"Actus Tragicus" Kantaten BWV 4, 12, 106 & 196

~ Release by J.S. Bach; Cantus Cölln, Konrad Junghänel (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:32
2Kantate, BWV 4 "Christ lag in Todesbanden": II. Versus I "Christ Lag in Todes Banden"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:28
3Kantate, BWV 4 "Christ lag in Todesbanden": III. Versus II "Den Tod niemand zwingen kunnt"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:16
4Kantate, BWV 4 "Christ lag in Todesbanden": IV. Versus III "Jesus Christus, Gottes Sohn"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5Kantate, BWV 4 "Christ lag in Todesbanden": V. Versus IV "Es war ein wunderlicher Krieg"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
6Kantate, BWV 4 "Christ lag in Todesbanden": VI. Versus V "Hier ist das rechte Osterlamm"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:23
7Kantate, BWV 4 "Christ lag in Todesbanden": VII. Versus VI "So feiern wir das hohe Fest"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:52
8Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Versus VII "Wir essen und leben wohl"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:35
9Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:34
10Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. "Gottes Zeit ist die allerbeste Zeit"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:47
11Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIb. "Ach, Herr, lehre uns bedenken"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:02
12Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIc. "Bestelle dein Haus!"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach0:57
13Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IId. "Es ist der alte Bund"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:10
14Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. "In deine Hände befehl ich meinen Geist"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:12
15Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIb. "Heute wirst du mit mir im Paradies sein"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Wilfried Jochens (tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:14
16Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. "Glorie, Lob, Ehr und Herrlichkeit"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:21
17Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:38
18Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns" (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:48
19Kantate, BWV 196 "Der Herr denket an uns": III. Aria "Er segnet, die den Herrn fürchten"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten" (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:42
20Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto "Der Herr segne euch je mehr und mehr"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr" (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:44
21Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn" (in 2000)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:25
22Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:38
23Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach5:57
24Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo "Wir müssen durch viel Trübsal"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:42
25Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria "Kreuz und Krone sind verbunden"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach5:19
26Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria "Ich folge Christo nach"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:06
27Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria "Sei getreu, alle Pein"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 2000)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:05
28Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
recording engineer and producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
alto vocals:
Elisabeth Popien (in 1999-04)
bass vocals:
Stephan Schreckenberger (bass vocalist) (in 1999-04)
soprano vocals:
Johanna Koslowsky (soprano) (in 1999-04)
tenor vocals:
Gerd Türk (German tenor) (in 1999-04)
conductor:
Konrad Junghänel (lutenist and conductor) (in 1999-04)
performer:
Cantus Cölln (German vocal music ensemble) (in 1999-04)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1999-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 2000)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:00

Credits

Release

photography:Jörg P. Anders (photographer)
Alvaro Yañez (photographer)
liner notes:Peter Wollny
liner notes translator:Marie-Charlotte Dumont (liner notes translator)
Derek Yeld (translator)
illustration:Geertgen Tot Sint Jans (painter)
Discogs:https://www.discogs.com/release/1482980 [info]
ASIN:DE: B0000CEWUU [info]
discography entry:http://www.bach-cantatas.com/Performers/CantusColln-C1.htm [info]