Die Bach-Kantate, Volume 21: BWV 65, 123, 154, 124

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen"
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:42
2Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar"
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:42
3Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn"
bass vocals:
Wolfgang Schöne (bass-baritone)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:03
4Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht"
bass vocals:
Wolfgang Schöne (bass-baritone)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:02
5Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht"
tenor vocals:
Aldo Baldin (tenor)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:35
6Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin"
tenor vocals:
Aldo Baldin (tenor)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (from 1978-09 until 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:40
7Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir"
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (from 1978-09 until 1979-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:29
8Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: I. Coro "Liebster Immanuel, Herzog der Frommen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:21
9Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: II. Recitativo (Alto) "Die Himmelssüßigkeit, der Auserwähten Lust"
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": II. Recitativo (Alt) "Die Himmelssüßigkeit, der Auserwähten Lust" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:57
10Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: III. Aria (Tenore) "Auch die harte Kreuzesreise"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:08
11Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: IV. Recitativo (Basso) "Kein Höllenfeind kann mich verschlingen"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:46
12Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: V. Aria (Basso) "Laß, o Welt, mich aus Verachtung"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach6:11
13Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen: VI. Choral "Drum fahrt nur immer hin"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin" (from 1980-02 until 1980-04)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Breitkopf 389 Choralgesänge (number: 229)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach1:36
14Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenore) "Mein liebster Jesus ist verloren"
tenor vocals:
Aldo Baldin (tenor) and Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:59
15Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenore) "Wo treff ich meinen Jesum an"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach0:41
16Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Chorale "Jesu, mein Hort und Erretter"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:02
17Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alto) "Jesus, laß dich finden"
alto vocals:
Ann Murray (Irish mezzo-soprano) and Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:31
18Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Basso) "Wisset ihr nicht"
bass vocals:
Walter Heldwein
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:37
19Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenore) "Dies ist die Stimme meines Freundes"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach2:17
20Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto: Alto, Tenore) "Wohl mir, Jesus ist gefunden"
alto vocals:
Ann Murray (Irish mezzo-soprano) and Helen Watts (contralto)
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:44
21Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Chorale "Meinen Jesum laß ich nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann (17th century hymnwriter)
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:07
22Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Chorale "Meinen Jesum laß ich nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Coro "Meinen Jesum laß ich nicht" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach3:40
23Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenore) "Solange sich ein Tropfen Blut"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenor) "Solange sich ein Tropfen Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach0:54
24Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenore) "Und wenn der harte Todesschlag"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach2:39
25Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Basso) "Doch ach! Welch schweres Ungemach"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Bass) "Doch ach! Welch schweres Ungemach"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:04
26Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto: Soprano, Alto) "Entziehe dich eilends, mein Herze, der Welt"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach4:50
27Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Chorale "Jesum laß ich nicht von mir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Choral "Jesum laß ich nicht von mir" (from 1980-02 until 1980-04)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Breitkopf 389 Choralgesänge (number: 246)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:04

Credits

Release

ASIN:DE: B000024PBT [info]

Release group

part of:Die Bach Kantate (Hänssler Classic/Laudate series) (number: 21) (order: 9)