The Essential Collection: Billie Holiday

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Too Marvelous for Words
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Too Marvelous for Words (am 1954-09-03)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:16
2Say It Isn’t So
recording of:
Say It Isn’t So
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:17
3I Cried for You2:31
4God Bless the Child
recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4:02
5Moonlight in Vermont
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:51
6Our Love Is Here to Stay
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
Techniker(in):
Val Valentin (am 1957-01-08)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-08)
Klavier:
Jimmy Rowles (am 1957-01-08)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-08)
Schlagzeug:
Alvin Stoller (am 1957-01-08)
Tenorsaxophon:
Ben Webster (am 1957-01-08)
Trompete:
Harry “Sweets” Edison (am 1957-01-08)
vocals:
Billie Holiday (am 1957-01-08)
Orchester:
Billie Holiday and Her Orchestra (am 1957-01-08)
recording of:
Love Is Here to Stay (am 1957-01-08)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2.53:44
7Stars Fell on Alabama
recording of:
Stars Fell on Alabama
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
4:32
8But Not for Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
Techniker(in):
Val Valentin (am 1957-01-07)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-07)
Klavier:
Jimmy Rowles (am 1957-01-07)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-07)
Schlagzeug:
Alvin Stoller (am 1957-01-07)
Tenorsaxophon:
Ben Webster (am 1957-01-07)
Trompete:
Harry “Sweets” Edison (am 1957-01-07)
vocals:
Billie Holiday (am 1957-01-07)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-07)
recording of:
But Not for Me (am 1957-01-07)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
43:52
9Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3:08
10Speak Low
4:26
11A Fine Romance
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
3:37
12Cheek to Cheek
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:38
13April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:06
14My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
2:35
15I Cover the Waterfront
recording of:
I Cover the Waterfront
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
3:00
16Them There Eyes
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
1:57
17When Your Love Has Gone2:02
18Back in Your Own Backyard
recording of:
Back in Your Own Back Yard
Texter:
Billy Rose (lyricist and Broadway producer)
zusätzlicher Texter:
Al Jolson
Komponist(in):
Dave Dreyer
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:41
19Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:59
20Can’t Help Lovin’ That Man
recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:15
21Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:13
22Fallin’ in Love Again
2:58
23He’s Funny That Way2:40
24I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:28
25I’ve Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:55