Pop Queens

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

© «2021 UMG Recordings, Inc.»
℗ «2021 UMG Recordings, Inc. FP»

Anmerkung zuletzt geändert am 2023-02-21 01:02 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Therefore I Am
recording engineer und Produzent(in):
FINNEAS
Mix:
Rob Kinelski
vocals:
Billie Eilish
phonographisches Urheberrecht (℗) von:
Darkroom (in 2020, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2020, in 2022)
aufgenommen bei:
FINNEAS’ home studio (since October 2019) in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Therefore I Am (music video) von Billie Eilish
commentary:
Billie on Therefore I Am (Spotify “Lyric Mode”) von Billie Eilish
Teil von:
Billboard Year-End Hot 100 singles of 2021 (Nummer: 25)
recording of:
Therefore I Am
Texter und Komponist(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.452:54
2Stupid Love
recording engineer:
Benjamin Rice (American producer)
Programmierung und Produzent(in):
BloodPop® und Tchami (FR | EDM)
Koproduzent(in):
Max Martin (Swedish record producer)
assistierende(r) Mix:
E. Scott Kelly
Mix:
Tom Norris (American engineer and multi-instrumentalist), Benjamin Rice (American producer) und Tchami (FR | EDM)
Bass, Gitarre, Keyboard und Perkussion:
BloodPop® und Tchami (FR | EDM)
Schlagzeug:
BloodPop®, John “JR” Robinson (session drummer) und Tchami (FR | EDM)
vocals:
Lady Gaga
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, EastWest Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Stupid Love (music video) von Lady Gaga
recording of:
Stupid Love
Verfasser(in):
BloodPop®, Lady Gaga, Martin Joseph Leonard Bresso, Max Martin (Swedish record producer) und Ely Rise
publisher:
OWSLA (OWSLA Music Publishing, LLC), Pulse (publisher) und Sony/ATV
Lady Gaga3.653:14
3ily (i love you baby)
phonographisches Urheberrecht (℗) von:
Surf Mesa (in 2021)
phonographisches Urheberrecht (℗) von:
Astralwerks und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 95)
teilweise cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Surf Mesa & Emilee3.453:01
4telepatía
Teil von:
Billboard Year-End Hot 100 singles of 2021 (Nummer: 49)
recording of:
Telepatía
Kali Uchis3.752:40
5Luxurious
recording engineer:
Colin "Dog" Mitchell und Greg Collins (engineer)
Produzent(in):
Nellee Hooper und Tony Kanal
Mix:
Mark “Spike” Stent (producer, engineer)
Sologesang:
Gwen Stefani
Interpret(in):
Simon Gogerly
mixed at:
The Mix Suite in London (Greater London), England, Vereinigtes Königreich
Samples:
Between the Sheets von The Isley Brothers
recording of:
Luxurious
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley, Chris Jasper, Tony Kanal und Gwen Stefani
Gwen Stefani3.34:25
6Last Friday Night (T.G.I.F.)
Programmierung und Produzent(in):
Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Tucker Bodine, Tatiana Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Mix:
Serban Ghenea und Katy Perry
Keyboard und Schlagzeug:
Dr. Luke und Max Martin (Swedish record producer)
Saxophon:
Lenny Pickett (saxophone)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Last Friday Night (T.G.I.F.) (music video) von Katy Perry
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 14) und BILLIONS CLUB
recording of:
Last Friday Night (T.G.I.F.)
Verfasser(in):
Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Copyrights SARL, MXM Music AB, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und Where da Kasz At (in 2010)
Katy Perry4.353:51
7Come & Get ItSelena Gomez4.153:51
8Lie Like This
Produzent(in):
The Monsters & Strangerz
Mix:
Serban Ghenea
vocals:
Julia Michaels
recording of:
Lie Like This
Verfasser(in):
Stefan Johnson (songwriter and producer), Jordan K. Johnson (member of The Monsters and the Strangerz), Julia Michaels und Michael Pollack (songwriter)
publisher:
Good Deal Publishing und Music by Work of Art
Julia Michaels23:38
9Lost Cause
recording engineer:
Billie Eilish (Sologesang) und FINNEAS
drum machine-Programmierung:
FINNEAS
Produzent(in):
FINNEAS
Mix:
Rob Kinelski
Akustikgitarre, Bass-Synthesizer [synth bass], Synthesizer und Hintergrundgesang:
FINNEAS
vocals:
Billie Eilish
vocals arranger:
FINNEAS
phonographisches Urheberrecht (℗) von:
Darkroom (in 2021, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2021, in 2022)
aufgenommen bei:
FINNEAS’ home studio (since October 2019) in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Lost Cause (music video) von Billie Eilish
commentary:
Billie on Lost Cause (Spotify “Lyric Mode”) von Billie Eilish
recording of:
Lost Cause
Texter und Komponist(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.353:32
10Good for You
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 27)
recording of:
Good for You
Verfasser(in):
Hector Delgado (hip-hop DJ/producer/engineer), Selena Gomez, Julia Michaels, Nick Monson, Nolan Lambroza, Rakim A. Mayers (US rapper) und Justin Tranter (singer and songwriter)
publisher:
A$AP Rocky Music Publishing LLC, Bok Music, Clockworklabs Music, Justin’s School for Girls, Maxwell and Carter Publishing, SMG Tunes, Sony/ATV Songs LLC, Universal Music Corp. (USA, affiliated with ASCAP) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Selena Gomez & A$AP Rocky3.153:41
11Just Dance
recording engineer, Programmierung und Produzent(in):
RedOne
Techniker(in):
Dave Russell (British engineer, producer)
Mix:
Robert Orton
Gast vocals und zusätzlich Gast vocals:
Colby O’Donis
Hintergrundgesang:
Akon (US singer and producer), Colby O’Donis und RedOne
Hintergrundgesang und Sologesang:
Lady Gaga
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 3) und BILLIONS CLUB
recording of:
Just Dance
Verfasser(in):
Aliaune Thiam (US singer and producer), Lady Gaga und RedOne
publisher:
Byefall Productions, Inc., Byfall Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga & Colby O’Donis3.954:04
12Don’t Call Me Up
Techniker(in):
Dan Pursey (UK engineer) und Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Tim Laws
Keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Schlagzeug [drums]:
Chris Laws (engineer, keyboardist & songwriter)
Hintergrundgesang:
Camille Purcell (British singer-songwriter and record producer)
vocals:
Mabel (British-Swedish singer)
phonographisches Urheberrecht (℗) von:
Mabel McVey (British-Swedish singer) (in 2019)
aufgenommen bei:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 36)
recording of:
Don’t Call Me Up
Verfasser(in):
Camille Purcell (British singer-songwriter and record producer), Mabel McVey (British-Swedish singer) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mabel42:58
13bad guy
recorded in:
Sydney, New South Wales, Australien (andere Instrumente [accessible pedestrian signal])
Produzent(in):
FINNEAS
zusätzliche(r) Produzent(in):
Billie Eilish
assistierende(r) Mix:
Casey Cuayo
Mix:
Rob Kinelski
field recordings:
Billie Eilish
phonographisches Urheberrecht (℗) von:
Darkroom (in 2019, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
aufgenommen bei:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
bad guy (music video) von Billie Eilish
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 4), TheNeedleDrop: Top 50 Singles of 2019 (Nummer: 11), Grammy Award: Record of the Year nominees (Nummer: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (Nummer: 27), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2019), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 34), Billboard Year-End Hot 100 singles of 2020 (Nummer: 46), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 178) und BILLIONS CLUB
recording of:
bad guy
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2020) und Grammy Award: Song of the Year nominees (Nummer: 2020 winner)
Billie Eilish3.853:14
14Mad Love
Techniker(in):
Dann Pursey (UK engineer) und Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre [guitars]:
Tim Laws
Keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Schlagzeug [drums]:
Chris Laws (engineer, keyboardist & songwriter)
Hintergrundgesang:
Camille Purcell (British singer-songwriter and record producer)
vocals:
Mabel (British-Swedish singer)
phonographisches Urheberrecht (℗) von:
Mabel McVey (British-Swedish singer) (in 2020)
aufgenommen bei:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Mad Love von Mabel (British-Swedish singer)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 41)
recording of:
Mad Love
Mabel52:50
15Dark Horse
Programmierung und Produzent(in):
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Cory Bice, Eric Eylands, Rachael Findlen (engineer), Justin Fox und Elliott Lanam (engineer)
Techniker(in):
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Michael Ilbert und Mike Foster (recording engineer Mike Foster)
zusätzliche(r) assistierende(r) Produzent(in):
Irene Richter
Mix:
Serban Ghenea
alto saxophone:
Alex Foster (Saxophonist)
Instrumente:
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
Hintergrundgesang:
Max Martin (Swedish record producer) und Katy Perry
vocals:
Juicy J (US rapper) und Katy Perry
zusätzlich vocals:
Ava James (EDM vocals, featured on Braxton's "Something About You")
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten, MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten und Secret Garden Studios in Montecito, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Dark Horse von Katy Perry feat. Juicy J (US rapper)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 2), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 9), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2015) und BILLIONS CLUB
recording of:
Dark Horse
Verfasser(in):
Łukasz Gottwald, Henry Walter, Sarah Hudson, Jordan Houston (US rapper), Madison Love, Max Martin (Swedish record producer) und Katy Perry
publisher:
DeeEtta Music (in 2013), Italians Do It Better (in 2013), Kasz Money Publishing (ASCAP affiliated) (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013) und When I’m Rich You’ll Be My Bitch (in 2013)
Katy Perry & Juicy J3.953:36
16Hollaback Girl
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
assistierende(r) Techniker(in):
Jason Finkel
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
Mix:
Phil Tan (Malaysian-American audio engineer)
Sologesang:
Gwen Stefani
Interpret(in):
Eve (US rapper/singer)
aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Hollaback Girl (video) von Gwen Stefani
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 309)
recording of:
Hollaback Girl
Verfasser(in):
Chad Hugo, Gwen Stefani und Pharrell Williams
Gwen Stefani3.13:20
17Promiscuous
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
zusätzliche Programmierung:
Demacio "Demo" Castellon
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Keyboard [keyboards] und Schlagzeug [drums]:
Danja (US producer Nate Hills) und Timbaland
Gast vocals:
Timbaland
Hintergrundgesang:
Nelly Furtado
zusätzlich Hintergrundgesang:
Jim Beanz
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 456)
recording of:
Promiscuous
Texter:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado und Timbaland
Komponist(in):
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado & Timbaland3.854:02
18Gimme! Gimme! Gimme! (A Man After Midnight)
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979, in 1986)
recording of:
Gimme! Gimme! Gimme! (A Man After Midnight) (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Union Songs Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
ABBA44:49
19Royals
Techniker(in), Produzent(in) und Mix:
Joel Little
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand (in 2013) und Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Musikvideos:
Royals von Lorde (New Zealand singer‐songwriter) und Royals von Lorde (New Zealand singer‐songwriter)
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 11), Billboard Year-End Hot 100 singles of 2013 (Nummer: 15), Billboard Year-End Hot 100 singles of 2014 (Nummer: 20), Stereogum: The 200 Best Songs of the 2010s (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 30), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 35), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 111) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 129)
recording of:
Royals
Verfasser(in):
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Matuschkes Lieblinge 2013 und APRA Silver Scroll Awards Winners (Nummer: 2013)
Lorde3.83:10
20The Middle
Produzent(in):
Grey (Los Angeles-based duo), The Monsters & Strangerz und Zedd (Russian‐German producer)
Mix:
Grey (Los Angeles-based duo), Tom Norris (American engineer and multi-instrumentalist), Ryan Shanahan und Zedd (Russian‐German producer)
vocals:
Maren Morris
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2018)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 6), iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2019 winner), Billboard Year-End Hot 100 singles of 2018 (Nummer: 8) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2019)
recording of:
The Middle
Verfasser(in):
Sarah Aarons, Stefan Johnson (songwriter and producer), Jordan K. Johnson (member of The Monsters and the Strangerz), Marcus Lomax, Kyle Trewartha, Michael Trewartha und Zedd (Russian‐German producer)
Zedd, Maren Morris & Grey33:05
21Issues
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin) und StarGate (Norwegian production/songwriting team)
Techniker(in):
Dave Schwerkolt und Chris Sclafani
Mix:
Mark “Spike” Stent (producer, engineer)
vocals und Interpret(in):
Julia Michaels
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 29)
recording of:
Issues
Verfasser(in) und Komponist(in):
benny blanco (producer Benjamin Levin), Mikkel Storleer Eriksen, Tor Erik Hermansen, Justin Drew Tranter (singer and songwriter) und Julia Michaels
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Justin’s School for Girls, Thanks for the Songs Richard und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Julia Michaels3.052:56
22Supalonely
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2019)
Musikvideos:
Supalonely (explicit) von BENEE (NZ singer and songwriter) feat. Gus Dapperton
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 84)
recording of:
Supalonely
Verfasser(in):
Jenna Andrews, Brendan Patrick Rice, Joshua Marc Fountain und Stella Rose Bennett (NZ singer and songwriter)
publisher:
Sony/ATV Allegro und Sony/ATV Tunes LLC (ASCAP)
BENEE & Gus Dapperton3.53:43
23Skin
recording engineer, Programmierung und Produzent(in):
Ryan McMahon (LA-based producer and songwriter)
Mix:
George Seara
Hintergrundgesang:
Sabrina Carpenter
vocals und Interpret(in):
Sabrina Carpenter
phonographisches Urheberrecht (℗) von:
Island (imprint of Island Records, a division of Universal Music Group)
recording of:
Skin
Verfasser(in):
Sabrina Carpenter, Ryan McMahon (LA-based producer and songwriter) und Tia Scola
Sabrina Carpenter42:58
24Love You Like a Love Song
Techniker(in):
Steve Hammons und Ross Hogarth
zusätzliche(r) Techniker(in):
Adam Comstock
Koproduzent(in):
Devrim Karaoğlu
Produzent(in):
Rock Mafia
Mix:
Paul Palmer (engineer) und Rock Mafia
zusätzliche(r) Mix:
Steve Hammons
Editing:
Tim James (US singer, songwriter and record producer) und Nigel Lundemo
Gitarre [guitars]:
Tim Pierce (US session guitarist)
Hintergrundgesang:
Brooke Adams und Rock Mafia
aufgenommen bei und mixed at:
Rock Mafia Studio in Santa Monica, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Love You Like a Love Song (music video) von Selena Gomez & the Scene
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 83)
recording of:
Love You Like a Love Song
Verfasser(in):
Antonina Armato, Tim James (US singer, songwriter and record producer) und Adam Schmalholz
publisher:
Akashic Field Music, Antonina Songs, Concord Road (BMI), Hipgnosis SFH I Limited, In Q Music, Mafia Della Roccia und Songs of Universal, Inc. (BMI)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division)
Selena Gomez & the Scene3.853:08
25Poker Face
recording engineer, Programmierung und Produzent(in):
RedOne
Techniker(in):
Dave Russell (British engineer, producer)
Mix:
Robert Orton
Hintergrundgesang:
RedOne
Hintergrundgesang und Sologesang:
Lady Gaga
Interpret(in):
RedOne
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
Musikvideos:
Poker Face von Lady Gaga
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 2), Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2010 winner) und BILLIONS CLUB
recording of:
Poker Face
Verfasser(in):
Nadir Khayat und Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga4.153:59
26The Sweet Escape
Produzent(in):
Aliaune "Akon" Thiam (US singer and producer)
Gast vocals:
Akon (US singer and producer)
Interpret(in):
Akon (US singer and producer)
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 82)
recording of:
The Sweet Escape
Verfasser(in):
Aliaune Thiam (US singer and producer), Gwen Stefani und Giorgio Tuinfort
Gwen Stefani & Akon3.354:06
27Maneater
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer und zusätzliche(r) Mix:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Schlagzeug [drums] und Keyboard [keyboards]:
Danja (US producer Nate Hills)
Hintergrundgesang:
Jim Beanz, Nelly Furtado und Timbaland
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Maneater
Texter:
Nelly Furtado
zusätzlicher Texter:
Jim Beanz
Komponist(in):
Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
publisher:
Danjahandz Muzik, Millennium Kid Music Publishing, Nelstar Publishing und Virginia Beach Music
Nelly Furtado3.854:25
28Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:51
29Like That
Produzent(in):
Josh Fountain und Tom Stafford
recording of:
Like That
Verfasser(in):
Alexander Glantz, Grace Barker (UK pop) und Tom Stafford
GRACEY & Alexander 2342:47