Early Music Festival - Florentine Music of the Sixteenth Century (disc 2)

~ Release by Musica Reservata-Morrow/Beckett (see all versions of this release, 1 available)

Tracklist

2▼CD: Florentine Music Of The Sixteenth Century
#TitleArtistRatingLength
1Toccata ('Orfeo')
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:49
2La Pellegrina, Secondo Intermedio: Sinfonia
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi: I. Sinfonia
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
part of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi
Luca Marenzio1:36
3La Pellegrina, Secondo Intermedio: Belle Ne Fe' Natura
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi: II. Belle ne fe' natura
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi
Luca Marenzio1:25
4La Pellegrina, Secondo Intermedio: Chi Dal Defino
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi: III. Chi dal delfino aita
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi
Luca Marenzio2:38
5La Pellegrina, Secondo Intermedio: Se Nelle Voci Nostre
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi: IV. Se nelle voci nostre
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi
Luca Marenzio3:48
6La Pellegrina, Secondo Intermedio: O Figlie Di Piero
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi: V. O figlie di Piero
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Secondo intermedio: La Gara fra Muse e Pieridi
Luca Marenzio2:27
7La Pellegrina, Sesto Intermedio: Dal Vago E Bel Sereno
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: I. Dal vago el bel sereno
composer:
Cristofano Malvezzi
librettist:
Giovanni de' Bardi
part of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia
Cristofano Malvezzi4:01
8La Pellegrina, Sesto Intermedio: O Qual Risplende Nube
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: II. O qual risplende nube
composer:
Cristofano Malvezzi
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia
Cristofano Malvezzi1:58
9La Pellegrina, Sesto Intermedio: Godi Turba Mortal
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: III. Godi turba mortal
composer:
Emilio de' Cavalieri (composer)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia
Emilio de' Cavalieri1:17
10La Pellegrina, Sesto Intermedio: O Fortunato Giorno
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: IV. O fortunato giorno
composer:
Cristofano Malvezzi
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
part of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia
Cristofano Malvezzi2:05
11La Pellegrina, Sesto Intermedio: O Che Nuovo Miracolo
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia: V. O che nuovo miracolo
composer:
Emilio de' Cavalieri (composer)
librettist:
Laura Lucchesini
part of:
La Pellegrina: Sesto intermedio: La discesa d'Apollo e Bacco col Ritmo e l'Armonia
Emilio de' Cavalieri6:34
12Festa, Constanzo - Quando Ritrova
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
Quando ritrovo la mia pastorella
composer:
Costanzo Festa (Italian Renaissance composer)
Costanzo Festa0:58
13Allemana-Ripresa: Quando Ritrova
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:03
14Lo Son L'Occello
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
Bartolomeo Tromboncino3:19
15Pavana 'La Cornetta'
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]2:04
16Gagliarda 'Giorgio'
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:02
17Tri Ciechi Siamo
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
Tri ciechi siamo
composer:
Giovanni Domenico del Giovane da Nola (Italian Renaissance composer & poet, c. 1510-1592)
Giovanni Domenico del Giovane da Nola1:42
18Lo Non Compro
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
recording of:
Io non compro più speranza
composer:
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara2:15
19Ahimè Sospiri
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:55
20Pavana 'Forze D'Ercole'
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:18
21Orsù, Orsù, Car' Signori
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:09
22Pavana 'El Colognese'
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]1:39
23Dance Songs: Era Di Maggio
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:56
24Dance Songs: El Marchese Di Salluzzo
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:51
25Dance Songs: In Questo Ballo
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:24
26Dance Songs: Noi Ci Vogliam' Partire
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:24
27Dance Songs: Bussa La Porta
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:44
28Dance Songs: La Pastorella
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:45
29Dance Songs: E Su Quel Monte
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:23
30Dance Songs: Maggio Valente
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:19
31Dance Songs: Sorella Mia Piacente
producer:
Michael Bremner (producer/engineer)
bass-baritone vocals:
John Frost (bass singer)
countertenor vocals:
Grayston Burgess (counter tenor / conductor)
mezzo-soprano vocals:
Jantina Noorman
tenor vocals:
Nigel Rogers (tenor)
orchestra:
Musica Reservata (UK 1950-70s early music group)
conductor:
John Beckett (keyboardist, composer and conductor)
audio director:
David Munrow (UK early music historian & musician)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-05 until 1968-08)
[anonymous]0:17