Greatest Hits of the 70’s, 80’s & 90’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Greatest Hits of the 70’s
2▶CD: Greatest Hits of the 80’s
3▶CD: Greatest Hits of the 80’s
4▶CD: Greatest Hits of the 80’s
5▶CD: Greatest Hits of the 80’s
6▼CD: Greatest Hits of the 90’s
Nr.TitelKünstlerBewertungLänge
1In Private
Dusty Springfield4:19
2Samba de Janeiro
phonographisches Urheberrecht (℗) von:
Dance Street Germany (German electronic ZYX imprint), Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1997) und Stip Records (in 1997)
recording of:
Samba de Janeiro
Verfasser(in):
Gottfried Engels, Airto Moreira (percussionist) und Ramon Zenker
publisher:
BMG (imprint of BMG Rights Management, 2008–present), Bug Music (music publishing), Gang Go, Good Morning Music und Upright Songs
basiert auf:
Celebration Suite
übersetzte Parodieversion von:
Kanaszta
recording of:
Samba de Janeiro
Verfasser(in):
A.Moreira
Carrilio2:49
3Cotton Eye Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records (in 1994) und Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:12
4I Want to Be Loved by You
assistierende(r) Techniker(in):
Tommy Civello und Yvonne Yedibalian
Techniker(in):
Gary Chester (production, engineer)
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter) und Phil Ramone
Mix:
Gary Chester (production, engineer) und Phil Ramone
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
conductor:
Sid Ramin
arranger:
Sid Ramin
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sinéad O’Connor32:46
5Got Myself Together (Hustlers Convention radio edit)
remixer:
Hustlers Convention
recording of:
Got Myself Together
Verfasser(in):
Kenny “Dope” Gonzalez, Randy Muller und Wade Williamston (bassist)
The Bucketheads3:37
6Don’t Worry
recording of:
Don’t Worry
Verfasser(in):
Kim Appleby und Craig Logan
Kim Appleby2.353:39
7Captain Jack
phonographisches Urheberrecht (℗) von:
Akropolis Musik & Film GmbH (in 1995)
recording of:
Captain Jack
Texter:
Liza da Costa, Udo Niebergall und Volker Weber
Komponist(in):
Liza da Costa, Udo Niebergall und Richard Witte
publisher:
Beatdisaster Publishing und Peer Music
Captain Jack34:09
8It’s a Shame (My Sister)
Bassgitarre:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Gitarre:
Andy Cox (of The Beat)
zusätzlich Gitarre:
Bootsy Collins (US funk musician & songwriter)
Samples:
It’s a Shame von The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
recording of:
It's a Shame (My Sister)
Verfasser(in):
Lee Garrett, Monie Love (English rapper, actress & radio personality), David Steele (UK musician, member of The Beat and Fine Young Cannibals), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music (UK) Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Virgin Music (Pubs.) Ltd. (publisher)
basiert auf:
It’s a Shame
Monie Love feat. True Image43:42
9Would I Lie to You?
Interpret(in):
Charles & Eddie
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4.254:37
10Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:31
11What Is Love
Haddaway4:31
12Jessie
recording of:
Jessie (Joshua Kadison song)
Texter und Komponist(in):
Joshua Kadison (US singer-songwriter, pianist & writer)
publisher:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) und Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:22
13U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:15
14Sleeping Satellite
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Paul Wickens
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Musikvideos:
Sleeping Satellite von Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:42
15Generations of Love
Jesus Loves You4:00
16Hold On
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
zusätzlich Gitarre:
Joe Walsh (Eagles/James Gang)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 312)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.54:24

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Veröffentlichung

Discogs:https://www.discogs.com/release/373229 [Info]