Renaissance Music From the Courts of Mantua and Ferrara

~ Veröffentlichung von Circa 1500 (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mal un muta per effecto
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Mal un muta per effecto (in 1983-09)
Texter und Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara3:04
2Vale diva, vale in pace
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Vale diva, vale in pace (in 1983-09)
Komponist(in):
Bartolomeo Tromboncino (Italian renaissance composer, c. 1470-1535)
Bartolomeo Tromboncino4:35
3Saltarello, Baxela un tratto
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]0:47
4Bona dies, bona sera
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Bona dies, bona sera (in 1983-09)
Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara1:09
5Ricercare
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Recercare (in 1983-09)
Komponist(in):
Francesco Spinacino (Italian lutenist & composer, fl. 1507)
Francesco Spinacino1:17
6O mia cieca e dura sorte
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
O mia cieca e dura sorte (in 1983-09)
Texter und Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara7:09
7Calata
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]1:53
8Aime, ch’io moro
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Aime, ch’io moro (in 1983-09)
Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara3:27
9Poi che volse la mia stella
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Poi che volse la mia stella (in 1983-09)
Komponist(in):
Bartolomeo Tromboncino (Italian renaissance composer, c. 1470-1535)
Bartolomeo Tromboncino3:57
10Dolores mortis
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Dolores mortis (in 1983-09)
Komponist(in):
Diomedes Cato (16th century composer)
Diomedes Cato1:40
11Virgine bella
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Vergine bella (in 1983-09)
Komponist(in):
Bartolomeo Tromboncino (Italian renaissance composer, c. 1470-1535)
Bartolomeo Tromboncino4:09
12Se mai per maraveglia
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]6:35
13Saltarello, El marchese di Saluzzo
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]1:38
14Cantus cum tenor
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Cantus cum tenor (in 1983-09)
Komponist(in):
Eustachio Romano (fl. c1500-1525)
Eustachio Romano1:41
15Chui dicese non l’amare
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]2:59
16Ostinato vo’ seguire
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Ostinato vo’ seguire (in 1983-09)
Komponist(in):
Bartolomeo Tromboncino (Italian renaissance composer, c. 1470-1535)
Bartolomeo Tromboncino2:41
17Pavana, La Cornetta
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
[anonymous]2:12
18Hor vendut’ho la speranza
Sound-Engineering:
Ralph Couzens (engineer/editor/producer)
assistierende(r) Techniker(in):
Bill Todd (engineer)
Produzent(in):
Brian Couzens (engineer/editor/producer)
Instrumente:
Circa 1500 (English early music group) (in 1983-09)
Soprangesang:
Emily Van Evera (soprano) (in 1983-09)
phonographisches Urheberrecht (℗) von:
Chandos Records Ltd. (not for release label use) (in 1994)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1983-09)
recording of:
Hor vendut’ho la speranza (in 1983-09)
Komponist(in):
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Marchetto Cara2:56

Nennungen

Veröffentlichung

liner notes:Emily Van Evera (soprano)
Nancy Hadden (flutist)
flute:Nancy Hadden (flutist) (in 1983-09)
Gitarre und Laute:Christopher Wilson (lute and theorbo player) (in 1983-09)
Laute:Robert Meunier (Canadian lutenist) (in 1983-09)
viola da gamba [viol]:Erin Headley (American lirone player, teacher, and director) (in 1983-09)
design:Mantis Studio (design)
Diskografieeintrag:https://www.chandos.net/products/catalogue/CHAN 8333 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1080762 [Info]