Classical 2012

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Das Land des Lächelns (The Land of Smiles): “Dein ist mein ganzes Herz!”
recording engineer:
James Lock (James Locke, engineer) (on 1990-07-07), John Pellowe (audio engineer) (on 1990-07-07) and Philip Siney (sound engineer) (on 1990-07-07)
producer:
Christopher Raeburn (producer)
editor:
Nigel Gayler
tenor vocals:
Plácido Domingo (tenor) (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (conductor) (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1990)
recorded at:
Terme di Caracalla in Roma (Rome), Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (on 1990-07-07)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:33
2Bachianas Brasileiras no. 5, for Voice & 8 Cellos, A. 389: Aria (Cantilena)
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Orquesta Nacional de España (Spanish National Orchestra)
conductor:
Josep Pons (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos5:36
3Berceuse for Piano in D‐flat major, op. 57, CT. 7
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Berceuse in D‐flat major, op. 57
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1843 until 1844)
dedicated to:
Elise Gavard
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 7), Works of Fryderyk Chopin by opus number (number: op. 57) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 154)
Fryderyk Chopin4:33
4Cantata no. 169, “Gott soll allein mein Herze haben,” BWV 169 (BC A143): 2. Arioso
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:50
5Rondo a Capriccio for Piano in G major (“Rage Over a Lost Penny”), op. 129
piano:
Alice Sara Ott (pianist)
recording of:
Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 129)
Ludwig van Beethoven6:19
6Misa Criolla, for tenor, piano, chorus & orchestra: Kyrie
choir vocals:
Coro del Teatro Comunale di Bologna
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Michele Mariotti (conductor)
recording of:
Misa criolla: I. Kyrie
composer:
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
part of:
Misa criolla
Ariel Ramírez4:31
7Ständchen (“Leise flehen meine Lieder”), Song for Voice & Piano (Schwanengesang), D. 957/4
violin:
Nicola Benedetti (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Kenneth Sillito (violinist)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
is based on:
סרנדה
Franz Schubert4:13
8Die Fledermaus (The Bat), RV 503: “Mein Herr Marquis”
soprano vocals:
Aleksandra Kurzak (soprano)
orchestra:
Orquestra de la Comunitat Valenciana
conductor:
Omer Meir Wellber
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II3:22
9Concerto for Violin, Strings & Continuo no. 1 in A minor, BWV 1041: 1. Allegro moderato
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:24
10Tito Manlio, RV 738: “Sonno, se pur sei sonno”
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2008-10)
orchestra:
Venice Baroque Orchestra (in 2008-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2008-10)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2008-10)
recording of:
Tito Manlio, RV 738-A: Atto III, Scena I. Aria. "Sonno, se pur sei sonno" (Manlio) (in 2008-10)
lyricist:
Matteo Noris
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1718 until 1719)
part of:
Tito Manlio, RV 738: Atto III
Antonio Vivaldi2:53
11Consolation, for Piano no. 3 in D‐flat major “Lento placido”, S. 172/3 (LW A111a/2/2)
producer:
Peter Wadland (producer) (from 1985-03 to present)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1985-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:51
12Rusalka, B. 203 (op. 114): “Mesícku na nebi hlubokém” (Song to the Moon)
piano:
Eric Schneider (pianist)
soprano vocals:
Anna Prohaska (soprano)
recording of:
Rusalka, op. 114: Song to the Moon (catch-all for arrangements)
composer:
Antonín Dvořák (composer)
arrangement of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Antonín Dvořák5:00
13La Traviata: Atto I. Prelude
assistant recording engineer:
Adam Chignell (in 1994-12) and Ian Watson (editor/engineer/producer) (in 1994-12)
recording engineer:
John Dunkerley (engineer) (in 1994-12), Simon Eadon (classical music engineer) (in 1994-12) and Michael Mailes (engineer) (in 1994-12)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1994-12)
conductor:
Sir Georg Solti (conductor) (in 1994-12)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1994-12)
live recording of:
La traviata: Preludio (in 1994-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:35
14I vespri siciliani (Les Vêpres Siciliennes): “Mercè, dilette amiche”
soprano vocals [Elena]:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Riccardo Chailly (conductor)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (Siciliana)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
Giuseppe Verdi4:03
15The Sleeping Beauty, Ballet, op. 66: Valse. La Belle au bois dormant
orchestra:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Валерий Гергиев (Valery Gergiev, conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Ilich Tchaikovsky4:47
16Werther : « Pourquoi me téveiller, ô souffle du printemps ? »
tenor vocals:
Giuseppe Di Stefano (tenor) (in 1959)
orchestra:
Tonhalle‐Orchester Zürich
conductor:
Franco Patanè (conductor)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1959)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:09
17Sicilienne and Rigaudon in the Style of Francœur, for violin & piano
piano:
Paul Coker (pianist) (from 1995-04-08 until 1995-04-09)
violin:
Joshua Bell (violinist) (from 1995-04-08 until 1995-04-09)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1995-04-08 until 1995-04-09)
recording of:
Sicilienne et Rigaudon (in the style of François Francœur) (from 1995-04-08 until 1995-04-09)
composer:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1910)
Fritz Kreisler4:01
18Work (S): Lucrezia (Based on Fragments of the Aria Già Nel S)
soprano vocals:
Danielle de Niese (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
partial recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
composer:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
part of:
La Lucrezia, HWV 145
Georg Friedrich Händel2:59
19Coppélia, ou La Fille aux yeux d’émail, Ballet: Valse
recording engineer:
James Locke (engineer)
producer:
John Mordler (producer)
clarinet:
Robert Gugolz
viola:
Ron Golan
violin:
Marcel Graveis
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1969-09)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:05
20Martha: “The Last Rose of Summer”
soprano vocals:
Joan Sutherland (soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt II
Friedrich von Flotow3:17