Judas Maccabaeus

~ Release by George Frideric Handel; The King’s Consort, Robert King (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Judas Maccabaeus: Overture
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: No. 1: Overture (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63
George Frideric Handel6:21
2Judas Maccabaeus: Act I. Chorus "Mourn, ye afflicted children" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel4:30
3Judas Maccabaeus: Act I. Recitative "Well, may your sorrows" (Israelitish Man, Israelitish Woman)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows" (Israelitish Man, Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:59
4Judas Maccabaeus: Act I. Duet "From this dread scene" (Israelitish Man, Israelitish Woman)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene" (Israelitish Man, Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:22
5Judas Maccabaeus: Act I. Chorus "For Sion lamentation make" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:42
6Judas Maccabaeus: Act I. Recitative "Not vain is all this storm" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel1:02
7Judas Maccabaeus: Act I. Air "Pious orgies, pious airs" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 7: Air "Pious orgies, pious airs" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:57
8Judas Maccabaeus: Act I. Chorus "O Father, whose almighty pow'r" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "O Father, whose almighty pow'r" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:20
9Judas Maccabaeus: Act I. Recitative "I feel, I feel the Deity within" (Simon)
bass vocals:
Michael George (operatic bass) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:54
10Judas Maccabaeus: Act I. Air and Chorus "Arm, arm, ye brave!" (Simon, Chorus)
bass vocals:
Michael George (operatic bass) (from 1992-03-14 until 1992-03-22)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 10: Air "Arm, arm, ye brave!" (Simon) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel4:11
11Judas Maccabaeus: Act I. Recitative "'Tis well, my friends" (Judas Maccabaeus)
tenor vocals:
Jamie MacDougall (tenor) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:37
12Judas Maccabaeus: Act I. Air "Call forth thy pow'rs, my soul" (Judas Maccabaeus)
tenor vocals:
Jamie MacDougall (tenor) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 13: Air "Call forth thy pow'rs, my soul" (Judas Maccabaeus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel1:53
13Judas Maccabaeus: Act I. Recitative "To heav'n's almighty King" (Israelitish Woman)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To heav'n's almighty King" (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:25
14Judas Maccabaeus: Act I. Air "O liberty, thou choicest treasure" (Israelitish Woman)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 15: Air "O liberty, thou choicest treasure" (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:15
15Judas Maccabaeus: Act I. Air "Come, ever-smiling liberty" (Israelitish Woman)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 16: Air "Come, ever-smiling liberty" (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel3:10
16Judas Maccabaeus: Act I. Recitative "O Judas, may these noble views" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "O Judas, may these noble views" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:12
17Judas Maccabaeus: Act I. Air "'Tis liberty, dear liberty alone" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 18: Air "'Tis liberty, dear liberty alone" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:37
18Judas Maccabaeus: Act I. Duet "Come, ever-smiling liberty" (Israelitish Man, Israelitish Woman)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Man, Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel1:17
19Judas Maccabaeus: Act I. Chorus "Lead on, lead on! Judah disdains" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on! Judah disdains" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:51
20Judas Maccabaeus: Act I. Recitative "So will'd my father" (Judas Maccabaeus)
tenor vocals:
Jamie MacDougall (tenor) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father" (Judas Maccabaeus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:55
21Judas Maccabaeus: Act I. Semi-Chorus "Disdainful of danger, we'll rush on the foe" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-Chorus "Disdainful of danger, we'll rush on the foe" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel1:48
22Judas Maccabaeus: Act I. Recitative "Ambition! If e'er honour" (Judas Maccabaeus)
tenor vocals:
Jamie MacDougall (tenor) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour" (Judas Maccabaeus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:16
23Judas Maccabaeus: Act I. Air "No unhallow'd desire" (Judas Maccabaeus)
tenor vocals:
Jamie MacDougall (tenor) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 24: Air "No unhallow'd desire" (Judas Maccabaeus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel2:15
24Judas Maccabaeus: Act I. Recitative "Haste we, my brethren" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 26: Recitative "Haste we, my brethren" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel0:13
25Judas Maccabaeus: Act I. Chorus "Hear us, O Lord, on Thee we call" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, O Lord, on Thee we call" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act I
George Frideric Handel3:48
26Judas Maccabaeus: Act II. Chorus "Fall'n is the foe; so fall Thy foes" (Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel3:21
27Judas Maccabaeus: Act II. Recitative "Victorious hero! Fame shall tell" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel0:35
28Judas Maccabaeus: Act II. Air "So rapid thy course is" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 29: Air "So rapid thy course is" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel3:54
29Judas Maccabaeus: Act II. Recitative "Well may we hope our freedom" (Israelitish Man)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom" (Israelitish Man) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel0:16
30Judas Maccabaeus: Act II. Duet and Chorus "Sion now" (Israelitish Man, Israelitish Woman, Chorus)
choir vocals:
Choir of New College Oxford (from 1992-03-14 until 1992-03-22)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1992-03-14 until 1992-03-22)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 31: Duet " Sion now" (Israelitish Man, Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 32: Chorus "Sion now her head shall raise" (Chorus) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel5:31
31Judas Maccabaeus: Act II. Recitative "Oh, let eternal honours crown" (Israelitish Woman)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh, let eternal honours crown" (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel0:33
32Judas Maccabaeus: Act II. Air "From mighty kings he took" (Israelitish Woman)
soprano vocals:
Emma Kirkby (soprano) (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (conductor and harpsichordist) (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act II, no. 34: Air "From mighty kings he took" (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act II
George Frideric Handel7:34
2▶CD