoine Charpentier0:59
60Noël sur les instruments, H. 534: IV. Or nous dites, Marie
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Orchester:
The English Concert (in 1990-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1990-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1990-10)
recording of:
Noël sur les instruments, H. 534: Or nous dites Marie (in 1990-10)
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Noël sur les instruments, H. 534
Marc‐Antoine Charpentier2:21
61Noël sur les instruments, H. 534: II. Où s'en vont ces gais bergers?
Marc‐Antoine Charpentier1:35
62Cantiones Sacre: No. 15 "In dulci jubilo"
Produzent(in):
Günther Breest (producer for classical music) und Wolfgang Stengel
Orchester:
Blechbläser-Ensemble der Berliner Philharmoniker (in 1977-08)
Tonmeister(in):
Heinz Wildhagen (engineer, producer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1977)
aufgenommen bei:
Kirche St. Emmeram in Regensburg, Bayern, Deutschland (in 1977-08)
recording of:
In Dulci Jubilo (in 1977-08)
Texter:
14th century German ([traditional], special purpose artist)
Komponist(in):
Samuel Scheidt (composer)
Samuel Scheidt3:47
63Christmas Oratorio, BWV 248: No. 1, Chorus. Jauchzet, frohlocket, auf, preiset die Tage
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Chorgesang:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
64Messiah, HWV 56: Pt. 1: 12. "For unto us a Child is born"
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Chorgesang:
The English Concert Choir (in 1988-01)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:08
65Polyhymnia Caduceatrix et Panegyrica: No. 34. In dulci jubilo
Chorgesang:
Gabrieli Consort & Players (UK early music ensemble) und Boy's Choir of Roskilde Cathedral
Soprangesang:
Tessa Bonner (soprano) und Susan Hemington Jones (soprano)
Tenor-Gesang:
Mark le Brocq (tenor)
Orchester:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
chorus master:
Kristian Olesen (organist, chorus master)
aufgenommen bei:
Roskilde Domkirke in Roskilde, Region Zealand, Dänemark (in 1993-10)
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32)
Komponist(in):
Michael Praetorius (composer and organist) (in 1607)
Version von:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius5:27
66A Spotless Rose
Chorgesang:
Gabrieli Consort (in 2007-07, von 2007-07-19 bis 2007-07-21)
conductor:
Paul McCreesh (conductor) (in 2007-07, von 2007-07-19 bis 2007-07-21)
Interpret(in):
Gabrieli Consort & Players (UK early music ensemble)
aufgenommen bei:
Ely Cathedral in Ely, Cambridgeshire, England, Vereinigtes Königreich (in 2007-07) und Ely Cathedral: Lady Chapel in Ely, Cambridgeshire, England, Vereinigtes Königreich (von 2007-07-19 bis 2007-07-21)
recording of:
A Spotless Rose (von 2007-07-19 bis 2007-07-21)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Herbert Howells (English composer) (in 1919)
Übersetzer:
Catherine Winkworth
publisher:
Galaxy Music Corp. und Stainer & Bell
basiert auf:
Es ist ein Ros entsprungen (original anonymous version)
Teil von:
Three Carol-Anthems
recording of:
A Spotless Rose (in 2007-07)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Herbert Howells (English composer) (in 1919)
Übersetzer:
Catherine Winkworth
publisher:
Galaxy Music Corp. und Stainer & Bell
basiert auf:
Es ist ein Ros entsprungen (original anonymous version)
Teil von:
Three Carol-Anthems
Herbert Howells3:40
67Virga Jesse (Motet)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
vocals:
Dresdner Kreuzchor
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Virga Jesse, WAB 52 (von 1996-01 bis 1996-03)
Komponist(in):
Anton Bruckner (Austrian composer) (in 1885)
Teil von:
Werkverzeichnis Anton Bruckners (Nummer: WAB 52)
Anton Bruckner4:22
68The Lamb
Chorgesang:
The Choir of Temple Church (in 2003-07)
conductor:
Stephen Layton (English conductor) (in 2003-07)
aufgenommen bei:
Temple Church in London (Greater London), England, Vereinigtes Königreich (in 2003-07)
recording of:
The Lamb (in 2003-07)
Texter:
William Blake (English poet, painter, and printmaker) (in 1789)
Komponist(in):
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. und J. & W. Chester, Ltd.
John Tavener3:40
69The Darkness Is No Darkness
recording engineer, Mix und Editing:
Dave Hinitt (UK recording engineer, early 21c)
Techniker(in) und Produzent(in):
Adrian Peacock (bass vocalist, producer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (am 2016-06-07, von 2016-08-17 bis 2016-08-18)
engineered at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 2016-06-30 bis 2016-07-01)
recording of:
The Darkness Is No Darkness
Komponist(in):
Judith Bingham (English composer and mezzo-soprano) (in 1993)
basiert auf:
Thou wilt keep him in perfect peace
Judith Bingham4:30
70Historia der Geburt Jesu Christi, SWV 435: 6. Danksagen wir alle Gott...
Orchester und Interpret(in):
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
aufgenommen bei:
Roskilde Domkirke in Roskilde, Region Zealand, Dänemark
recording of:
Weihnachts-Historie, SWV 435 - Beschluß: Dank sagen wir
Komponist(in):
Heinrich Schütz (composer)
Teil von:
Weihnachts-Historie, SWV 435 (Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo)
Heinrich Schütz2:12
71Messiah, HWV 56: Pt. 2: XLII. "Hallelujah"
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Chorgesang:
The English Concert Choir (in 1988-01)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:02
72Resonet in Laudibus à 5
recording engineer:
Wolf‐Dieter Karwatky
Chorgesang:
Pomerium (US early music choral group) (in 1996-05)
vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
Tonmeister(in):
Gernot von Schultzendorff (sound engineer and producer of classical releases)
aufgenommen bei:
Corpus Christi Church in New York, New York, Vereinigte Staaten (in 1996-05)
recording of:
Resonet in laudibus (in 1996-05)
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Orlande de Lassus4:17
73Motet "Hodie Christus natus est"
Chorgesang:
Sistine Chapel Choir
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano)
chorus master:
Massimo Palombella (chorus master)
recording of:
Motet: Hodie Christus natus est
Komponist(in):
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina3:26
74Quatre motets pour le temps de Noël: Quem vidistis pastores
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Quatre motets pour le temps de Noël: No. 2. Quem vidistis pastores dicite (von 1996-01 bis 1996-03)
Komponist(in):
Francis Poulenc (French composer and pianist) (in 1951, von 1959 bis 1960)
Teil von:
Quatre motets pour le temps de Noël, FP 152
Francis Poulenc3:25
75God Is With Us (A Christmas Proclamation)
Orgel:
Ian le Grice (organist)
Baritongesang:
Andrew Rupp (baritone / operatic bass)
Chorgesang:
The Choir of Temple Church und Holst Singers
conductor:
Stephen Layton (English conductor)
recording of:
God Is With Us
Komponist(in):
John Tavener (20th century composer) (in 1987)
John Tavener5:46
76Magnificat in D major, BWV 243: I. Chorus. Magnificat anima mea
leitende(r) Produzent(in):
Prof. Dr. Hans Hickmann
Produzent(in):
Karl-Heinz Schneider (producer)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
Tonmeister(in):
Walter Alfred Wettler
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
77Ceremony of Carols, op. 28: As Dew In Aprille
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Christopher Hazell
Harfe:
Rachel Masters (harp player) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13)
Chorgesang:
Choir of King’s College, Cambridge (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13)
Diskantstimme:
Marcus Body (boy treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13), Rupert Johnston (boy treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13), John McFadzean (boy treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13), Michael Pearce (boy treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13), Thomas Rose (boy treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13) und Peter Winn (treble) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13)
conductor:
Stephen Cleobury (organist, conductor) (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (am 1990-03-19, von 1990-09-21 bis 1990-09-23, von 1990-12-12 bis 1990-12-13)
recording of:
A Ceremony of Carols, op. 28: V. As dew in Aprille (von 1990-03-19 bis 1990-12-13)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
Teil von:
A Ceremony of Carols, op. 28
Benjamin Britten1:11
78"Nun komm, der Heiden Heiland", BWV 62: No. 1. Chorus "Nun komm, der Heiden Heiland"
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Ingmar Haas (engineer)
Chorgesang:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1992-01)
Orchester:
The English Baroque Soloists (in 1992-01)
conductor:
John Eliot Gardiner (in 1992-01)
Tonmeister(in):
Ulrich Vette (engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
aufgenommen bei:
Great Hall, Blackheath Concert Halls in London (Greater London), England, Vereinigtes Königreich (in 1992-01)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1992-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
Teil von:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:32
79Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI
Harfe:
Hannelore Devaere (Belgian harp player) (in 1993-10)
Chorgesang:
Gabrieli Consort (in 1993-10)
Soprangesang:
Sarah Pendlebury (soprano) (in 1993-10)
conductor:
Paul McCreesh (conductor) (in 1993-10)
aufgenommen bei:
Roskilde Domkirke in Roskilde, Region Zealand, Dänemark (in 1993-10)
recording of:
Uns ist ein Kindlein heut geborn (Musae Sioniae VI (no. 49)) (in 1993-10)
Komponist(in):
Michael Praetorius (composer and organist)
Teil von:
Musae Sioniae VI
Michael Praetorius2:16
80A Hymn to the Virgin
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
A Hymn to the Virgin (von 1996-01 bis 1996-03)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (von 1930-07-09 bis 1934-04-29)
Premiere bei:
[event] (1931-01-05)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Benjamin Britten2:43
81"White Christmas"
Baritongesang:
Bryn Terfel (bass‐baritone opera singer)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paul Daniel (conductor)
arranger:
Robert Russell Bennett (American composer and arranger)
recording of:
White Christmas
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company und Irving Berlin Music Company (vom 1940 bis heute)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1942 winner)
Irving Berlin5:01
82Il est né le divin enfant
Geige / Violine:
Ulf Forsberg (violinist) (in 1998-11)
Marimba:
Markus Leoson (percussionist) (in 1998-11)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
vocals:
Anne Sofie von Otter (mezzo-soprano)
arranger:
Annette Isserlis (violist)
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1998-11)
recording of:
Il est né le divin enfant (in 1998-11)
Texter und Komponist(in):
[traditional] (special purpose artist)
[traditional]1:27
83Cantique de Noël "O Holy Night / Minuit, chrétiens"
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
Komponist(in):
Adolphe Adam (French composer)
Arrangement von:
O Holy Night
Adolphe Adam4:16
84Shepherd's Pipe Carol
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
Chorgesang:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master) (in 2010-07)
arranger:
Chris Hazell
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
Shepherd’s Pipe Carol (in 2010-07)
Texter und Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1963)
John Rutter2:58
85Ave Maria "Ellens Gesang III", D. 839
Produzent(in):
Wolfgang Stengel
Soprangesang:
Cheryl Studer (soprano) (am 1992-07-26)
Orchester:
London Symphony Orchestra (am 1992-07-26)
conductor:
Ion Marin (conductor) (am 1992-07-26)
arranger:
Ion Marin (conductor)
Tonmeister(in):
Jochen Gottschall (am 1992-07-26)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (am 1992-07-26)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1992)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:41
86Winter Wonderland
Chorgesang:
London Voices (in 1985-12)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1985-12)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-12)
conductor:
Carl Davis (conductor and composer) (in 1985-12)
chorus master:
Terry Edwards (British choir director) (in 1985-12)
arranger:
David Cullen (composer, arranger, orchestrator)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1986)
live recording of:
Winter Wonderland (in 1985-12)
Texter:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
Komponist(in):
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Felix Bernard3:53
87Carol of the Bells
Chorgesang:
St. Paul’s Cathedral Choir (London) (in 2015-06)
conductor:
Andrew Carwood (in 2015-06)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 2015-06)
recording of:
Carol of the Bells (in 2015-06)
Texter:
Peter J. Wilhousky (in 1936)
arranger:
Микола Дмитрович Леонтович (Mykola Leontovych) (in 1916)
basiert auf:
Щедрик (The Little Swallow)
Mykola Leontovych1:28
88Deck the Hall With Boughs of Holly
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Joan Sutherland (soprano) (in 1965-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Douglas Gamley (film composer)
recording of:
Deck the Halls (in 1965-05)
Texter:
Thomas Oliphant (musician, artist and author)
Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Nos Galan (Talhaiarn, “Goreu pleser ar Nos Galan”)
[traditional]1:19
89Joy to the World
Gitarre:
Los Romeros (quartet of Spanish guitarists)
Gitarre arranger:
Patrick Kerber
instrumental recording of:
Joy to the World (Christmas carol)
Texter:
Isaac Watts (hymn writer) (in 1719)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
George Frideric Handel, Lowell Mason2:31
90Mary's Boy Child
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
Chorgesang:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master)
arranger:
David Cullen (composer, arranger, orchestrator) und Chris Hazell
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
Mary’s Boy Child (in 2010-07)
Texter und Komponist(in):
Jester Hairston
publisher:
Bourne Music Ltd. und J. Albert & Son Pty. Ltd.
Jester Hairston3:34
91Have Yourself a Merry Little Christmas
Bassviola [bass gamba]:
Göran Danielsson (Swedish singer-songwriter) (in 1998-11)
Bassviola [discant gamba]:
Mogens Rasmussen (Danish viol da gamba) (in 1998-11)
Marimba:
Markus Leoson (percussionist) (in 1998-11)
tenor viol:
Leif Henrikson (in 1998-11)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
arranger:
Svante Henryson
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1998-11)
recording of:
Have Yourself a Merry Little Christmas (in 1998-11)
Texter:
Ralph Blane (in 1943)
Komponist(in):
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) und Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin, Ralph Blane3:16
92Ave Maria
Cello:
Mischa Maisky (cellist) (in 1987-10)
Klavier:
Pavel Gililov (pianist) (in 1987-10)
arranger:
Mischa Maisky (cellist)
aufgenommen bei:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Deutschland (in 1987-10)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1987-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach, Charles Gounod5:30
93The Nutcracker Suite, op. 71a: I. Miniature Overture
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Pyotr Ilyich Tchaikovsky3:03
94The Nutcracker Suite, op. 71a: IIa. March
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:26
95The Nutcracker Suite, op. 71a: IIb. Dance of the Sugar Plum Fairy
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky2:06
96The Nutcracker Suite, op. 71a: IIc. Russian Dance (Trepak)
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:10
97The Nutcracker Suite, op. 71a: IId. Arabian Dance (Coffee)
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky3:46
98The Nutcracker Suite, op. 71a: IIe. Chinese Dance (Tea)
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:14
99The Nutcracker Suite, op. 71a: IIf. Dance of the Reed-Pipes
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:35
100The Nutcracker Suite, op. 71a: III. Waltz of the Flowers
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky6:45