Puccini Arias

~ Release by Giacomo Puccini; José Cura, Philharmonia Orchestra, Plácido Domingo (see all versions of this release, 2 available)

Annotation

Recording: 22 - 29/06 1997, 06/07 1997, Air Studios, London

Annotation last modified on 2010-06-03 16:48 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Turandot, opera: Nessun dorma
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:05
2Turandot, opera: Non piangere Liu!
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:32
3Gianna Schicchi, opera: Firenze è come un albero fiorto
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
Giacomo Puccini3:19
4Il tabarro, opera: Hai ben ragione
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Il tabarro: “Hai ben ragione” (Luigi) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
Giacomo Puccini2:49
5Il tabarro, opera: Folle di gelosia
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Il tabarro: “Come è difficile esser felici!” (Giorgetta, Michele) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
Giacomo Puccini1:57
6La Rondine, opera: Parigi! è la città dei desideri
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
La Rondine: Atto I. “Parigi! è la città dei desideri” (Ruggero) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
part of:
La rondine: Atto I
Giacomo Puccini2:21
7La Rondine, opera: Dimmi che vuoi seguirmi
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
La rondine: Atto III. “Dimmi che vuoi seguirmi alla mia casa” (Ruggero) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
Giacomo Puccini3:30
8La fanciulla del West, opera: Or sone sei mesi
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto II
Giacomo Puccini3:48
9La fanciulla del West, opera: Ch'ella mi creda
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini4:42
10Madame Butterfly, opera: Amore o grillo
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:25
11Madame Butterfly, opera: Addio fiorito asil
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:52
12Tosca, opera: Recondita armonia
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:44
13Tosca, opera: E lucevan le stelle
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:23
14La bohème, opera: Che gelida manina
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:48
15Manon Lescaut, opera: Tra voi, belle
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini1:16
16Manon Lescaut, opera: Donna non vidi mai
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:33
17Manon Lescaut, opera: Ah, Manon mi tradisce
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” (Des Grieux, Manon) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:37
18Manon Lescaut, opera: Ah! non v'avvicinate! no, pazzo son
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Manon Lescaut: Atto III. “Presto! In fila!…No! No! pazzo son” (Des Grieux, Sergente, Comandante) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
recording of:
Manon Lescaut: Atto III. “Ah, non v’avvicinate!” … “Come io piango ed imploro” (Des Grieux, Comandante, Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
Giacomo Puccini2:57
19Manon Lescaut, opera: Vedi, son io che piango
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Manon Lescaut: Atto IV. “Manon, senti, amor mio! … Vedi, son io che piango” (Des Grieux) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
Giacomo Puccini3:07
20Edgar, opera: Orgio, chimera dall'occhio vitreo
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Edgar: Atto II. “Orgia chimera dall’occhio vitreo” (Edgar) (from 1997-06 until 1997-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini5:15
21Le villi, opera: Ecco la casa...Torna ai felici di
engineer:
Jean Chatauret
producer:
Martin Sauer (engineer/producer)
tenor vocals:
José Cura (tenor) (from 1997-06 until 1997-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-06 until 1997-07)
conductor:
Plácido Domingo (tenor) (in 1997, from 1997-06 until 1997-07)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-06 until 1997-07)
recording of:
Le Villi: Atto II. Scene dramatica, romanza "Torna ai felici di" (Roberto) (from 1997-06 until 1997-07)
lyricist:
Ferdinando Fontana
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
Giacomo Puccini10:57