Relax and Unwind: Chilled Pop Throwback Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (Deezer + Spotify)

(As of 2020-07-29).

  • Northern America: 🇺🇸 United States (us)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk) 🇻🇪 Venezuela (ve)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Northern Africa: 🇱🇾 Libyan Arab Jamahiriya (ly)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇮 Cote D’Ivoire (ci) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇪 Kenya (ke) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇱🇰 Sri Lanka (lk) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)

Countries where available (Deezer + Spotify)

(As of 2020-07-29).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Central Asia: 🇰🇿 Kazakhstan (kz)
  • Southern Asia: 🇮🇳 India (in)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-07-31 12:00 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Orinoco Flow (Sail Away) (single version)
co-produttore:
Ross Cullum e Enya (Irish singer-songwriter)
registrazione di:
Orinoco Flow
paroliere:
Roma Ryan
compositore:
Enya (Irish singer-songwriter)
editore:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Enya3:46
2On the Beach
registrazione di:
On the Beach (Chris Rea)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea3:41
3I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
4Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:47
5Hunting High and Low
programmazione degli strumenti:
Magne Furuholmen
produttore:
Tony Mansfield (producer & songwriter)
tecnico di missaggio:
John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
The Downloader’s Music Source Book (numero: 276)
registrazione di:
Hunting High and Low
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. (nel 1984)
a‐ha3.453:49
6The Sea
produttore:
Morcheeba e Pete Norris (UK producer/engineer)
chitarra basso [bass] :
L. Gordon
corno francese :
D. Lee (UK french horn player)
tastiera [keyboards] :
D. Pipkin
viola :
M. Posner, S. Wright (violist) e T. Grant (violist)
violino :
C. Hughes (violinist), D. Emanuel (violinist), E.R. Singleton (violinist), H. Ball (violinist), I. McLeod (violinist) e P. Oxer
violino [lead violin] :
S. Bentley-Klein
violoncello :
E. Pritchard e R. Bridgmont
arrangiatore archi :
S. Bentley-Klein
registrazione di:
The Sea
autore:
Paul Godfrey, Ross Godfrey e Skye Edwards (Skye Edwards, singer for Morcheeba)
Morcheeba3.255:47
7The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:39
8Hymn to Her (2007 remaster)
registrazione di:
Hymn to Her
paroliere e compositore:
Meg Keene
editore:
Clive Banks Music e Hynde House of Hits Music
Pretenders4:58
9I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
10Riptide
produttore:
John Castle, James Keogh (Australian singer-songwriter) e Edwin White (Australian musician and producer)
voce:
Vance Joy (Australian singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 48), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013), Billboard Year-End Hot 100 singles of 2015 (numero: 71), Indie 88: Top 500 Indie Rock Songs (numero: 72) e BILLIONS CLUB
registrazione di:
Riptide
paroliere e compositore:
James Keogh (Australian singer-songwriter)
editore:
Mushroom Music Pty. Ltd. e WB Music Corp. (1929–2019)
Vance Joy3.63:24
11A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.24:12
12The First Cut Is the Deepest
produttore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2009)
registrazione cover di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
Rod Stewart4.54:31
13Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
14It’s My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
15Riders on the Storm
produttore:
Bruce Botnick e The Doors
batteria :
John Densmore
chitarra [lead guitar] :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Jerry Scheff
piano Rhodes :
Ray Manzarek
voce principale:
Jim Morrison (lead vocalist of the Doors)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1971)
registrata presso:
The Doors Workshop in West Hollywood, California, Stati Uniti (nel 1970)
remaster:
Riders on the Storm di The Doors
registrazione di:
Riders on the Storm (nel 1970)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors4.57:15
16Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
17All I Need
assistente tecnico di registrazione:
Jérôme Kerner (Engineer)
tecnico di registrazione:
Jean-Benoît Dunckel, Nicolas Godin e Stéphane "Alf" Briat
produttore:
Jean-Benoît Dunckel e Nicolas Godin
assistente tecnico di missaggio:
Jérôme Blondel
tecnico di missaggio:
Stéphane "Alf" Briat
chitarra acustica [guitare acoustique] :
P. Woodcock
minimoog [mini moog], chitarra acustica [guitare acoustique], sintetizzatore analogico [Korg MS20], chitarra basso [basse], batteria [batterie], organo [orgue] e sintetizzatore [solina strings] :
N. Godin
piano Rhodes [rhodes], piano elettrico Wurlitzer [wurlitzer], sintetizzatore analogico [Korg MS20 (intro)] e organo [orgue] :
J.B. Dunckel
voce principale ospite:
Beth Hirsch
registrata presso:
Gang Recording Studio in Paris, Île-de-France, Francia
mixata presso:
Studio Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, Francia
video musicali:
All I Need (Official Music Video) di Air (French band)
parte di:
The Downloader’s Music Source Book (numero: 301)
registrazione di:
All I Need
paroliere:
Beth Hirsch
compositore:
Jean-Benoît Dunckel e Nicolas Godin
Air feat. Beth Hirsch4.454:28
18Save a Prayer (single version)
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran4.153:46
19Dry Your Eyes
produttore:
Mike Skinner (Mike Skinner)
violino :
Gita Langley
voce aggiuntiva:
Matt Sladen
voce di accompagnamento [backing vocals]:
Sam Blewitt e Tony Walters
video musicale per:
Dry Your Eyes di The Streets (Mike Skinner)
registrazione di:
Dry Your Eyes
compositore:
Mike Skinner (Mike Skinner)
The Streets3.654:29
20Road to Nowhere (2005 remaster)
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:20
21Holding Back the Years (2008 remaster)
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
video musicali:
Holding Back the Years di Simply Red (English soul and pop band)
registrazione di:
Holding Back the Years (nel 1985)
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red44:30
22Can’t Take My Eyes Off You
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 151)
registrazione di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Valli3.753:24
23Listen to the Music
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
edit di:
Listen to the Music di The Doobie Brothers
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
24(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.252:44
25True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
26Slow
produttore:
Steve Brown (engineer/music producer)
assistente tecnico di missaggio:
Dan Parry (British mix/recording engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
voce:
Rumer
mixata presso:
Metropolis (London) in London (Greater London), England, Regno Unito
video musicali:
Slow di Rumer
registrazione di:
Slow
paroliere e compositore:
Sarah Joyce
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:37
27Year of the Cat (single version)
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:35
28Rocket Man
registrazione cover di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Logan Henderson4:39
29Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:30
30Josephine
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1985)
registrazione di:
Josephine
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea3:58
31Hand in My Pocket (2015 remaster)
tecnico di registrazione, produttore e tecnico di missaggio:
Glen Ballard
armonica (a bocca) :
Alanis Morissette
chitarra [guitars] e tastiera :
Glen Ballard
voce:
Alanis Morissette
diritti fonografici (℗) detenuti da:
Maverick Recording Company (not for release label use, for copyrights use only) (nel 1995)
video musicali:
Hand in My Pocket di Alanis Morissette
registrazione di:
Hand in My Pocket
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Songs of Universal, Inc. (BMI) e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette3.953:42
32Boring People - Acoustic
L Devine2:44
33For What It’s Worth (2018 remaster)
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:39
34Green & Gold
produttore:
Lianne La Havas e Jamie Lidell
produttore aggiunto:
Matt Hales (English songwriter, musician & record producer Matt Hales)
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2015)
registrazione di:
Green & Gold
autore:
Lianne La Havas, Jamie Lidell e Matt Hales (English songwriter, musician & record producer Matt Hales)
Lianne La Havas54:38
35Daydreams
programmazione aggiuntiva:
Dan Grech‐Marguerat
tecnico:
Zack Pancoast (engineer)
produttore:
Ian Fitchuk, Sophie Frances Cooke (British singer‐songwriter Sophie Frances Cooke) (voce principale) e Daniel Tashian
tecnico di missaggio:
Dan Grech‐Marguerat
basso , pianoforte e sintetizzatore :
Ian Fitchuk
chitarra [hi-string guitar] e tastiera :
Daniel Tashian
registrazione di:
Daydreams
autore:
Ian Fitchuk, Maisie Peters e Daniel Tashian
Maisie Peters33:09
36Drive (2017 remaster)
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
37Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3.84:27
38Love Goes Down
tecnico e tecnico di missaggio:
Mark “Top” Rankin (engineer)
produttore:
Ben Drew (UK rapper Ben Drew) e David McEwan
produttore aggiunto:
Eric Appapoulay
batteria :
Richard Cassell
chitarra :
Tom Wright-Goss
chitarra basso :
Eric Appapoulay
flicorno soprano e tromba :
David Priseman
sassofono contralto e sassofono baritono :
Jason Yarde (piano, saxophone)
sassofono tenore :
Zem Audu (Nigerian saxophonist and keyboardist)
tromba :
Mark Crown (trumpeter)
trombone :
Harry Brown (U.K. trombonist)
viola :
Sonia Slany (violinist) e Bruce White (violist)
violino :
Louisa Fuller (violinist), Sally Herbert (violinist, composer, and conductor), Everton Newson e Warren Zielinski (violinist)
violoncello :
Ian Burdge (cellist)
violoncello aggiunto:
Harry Escott
arrangiatore archi :
Harry Escott e Sally Herbert (violinist, composer, and conductor)
arrangiatore sassofono contralto, sassofono baritono, flicorno soprano, sassofono tenore, trombone e tromba :
Jason Yarde (piano, saxophone)
registrazione di:
Love Goes Down
compositore:
Ben Drew (UK rapper Ben Drew)
compositore aggiunto:
Craig Merrin
Plan B3:52
39Kind Woman
tecnico di registrazione:
Adrian Barber (producer/engineer), Phil Iehle e Jim Messina (dal 1968-02 al 1968-03-06)
produttore:
Jim Messina
basso :
Richard Davis (American jazz bassist) (dal 1968-02 al 1968-03-06)
chitarra e voce principale:
Richie Furay (dal 1968-02 al 1968-03-06)
chitarra pedal steel :
Rusty Young (dal 1968-02 al 1968-03-06)
voce:
Jim Messina (dal 1968-02 al 1968-03-06)
registrata presso:
Atlantic Studios, Hollywood in Hollywood, Los Angeles, California, Stati Uniti (nel 1968-02) e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1968-03-06)
registrazione di:
Kind Woman (dal 1968-02 al 1968-03-06)
paroliere e compositore:
Richie Furay
editore:
Cotillion Music Inc. (BMI), Richie Furay Music (BMI) e Springalo Toones (BMI)
Buffalo Springfield44:16
40Lying That You Love Me
JC Stewart3:46
41Her
Anne‐Marie2:58
42Return of the Grievous Angel (remastered version)
tecnico e tecnico di missaggio:
Hugh Davies (US recording engineer)
produttore:
Gram Parsons
basso :
Emory Gordy (dal 1973-05 al 1973-09)
chitarra acustica :
Bernie Leadon (dal 1973-05 al 1973-09) e Gram Parsons (dal 1973-05 al 1973-09)
chitarra elettrica :
James Burton (guitarist) (dal 1973-05 al 1973-09)
chitarra pedal steel :
Al Perkins (Texas born guitarist esp. steel guitar) (dal 1973-05 al 1973-09)
membranofono :
Ron Tutt (drummer) (dal 1973-05 al 1973-09)
pianoforte :
Glen D. Hardin (dal 1973-05 al 1973-09)
violino folk :
Byron Berline (dal 1973-05 al 1973-09)
voce:
Emmylou Harris (dal 1973-05 al 1973-09)
voce principale:
Gram Parsons (dal 1973-05 al 1973-09)
registrazione di:
Return of the Grievous Angel (dal 1973-05 al 1973-09)
paroliere e compositore:
Tom S. Brown (Boston poet, "Return of the Grievous Angel") e Gram Parsons
Gram Parsons44:26
43It Started With a Kiss (2011 remaster)
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:03
44I Want to Know What Love Is (1999 remaster)
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
45This Masquerade (2015 GH version)
registrazione cover di:
This Masquerade
paroliere e compositore:
Leon Russell
editore:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson3.73:17
46Ain’t No Mountain High Enough
Carmody2:47
47Ordinary World
produttore:
Duran Duran (English rock band) e John Jones (producer)
tecnico di missaggio:
David Richards (Swiss-based producer and engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Ordinary World
paroliere:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) e Nick Rhodes
compositore:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
editore:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (dal 1993 a oggi), EMI April Music Inc. (dal 1993 a oggi) e Private Parts Musicall (dal 1993 a oggi)
Duran Duran3.34:38
48What If I Told You That I Love You
diritti fonografici (℗) detenuti da:
LISN (nel 2022)
Ali Gatie13:14
49Can’t Be Happy All the Time
Tones and I34:18
50Something About Us
produttore:
Thomas Bangalter, Daft Punk (French electronic duo) e Guy‐Manuel de Homem‐Christo
voce:
Daft Punk (French electronic duo)
diritti fonografici (℗) detenuti da:
Daft Life Limited (holding, file NO releases here!) (nel 2001, nel 2003)
registrazione di:
Something About Us
autore:
Thomas Bangalter e Guy‐Manuel de Homem‐Christo
editore:
Daft Life Limited (holding, file NO releases here!), Daft Music, Delabel Éditions (publisher; do NOT use as release label), Zomba Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Daft Punk3.53:53
51Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
52Laura
produttore:
Natasha Khan
voce:
Natasha Khan
video musicali:
Laura (music video) di Bat for Lashes
parte di:
The Gummy Awards: Your Top 20 Tracks of 2012 (numero: 7) e Pitchfork: The 200 Best Songs of the 2010s (numero: 55)
registrazione di:
Laura
autore:
Natasha Khan (Bat for Lashes) e Justin Parker
Bat for Lashes3.94:26
53Watermark
Enya2:26
54Mexico
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2011)
registrazione di:
Mexico
autore:
Camilla Staveley-Taylor, Emily Staveley-Taylor e Jessica Staveley-Taylor
The Staves4:06
55Thursday
diritti fonografici (℗) detenuti da:
Atlantic Records UK (company credits only; do not use as release label!) (nel 2018)
registrazione di:
Thursday
autore:
Ed Sheeran (UK singer‐songwriter), Jess Glynne e Steve Mac (British pop producer/songwriter Steve McCutcheon)
Jess Glynne4.253:36
56Wasn’t Expecting That
chitarra basso e percussione aggiunto:
Will Hicks
pianoforte :
Fred Abbott
registrazione di:
Wasn’t Expecting That
paroliere e compositore:
Jamie Lawson (English singer-songwriter)
Jamie Lawson33:21
57Under the Milky Way
Sia3:35

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2020)
Warner Music UK Limited (not for release label use!) (nel 2020)
streaming gratuito:https://open.spotify.com/album/2XjE2VJOBIWUzaL3nyD3Ia [info]
https://www.deezer.com/album/153647342 [info]