Madama Butterfly

~ Veröffentlichung von Giacomo Puccini; Renata Tebaldi, Giuseppe Campora, Nell Rankin, Giovanni Inghilleri, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Recorded in 1951

Anmerkung zuletzt geändert am 2014-09-19 16:55 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Butterfly)
Baritongesang [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Ebbene, che fareste, Madama Butterfly” … “Due cose potrei far” (Butterfly, Sharpless) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:16
2Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly)
Baritongesang [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:21
3Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:44
4Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Tenor-Gesang [Goro]:
Piero de Palma (tenor) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:49
5Madama Butterfly: Atto II, parte 1. “Una nave da guerra…” (Suzuki)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:32
6Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:52
7Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:00
8Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:02
9Madama Butterfly: Atto II. Intermezzo
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. Intermezzo (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini7:10
10Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:25
11Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Tenor-Gesang [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:25
12Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless)
Baritongesang [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Tenor-Gesang [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:46
13Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless)
Baritongesang [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
Tenor-Gesang [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:52
14Madama Butterfly: Atto II, parte 2. “Addio, fiorito asil” (Pinkerton)
Baritongesang [Sharpless]:
Giovanni Inghilleri (baritone) (in 1951)
Tenor-Gesang [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:44
15Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:38
16Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini4:44
17Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki)
Mezzosoprangesang [Suzuki]:
Nell Rankin (mezzo-soprano) (in 1951)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:30
18Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1951)
Tenor-Gesang [Pinkerton]:
Giuseppe Campora (Italian operatic tenor) (in 1951)
Orchester:
Orchestre de l’Académie Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1951)
conductor:
Alberto Erede (conductor) (in 1951)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1951)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:24

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