Josquin & the Franco-Flemish School 1

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1▶CD: Binchois: Chansons
2▶CD: Dufay, Vide, Binchois…: Le Banquet du vœu 1454, Music at the Court of Burgundy
3▶CD: Dufay & Binchois: The Art of Courtly Love, the Court of Burgundy
4▶CD: Dufay: Missa “Se la face ay pale” / Chanson “Se la face ay pale” / Gloria ad modum tobae
5▶CD: Dufay: Motets & Chansons
6▶CD: Dufay: Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”
7▶CD: Dufay: Missa “L'Homme armé” / Motets
8▶CD: Dufay, Binchois…: Dufay and His Time (1)
9▶CD: Dufay, Binchois…: Dufay and His Time (2)
10▼CD: Ockeghem: Missa pro defunctis / Missa “Mi-mi”
#TitleArtistRatingLength
1Missa pro defunctis: I. Requiem aeternam
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Introitus (from 1984-09-17 until 1984-09-19)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem5:37
2Missa pro defunctis: II. Kyrie
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Kyrie (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem4:38
3Missa pro defunctis: III. Graduale
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Graduale: Si ambulem (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem5:23
4Missa pro defunctis: IV. Tractus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Tractus (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem8:15
5Missa pro defunctis: V. Offertorium
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Pro Defunctis: Offertorium (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Pro Defunctis
Johannes Ockeghem9:51
6Missa pro defunctis: VI. Sanctus & Benedictus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Sanctus (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:43
7Missa pro defunctis: VII. Agnus Dei
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Agnus Dei (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:48
8Missa pro defunctis: VIII. Communio
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa pro defunctis: Communio “Lux aeterna” (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
part of:
Missa pro defunctis (Gregorian)
Johannes Ockeghem0:50
9Missa pro defunctis: IX. Postcommunio
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Requiescant in pace (from 1984-09-17 until 1984-09-19)
composer:
[anonymous] (special purpose artist)
Johannes Ockeghem0:26
10Missa “Mi-mi”: I. Kyrie
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Kyrie (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem2:21
11Missa “Mi-mi”: II. Gloria
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Gloria (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:06
12Missa “Mi-mi”: III. Credo
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Credo (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem7:45
13Missa “Mi-mi”: IV. Sanctus & Benedictus
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Sanctus (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:45
14Missa “Mi-mi”: V. Agnus Dei
producer:
Gerd Berg (producer)
baritone vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1984-09-17 until 1984-09-19)
bass vocals:
David Beavan (operatic bass) (from 1984-09-17 until 1984-09-19) and Michael George (operatic bass) (from 1984-09-17 until 1984-09-19)
countertenor vocals:
Michael Chance (British countertenor) (from 1984-09-17 until 1984-09-19) and David James (countertenor) (from 1984-09-17 until 1984-09-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1984-09-17 until 1984-09-19), Leigh Nixon (lay vicar & tenor) (from 1984-09-17 until 1984-09-19) and John Potter (tenor) (from 1984-09-17 until 1984-09-19)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1984-09-17 until 1984-09-19)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1995)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1984-09-17 until 1984-09-19)
recording of:
Missa Mi-Mi: Agnus Dei (from 1984-09-17 until 1984-09-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa Mi—Mi (a4)
Johannes Ockeghem5:17
11▶CD: Ockeghem: Missa prolationum / Motets
12▶CD: Josquin des Prez: Motets
13▶CD: Josquin des Prez: Missa “Pange lingua” / Miserere mei Deus
14▶CD: Josquin des Prez: Motets & Chansons
15▶CD: Josquin des Prez: Missa “Ave Maris Stella” / Chansons / Motets
16▶CD: Josquin des Prez: Missa “Hercules Dux Ferrariae” / Miserere mei Deus / Motets
17▶CD: Josquin des Prez, Cléreau, Chardavoine, Le Jeune, Sermisy…: French Chansons from the Renaissance