Sacred Cantatas, BWV 10 - 14 & 16 - 19

~ Release by Johann Sebastian Bach; Gustav Leonhardt, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Meine Seel erhebt den Herren, BWV 10: No. 1. Choral Fantasie. "Meine Seel erhebt den Herren"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:03
2Meine Seel erhebt den Herren, BWV 10: No. 2. Aria. "Herr, der du stark und mächtig bist"
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:28
3Meine Seel erhebt den Herren, BWV 10: No. 3. Rezitativ. "Des Höchsten Güt und Treu"
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
4Meine Seel erhebt den Herren, BWV 10: No. 4. Aria. "Gewaltige stößt Gott vom Stuhl"
bass vocals:
Max van Egmond (bass-baritone) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:28
5Meine Seel erhebt den Herren, BWV 10: No. 5. Duett und Choral. "Er denket der Barmherzigkeit"
alto vocals:
Paul Esswood (countertenor) (on 1971-12-08)
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:20
6Meine Seel erhebt den Herren, BWV 10: No. 6. Rezitativ. "Was Gott den Vatern alter Zeiten"
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:10
7Meine Seel erhebt den Herren, BWV 10: No. 7. Choral. "Lob und Preis sei Gott dem Vater"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:00
8Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 1. Chor. "Lobet Gott in seinen Reichen"
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:17
9Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 2. Rezitativ. "Der Herr Jesus hub seine Hände auf"
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
10Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3. Rezitativ. "Ach, Jesu, ist dein Abschied“
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:00
11Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 4. Aria. "Ach, bleibe doch, mein liebstes Leben“
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:43
12Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 5. Rezitativ. "Und ward aufgehoben zusehends“
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:25
13Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 6. Choral. "Nun lieget alles unter dir“
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (from 1971-12-08 until 1971-12-15)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:17
14Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 7. Rezitativ. "Und da sie ihm nachsahen gen Himmel fahren“
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
15Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 8. Rezitativ. "Ach ja! So komme bald zurück“
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:38
16Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 9. Rezitativ. "Sie aber beteten ihn an“
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:41
17Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 10. Aria. "Jesu, deine Gnadenblicke“
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:51
18Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 11. Choral. "Wenn soll es doch geschehen“
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:36
19Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 1. Sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:29
20Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 2. Chor. "Weinen, Klagen, Sorgen, Zagen"
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:02
21Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 3. Rezitativ. "Wir müssen durch viel Trübsal"
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:57
22Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 4. Aria. "Kreuz und Krone sind verbunden"
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:24
23Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 5. Aria. "Ich folge Christo nach"
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:48
24Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 6. Aria. "Sei getreu, alle Pein"
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:21
25Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 7. Choral. "Was Gott tut, das ist wohlgetan"
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (from 1971-12-08 until 1971-12-15)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:53
26Meine Seufzer, meine Tränen, BWV 13: No. 1. Aria. "Meine Seufzer, meine Tränen"
tenor vocals:
Kurt Equiluz (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach7:31
27Meine Seufzer, meine Tränen, BWV 13: No. 2. Rezitativ. "Mein liebster Gott läßt mich annoch"
alto vocals:
Paul Esswood (countertenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:14
28Meine Seufzer, meine Tränen, BWV 13: No. 3. Choral. "Der Gott, der mir hat versprochen"
alto vocals:
Paul Esswood (countertenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1636)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach3:10
29Meine Seufzer, meine Tränen, BWV 13: No. 4. Rezitativ. "Mein Kummer nimmet zu"
soprano vocals:
Walter Gampert (solisten des Tölzer Knabenchores) (boy soprano)
treble vocals:
Walter Gampert (boy soprano) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:22
30Meine Seufzer, meine Tränen, BWV 13: No. 5. Aria. "Ächzen und erbärmlich Weinen"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach9:06
31Meine Seufzer, meine Tränen, BWV 13: No. 6. Choral. "So sei nun, Seele, deine"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Fleming (poet) (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 295)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach0:49
32Wär Gott nicht mit uns diese Zeit, BWV 14: No. 1. Chor. "War Gott nicht mit uns diese Zeit"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": I. Coro "Wär Gott nicht mit uns diese Zeit" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach6:31
33Wär Gott nicht mit uns diese Zeit, BWV 14: No. 2. Aria. "Unsre Stärke heißt zu schwach"
soprano vocals:
Peter Hinterreiter (solisten des Tölzer Knabenchores) (boy soprano)
treble vocals:
Peter Hinterreiter (boy soprano) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": II. Aria (Soprano) "Unsre Stärke heißt zu schwach" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach4:46
34Wär Gott nicht mit uns diese Zeit, BWV 14: No. 3. Rezitativ. "Ja, hätt' es Gott nur zugegeben"
tenor vocals:
Marius van Altena (tenor) (from 1972-01 until 1972-04) and Kurt Equiluz (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": III. Recitativo (Tenore) "Ja, hätt es Gott nur zugegeben" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach0:45
35Wär Gott nicht mit uns diese Zeit, BWV 14: No. 4. Aria. "Gott, bei deinem starken Schützen"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": IV. Aria (Basso) "Gott, bei deinem starken Schützen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach4:44
36Wär Gott nicht mit uns diese Zeit, BWV 14: No. 5. Choral. "Gott Lob und Dank, der nicht zugab"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": V. Choral "Gott Lob und Dank, der nicht zugab" (from 1972-01 until 1972-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 330)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach1:04
37Herr Gott, dich loben wir, BWV 16: No. 1. Chor. "Herr Gott, dich loben wir"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:47
38Herr Gott, dich loben wir, BWV 16: No. 2. Rezitativ. "So stimmen wir bei dieser frohen Zeit"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:14
39Herr Gott, dich loben wir, BWV 16: No. 3. Aria und Chor. "Laßt uns jauchzen, laßt uns freuen"
bass vocals:
Max van Egmond (bass-baritone) (from 1972-01 until 1972-04)
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:52
40Herr Gott, dich loben wir, BWV 16: No. 4. Rezitativ. "Ach, treuer Hort"
alto vocals:
Paul Esswood (countertenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:29
41Herr Gott, dich loben wir, BWV 16: No. 5. Aria. "Geliebter Jesu, du allein"
tenor vocals:
Marius van Altena (tenor) (from 1972-01 until 1972-04) and Kurt Equiluz (tenor) (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach8:49
42Herr Gott, dich loben wir, BWV 16: No. 6. Choral. "All solch dein Güt wir preisen"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:03
43Wer Dank opfert, der preiset mich, BWV 17: No. 1. Chor. "Wer Dank opfert, der preiset mich"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach5:04
44Wer Dank opfert, der preiset mich, BWV 17: No. 2. Rezitativ. "Es muß die gauze Welt"
alto vocals:
Paul Esswood (countertenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:03
45Wer Dank opfert, der preiset mich, BWV 17: No. 3. Aria. "Herr, deine Güte reicht"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:49
46Wer Dank opfert, der preiset mich, BWV 17: No. 4. Rezitativ. "Einer aber unter ihnen"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach0:41
47Wer Dank opfert, der preiset mich, BWV 17: No. 5. Aria. "Welch Übermaß der Güte"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach4:12
48Wer Dank opfert, der preiset mich, BWV 17: No. 6. Rezitativ. "Sieh' meinem Willen an"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:08
49Wer Dank opfert, der preiset mich, BWV 17: No. 7. Choral. "Wie sich ein Vatr erbarmet"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:52
50Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 1. Sinfonia
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (catch-all for all versions) (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach3:15
51Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 2. Rezitativ. "Gleichwie der Regen und Schnee"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (catch-all for all versions) (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach1:06
52Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 3. Rezitativ und Choral. "Mein Gott, hier wird mein Herze sein"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-12)
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (catch-all for all versions) (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach5:50
53Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 4. Aria. "Mein Seelenschatz ist Gottes Wort"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (catch-all for all versions) (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach3:04
54Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: No. 5. Choral. "Ich bitt, o Herr, aus Herzens Grund"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (catch-all for all versions) (in 1971-12)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach1:14
55Es erhub sich ein Streit, BWV 19: No. 1. Chor. "Es erhub sich ein Streit"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:55
56Es erhub sich ein Streit, BWV 19: No. 2. Rezitativ. "Gottlob! Der Drache liegt"
bass vocals:
Max van Egmond (bass-baritone) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:50
57Es erhub sich ein Streit, BWV 19: No. 3. Aria. "Gott schickt uns Mahanaim zu"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:21
58Es erhub sich ein Streit, BWV 19: No. 4. Rezitativ. "Was ist der schnöde Mensch"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:47
59Es erhub sich ein Streit, BWV 19: No. 5. Aria und Choral. "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:41
60Es erhub sich ein Streit, BWV 19: No. 6. Rezitativ. "Laßt uns das Angesicht"
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:38
61Es erhub sich ein Streit, BWV 19: No. 7. Choral. "Laß dein Engel mit mir fahren"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor and performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:36