Fiedler Encores (IMP Collector's Series)

~ Release by Boston Pops Orchestra, Arthur Fiedler (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Finlandia, op. 26
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
Finlandia, op. 26 (for orchestra) (in 1977-06)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Sibelius8:34
2Vltava (from Má vlast)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1977-06)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana14:27
3English Folk Song Suite: 1. Seventeen Come Sunday (March)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Vaughan Williams3:36
4English Folk Song Suite: 2. My Bonny Boy (Intermezzo)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Vaughan Williams3:45
5English Folk Song Suite: 3. Folk Songs from Somerset (March)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Vaughan Williams3:51
6Slavonic Dance in C, op. 46 no. 1
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1977-06)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Dvořák4:24
7Variations on America
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
Variations on "America", S. 140 (Schuman orchestration) (in 1977-06)
orchestrator:
William Schuman (American composer) (in 1963)
composer:
Charles Ives (American composer)
publisher:
Theodore Presser Co.
orchestration of:
Variations on "America", S. 140 (original version for organ)
Ives, arr. Schuman8:45
8Peer Gynt Suite no.1, op. 46: Morning
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1975-06)
conductor:
Arthur Fiedler (conductor) (in 1975-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1975-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Grieg4:33
9Peer Gynt Suite no.1, op. 46: The Death of Åse
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1975-06)
conductor:
Arthur Fiedler (conductor) (in 1975-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-06)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1975-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Grieg5:04
10Peer Gynt Suite no.1, op. 46: Anitra’s Dance
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1975-06)
conductor:
Arthur Fiedler (conductor) (in 1975-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-06)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1975-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Grieg3:54
11Peer Gynt Suite no.1, op. 46: In the Hall of the Mountain King
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1975-06)
conductor:
Arthur Fiedler (conductor) (in 1975-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-06)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1975-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Grieg2:26
12Solveig’s Song, Suite no. 2, op. 55
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1975-06)
conductor:
Arthur Fiedler (conductor) (in 1975-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1975-06)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1975-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Grieg4:47