Meisterwerke der Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

10 Jewel Cases in, I guess, a cardboard slipcase. The box itself does not have a barcode.

Individiual cat#s / barcodes:

CD 1: 442 8367 / 028944283679
CD 2: 442 8368 / 028944283686
CD 3: 442 8369 / 028944283693
CD 4: 442 8370 / 028944283709
CD 5: 442 8371 / 028944283716
CD 6: 442 8372 / 028944283723
CD 7: 442 8373 / 028944283730
CD 8: 442 8374 / 028944283747
CD 9: 442 8375 / 028944283754
CD 10: 442 8376 / 028944283761

Annotation last modified on 2025-01-02 16:46 UTC.

Tracklist

1▶CD: Meisterwerke des Barock
2▶CD: Meisterwerke der Wiener Klassik
3▶CD: Meisterwerke der Romantik I
4▶CD: Meisterwerke der Romantik II
5▶CD: Meisterwerke der Romantik III
6▶CD: Meisterwerke der Moderne
7▶CD: Meisterwerke der Oper
8▶CD: Meisterwerke der geistlichen Musik
9▼CD: Meisterwerke für Solisten
#TitleArtistRatingLength
1Träumerei aus Kinderszenen Op.15
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
2Mondschein-Sonate, Klaviersonate Cis-Moll Op.27/2: 1. Adagio sostenuto
piano:
Elena Gilels (pianist) and Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:09
3In mir klingt ein Lied: Etüde E-Dur Op.10 No.3
producer:
Wolfgang Lohse
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 16) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 74)
part of:
Études, op. 10
Frédéric Chopin4:07
4Klaviersonate C-Dur KV 330: 2. Andante cantabile
piano:
Mikhail Pletnev (pianist & conductor)
recording of:
Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 10 in C major, K. 300h/330
Wolfgang Amadeus Mozart6:25
5Goldberg-Variationen BWV 988: 1. Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:54
6Suite für Laute e-moll BWV 996 (Trans. in A-moll): 2. Allemande
recorded in:
Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1968-12)
producer:
Israel Horowitz
classical guitar:
Andrés Segovia (guitarist) (in 1968-12)
arranger:
Andrés Segovia (guitarist)
recording of:
Suite in E minor, BWV 996: II. Allemande (catch-all for arrangements) (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: II. Allemande
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach2:29
7Romanze aus dem Film 'Jeux interdits'
producer:
Hans Hirsch (producer at Deutsche Grammophon)
classical guitar:
Narciso Yepes (classical guitarist) (in 1970-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
engineered at:
Studio des Dames in Paris, Île-de-France, France (in 1970-10)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1970-10)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
[anonymous]2:30
8Liebestraum No.3 As-Dur
piano:
Yundi Li (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:37
9Impromptu No.3 Ges-Dur Op.90 D 899: Andante
piano:
Andrej Gavrilov (Andrei Gavrilov, pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert5:45
10Für Elise: Albumblatt A-Moll WoO 59
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven4:06
11Regentropfen-Prélude: Des-Dur Op.28 No.15
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:58
12Clair de Lune: aus "Suite Bergamasque"
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
arranger:
Mischa Maisky (cellist)
recording of:
Suite bergamasque: Clair de lune (for cello and piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:59
13Cello-Suite No.1 G-Dur BWV 1007: 4. Sarabande
cello:
Mischa Maisky (cellist) (in 1999-07)
recorded at:
Academiezaal (Sint-Truiden) in Sint-Truiden, Limburg, Flanders (Flemish Region), Belgium (in 1999-07)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) (in 1999-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:50
14Cavatina: aus dem Film 'The Deer Hunter'
engineer:
Lars Finnström (engineer) (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (classical guitarist) (from 1981-05 until 1981-06)
guitar arranger:
John Williams (classical guitarist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden (from 1981-05 until 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:38
15Recuerdos de la Alhambra
guitar:
Narciso Yepes (classical guitarist) (from 1967-09-26 until 1967-09-28)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1967-09-26 until 1967-09-28)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (from 1967-09-26 until 1967-09-28)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega3:17
16Malagueña
guitar:
Narciso Yepes (classical guitarist)
recording of:
España, seis hojas de álbum, op. 165: III. Malagueña
composer:
Isaac Albéniz (Spanish composer) (in 1890)
part of:
España, seis hojas de álbum, op. 165
Isaac Albéniz4:06
17Gymnopédie No.1: Lent et douloureux
assistant sound engineer:
Hans‐Rudolf Müller (engineer)
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Arend Prohmann (producer / editor)
piano:
Jean‐Marc Luisada (pianist) (in 1994-07)
vocals:
Jeanne Moreau (in 1994-07)
performer:
Jean‐Marc Luisada (pianist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1994-07)
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (in 1994-07)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie53:58
18Liebesleid
cello:
Mischa Maisky (cellist) (in 1987-10)
piano:
Pavel Gililov (pianist) (in 1987-10)
arranger:
Mischa Maisky (cellist)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Bavaria), Germany (in 1987-10)
recording of:
Liebesleid (catch-all for arrangements) (in 1987-10)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Liebesleid (for violin and piano)
Fritz Kreisler3:52
10▶CD: Meisterwerke zur Ruhe