Les Géants du Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Nuages
Geige / Violine:
Stéphane Grappelli (jazz violinist) (am 1946-02-01)
Gitarre:
Allan Hodgkiss (am 1946-02-01), Jack Llewellyn (am 1946-02-01) und Django Reinhardt (French jazz guitarist and composer) (am 1946-02-01)
Kontrabass:
Coleridge Goode (am 1946-02-01)
recording of:
Nuages (instrumental) (am 1946-02-01)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt3:18
2Makin’ Whoopee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Makin’ Whoopee! (am 1954-03-29)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Ella Fitzgerald3:06
3April in Paris
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-26)
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1955-07-26) und Marshall Royal (am 1955-07-26)
alto saxophone, Klarinette, flute und Tenorsaxophon:
Frank Wess (am 1955-07-26)
baritone saxophone und Bassklarinette:
Charlie Fowlkes (baritone saxophonist) (am 1955-07-26)
Gitarre:
Freddie Green (am 1955-07-26)
Klarinette und Tenorsaxophon:
Frank Foster (saxophonist) (am 1955-07-26)
Klavier:
Count Basie (pianist) (am 1955-07-26)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1955-07-26)
Posaune:
Henry Coker (jazz trombonist) (am 1955-07-26), Bill Hughes (jazz trombonist) (am 1955-07-26) und Benny Powell (jazz trombonist) (am 1955-07-26)
Schlagzeug:
Sonny Payne (am 1955-07-26)
Trompete:
Wendell Culley (jazz trumpeter) (am 1955-07-26), Reunald Jones (am 1955-07-26), Thad Jones (American jazz trumpeter) (am 1955-07-26) und Joe Newman (US jazz trumpeter) (am 1955-07-26)
arranger:
Wild Bill Davis
instrumental cover recording of:
April in Paris (am 1955-07-26)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Count Basie43:53
4My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:20
5When the Saints Go Marchin’ In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
live recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
Louis Armstrong3:13
6Caravan
Bongos und Conga:
Jack Costanzo
Gitarre:
John Collins (US jazz guitarist)
Klavier:
Nat King Cole
Kontrabass:
Charlie Harris (jazz bassist)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
Ventilposaune:
Juan Tizol
vocals:
Nat King Cole
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1956-08 bis 1956-09)
recording of:
Caravan
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
Nat King Cole2:46
7How Deep Is the Ocean
Stan Getz2:52
8Black Coffee
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
cover recording of:
Black Coffee (1948 song) (am 1953-05-04)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Peggy Lee3:09
9Satin Doll
recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
Duke Ellington3:52
10Misty
live instrumental recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Erroll Garner2:48
11Lullaby of Birdland
Produzent(in):
Bob Shad
Bass:
Joe Benjamin (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader)
Tenorsaxophon:
Paul Quinichette
Trompete:
Clifford Brown (trumpet)
arranger:
Ernie Wilkins
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-16)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:02
12Round Midnight
Klavier:
Red Garland (am 1956-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-10-26)
Tenorsaxophon:
John Coltrane (am 1956-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-10-26)
instrumental cover recording of:
’Round Midnight (am 1956-10-26)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis45:25
13I Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:54
14Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Nina Simone3.253:17
15C’est si bon
recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
Louis Armstrong3:05
16Blue Moon
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
Blue Moon (am 1952-03-26)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday4.653:33
17Petite Fleur
Klarinette:
Claude Luter (am 1952-01-31)
Klavier:
Christian Azzi (am 1952-01-31)
Kontrabass:
Roland Bianchini (am 1952-01-31)
Posaune:
Bernard Zacharias (am 1952-01-31)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-31)
Sopransaxophon:
Sidney Bechet (am 1952-01-31)
Trompete:
Guy Longnon (am 1952-01-31) und Claude Rabanit (am 1952-01-31)
Orchester:
Claude Luter et son orchestre (am 1952-01-31)
recording of:
Petite Fleur (original instrumental) (am 1952-01-31)
Komponist(in):
Sidney Bechet
Sidney Bechet53:21
18A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Ella Fitzgerald43:52
19Night and Day
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1953-03, am 1953-03-10)
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1953-03, am 1953-03-10)
Kontrabass:
Pierre Michelot (in 1953-03, am 1953-03-10)
Schlagzeug:
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1953-03, am 1953-03-10)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1953-03-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Django Reinhardt2:53
20In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:41

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Veröffentlichung

ASIN:FR: B000FORBP8 [Info]