Die Hochzeit des Camacho

~ Release by F. Mendelssohn; Anima Eterna, Jos van Immerseel (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Die Hochzeit des Camacho: Act II: No. 12. Chorus and Aria "Frish die Hände nur gerühret" / "Hat meine Nase mich nicht betrogen"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
choir vocals:
Der junge Chor Aachen (in 1992-09) and Modus Novus (German chamber choir) (in 1992-09)
solo bass vocals [Sancho Panza]:
Urban Malmberg (baritone) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 12 Chorus & Aria "Frish die Hände nur gerühret" / "Hat meine Nase mich nicht betrogen" (Sancho) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy4:34
2Die Hochzeit des Camacho: Act II: No. 13. Song "Die schönste Braut im ganzen Land"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
solo bass vocals [Sancho Panza]:
Urban Malmberg (baritone) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 13 Lied "Die schönste Braut im ganzen Land" (Sancho) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy4:17
3Die Hochzeit des Camacho: Act II: No. 14. Chorus and Ball "Richtend mag das Spiel entscheiden" / Bolero / Fandango / "Ha, Tigerbrut!" / "Die Unschuld wollt iht morden?"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
choir vocals:
Der junge Chor Aachen (in 1992-09) and Modus Novus (German chamber choir) (in 1992-09)
solo bass vocals [Don Quixote]:
Ulrik Cold (operatic bass) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 14 Chorus & Ball "Richtend mag das Spiel entscheiden" / Bolero / Fandango / "Ha, Tigerbrut!" / "Die Unschuld wollt iht morden?" (Don Quixote) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy15:18
4Die Hochzeit des Camacho: Act II: No. 15. Trio "Was sollen mir die rätselhaften Worte?"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
solo bass vocals [Sancho Panza]:
Urban Malmberg (baritone) (in 1992-09)
solo mezzo-soprano vocals [Lucinda]:
Andrea Ulbrich (mezzo-soprano) (in 1992-09)
solo soprano vocals [Quiteria]:
Rosmarie Hofmann (soprano) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 15 Trio "Was sollen mir die rätselhaften Worte?" (Quiteria, Lucinda, Sancho) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy8:08
5Die Hochzeit des Camacho: Act II: No. 16. Chorus "Nun zündet an geweihte Kerzen"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
choir vocals:
Der junge Chor Aachen (in 1992-09) and Modus Novus (German chamber choir) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 16 Chorus "Nun zündet an geweihte Kerzen" (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy2:58
6Die Hochzeit des Camacho: Act II: No. 17. Ensemble "Welche Stimme, welche Störung?"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
solo baritone vocals [Carrasco]:
Waldemar Wild (baritone) (in 1992-09)
solo bass vocals [Sancho Panza]:
Urban Malmberg (baritone) (in 1992-09)
solo mezzo-soprano vocals [Lucinda]:
Andrea Ulbrich (mezzo-soprano) (in 1992-09)
solo soprano vocals [Quiteria]:
Rosmarie Hofmann (soprano) (in 1992-09)
solo tenor vocals [Camacho]:
Nico van der Meel (tenor) (in 1992-09)
solo tenor vocals [Vivaldo]:
Huw Rhys-Evans (tenor) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 17 Ensemble "Welche Stimme, welche Störung?" (Quiteria, Lucinda, Vivaldo, Camacho, Carrasco, Sancho) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy1:34
7Die Hochzeit des Camacho: Act II: No. 18. Finale "Wie? Betrogen?"
recording engineer and editor:
Bert van der Wolf (producer, engineer)
producer:
Ted Diehl
choir vocals:
Der junge Chor Aachen (in 1992-09) and Modus Novus (German chamber choir) (in 1992-09)
solo baritone vocals [Carrasco]:
Waldemar Wild (baritone) (in 1992-09)
solo bass vocals [Don Quixote]:
Ulrik Cold (operatic bass) (in 1992-09)
solo bass vocals [Sancho Panza]:
Urban Malmberg (baritone) (in 1992-09)
solo mezzo-soprano vocals [Lucinda]:
Andrea Ulbrich (mezzo-soprano) (in 1992-09)
solo soprano vocals [Quiteria]:
Rosmarie Hofmann (soprano) (in 1992-09)
solo tenor vocals [Basilio]:
Scot Weir (tenor) (in 1992-09)
solo tenor vocals [Camacho]:
Nico van der Meel (tenor) (in 1992-09)
solo tenor vocals [Vivaldo]:
Huw Rhys-Evans (tenor) (in 1992-09)
orchestra:
Anima Eterna (in 1992-09)
conductor:
Jos van Immerseel (Belgian pianist and conductor) (in 1992-09)
recorded at:
Koninklijk Conservatorium Antwerpen (Royal Conservatoire Antwerp, Belgian conservatory for music & drama) in Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (in 1992-09)
recording of:
Die Hochzeit des Camacho, op. 10: Act II - no. 18 Finale "Wie? Betrogen?" (Camacho, Carrasco, Vivaldo, Basilio, Lucinda, Quiteria, Don Quixote, Sancho) (in 1992-09)
composer:
Felix Mendelssohn (composer) (from 1824 until 1825)
part of:
Die Hochzeit des Camacho, op. 10: Act II
Felix Mendelssohn-Bartholdy8:46

Credits

Release

liner notes:Jos van Immerseel (Belgian pianist and conductor)
David Shapero (liner notes author)
graphic design:Mirjam Boelaars
executive producer:C. Jared Sacks (classical producer/engineer)
ASIN:DE: B000003UYG [info]