Atlantic Gold: 100 Soul Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Ghetto, Parts 1 & 2
recording of:
The Ghetto (Donny Hathaway)
Verfasser(in):
Donny Hathaway und Leroy Hutson
publisher:
Don‐Pow und Peer International (BMI; Peer Int'l or Peer-International)
sub-publisher:
Peermusic (UK) Ltd.
Donny Hathaway6:53
2Turn Back the Hands of Time
recording of:
Turn Back the Hands of Time
Verfasser(in):
Jack Daniels (soul/blues/funk producer and songwriter) und Bonnie Thompson (songwriter)
Tyrone Davis52:54
3What a Man
cover recording of:
What a Man
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Laura Lee2:56
4Face It
Ed Robinson2:25
5Suspicious Minds
Interpret(in):
The Dixie Flyers (Criteria Studio house band) und Dee Dee Warwick
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Dee Dee Warwick3:18
6She’s a Burglar
Howard Tate2:40
7Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:50
8Thin Line Between Love and Hate
The Persuaders3:23
9Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
10Love, Love, Love
Donny Hathaway3:23
11Ridin’ High
recording of:
Ridin' High
Verfasser(in):
Margie Joseph (Rhythm and blues, soul and gospel singer) und Arif Mardin
Margie Joseph3:26
12I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
13Love Won’t Let Me Wait
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (in 1974)
Produzent(in):
Bobby Eli
Bassgitarre [bass]:
Ronnie Baker (in 1974)
Blechblasinstrumente [horns] und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
Gitarre:
Bobby Eli (in 1974)
Keyboard:
Ron Kersey (in 1974)
Schlagzeug [drums]:
Earl Young (in 1974)
Vibraphon [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Winot Music
Major Harris5:31
14Kiss My Love Goodbye
recording of:
Kiss My Love Goodbye
Verfasser(in):
Tony Bell (American 1970s musician, songwriter & engineer) und Phil Hurtt
Bettye Swann3:22
15I Can Understand It
The Valentinos3:58
16Time
Jackie Moore3:28
17Could It Be I’m Falling in Love
recording of:
Could It Be I’m Falling in Love
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:11
18Sideshow
Techniker(in):
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) und Joe Tarsia (engineer)
Produzent(in):
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: Blechblasinstrumente [horns], Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
Verfasser(in):
Bobby Eli und Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zella Music
Blue Magic54:10
19Save Your Love for Me
Vivian Reed3:17
20Supernatural Thing, Part 1
Ben E. King4:11
21It’s All Right Now
Eddie Harris3:56

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