100 Greatest 90s: Ultimate Nineties Throwback Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded: United States

Not available for purchase, streaming only.

Anmerkung zuletzt geändert am 2021-06-22 10:59 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Around the World
Produzent(in):
Thomas Bangalter und Guy‐Manuel de Homem‐Christo
phonographisches Urheberrecht (℗) von:
Daft Trax (in 1996) und Daft Life Ltd. (holding, file NO releases here!) (in 1997)
produced for:
Daft Trax
aufgenommen bei und mixed at:
Daft House in Paris, Île-de-France, Frankreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 135)
recording of:
Around the World (Daft Punk song)
Verfasser(in):
Thomas Bangalter und Guy‐Manuel de Homem‐Christo
publisher:
Daft Music, Delabel Éditions (publisher; do NOT use as release label) und Zomba Music Publishing (music publisher – add no releases here!)
Daft Punk4.057:10
2Song 2 (2012 remaster)
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre, Theremin und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion:
Dave Rowntree
Schlagzeug:
Graham Coxon und Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
Musikvideos:
Song 2 (music video) von Blur (UK alternative rock band)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
recording of:
Song 2
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) und 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
3Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:52
4Return of the Mack
Produzent(in):
Phil Chill und Mark Morrison (r&b vocalist)
zusätzliche(r) Produzent(in):
Cutfather & Joe
remixer:
Cutfather & Joe
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison3.63:33
5Show Me Love
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 170)
recording of:
Show Me Love
Verfasser(in):
Allen George (Songwriter - producer - keyboards player) und Fred McFarlane
publisher:
Champion Music und Son-A-Tron Music
Robin S44:29
6I’ll Be Missing YouDiddy & Faith Evans feat. 11235:02
7Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain34:10
8Professional Widow (Armand’s Star Trunk Funkin’ mix; radio edit; 2016 remaster)
sonstige Unterstützung:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
drum machine-Programmierung:
Alan Friedman
Programmierung:
Alan Friedman
Mastering:
Jon Astley
Produzent(in):
Tori Amos und Ian Stanley
zusätzliche(r) Produzent(in):
Armand van Helden
Bassgitarre:
George Porter, Jr.
Gitarre:
Steve Caton
Schlagzeug:
Manu Katché
vocals:
Tori Amos
remixer:
Armand van Helden
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
gemixt für und produced for:
X-Mix Productions
recording of:
Professional Widow
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.153:49
9Mysterious Girl
sonstige Unterstützung:
Bubbler Ranx (Aufgabe: toast)
Produzent(in) und Mix:
Ollie J
Bass, Keyboard [keyboards] und Schlagzeug [drums]:
Ollie J
Saxophon:
Claudio Galdes
Hintergrundgesang [backing vocals]:
Glen Goldsmith, Bubbler Ranx und Samantha Scott
gemixt für und produced for:
Roll Over Productions
aufgenommen bei:
Roll Over Studios London in London (Greater London), England, Vereinigtes Königreich
recording of:
Mysterious Girl
Verfasser(in):
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3.13:36
10I’ll Be There for You (theme from “Friends”)
leitende(r) Produzent(in):
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) und Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
Texter:
Allee Willis
Komponist(in):
Michael Skloff
zusätzliche(r) Komponist(in):
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:08
11You Oughta Know (2015 remaster)
recording engineer:
Glen Ballard und Ted Blaisdell
zusätzlich recording engineer:
Chris Fogel (engineer) und David Schiffman (American producer/audio engineer)
Programmierung und Produzent(in):
Glen Ballard
Ko-Mix:
Chris Fogel (engineer)
Mix:
Jimmy Boyelle
Bass:
Flea (US bassist)
Gitarre [guitars]:
Dave Navarro (American guitarist)
Orgel:
Benmont Tench
Schlagzeug:
Matt Laug
vocals:
Alanis Morissette
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 103), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 145) und Indie 88: Top 500 Indie Rock Songs (Nummer: 358)
recording of:
You Oughta Know
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet), Vanhurst Place Music (beendet), Arlovol Music und Songs of Universal, Inc. (BMI)
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette44:08
12Never Ever
Produzent(in):
Magnus Fiennes und Cameron McVey
zusätzliche(r) Produzent(in):
Mystro (US DJ and producer Sean Mather) und Rickidy Raw
Mix:
Niven Garland
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1997)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3.86:28
13Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 1999)
aufgenommen bei:
Disclab Oslo in Oslo, Norwegen
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:54
14Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
15Feel So Good
Mase3:25
16Informer
Koproduzent(in):
John Ficarrotta
Produzent(in):
MC Shan (old-school US rapper Shawn Moltke)
zusätzlich vocals:
MC Shan (old-school US rapper Shawn Moltke)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 95)
recording of:
Informer
Texter:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Verfasser(in):
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Snow4.54:29
17The Boy Is Mine (radio edit with intro)Brandy & Monica3.54:54
18This Kiss
Produzent(in):
Byron Gallimore und Faith Hill (country pop singer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1998) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Musikvideos:
This Kiss von Faith Hill (country pop singer)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 118)
recording of:
This Kiss
Verfasser(in):
Beth Nielsen Chapman (American singer and songwriter), Robin Lerner und Annie Roboff (American songwriter, musician and producer)
publisher:
Almo Music Corp (USA, affiliated with ASCAP) (in 1997), Anwa Music (in 1997), BNC Songs (in 1997), Nomad-Noman Music (in 1997), Puckalesia Songs (in 1997) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1997)
Faith Hill3.53:15
19Tequila
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision (British rock band)
basiert auf:
Tequila
Terrorvision3:52
20You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
21I Wanna Sex You Up (single mix)Color Me Badd4.63:57
22I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.94:00
23Smile
Produzent(in):
Pete Smith (UK producer)
recording of:
Smile
Verfasser(in):
Ken McAlpine, James McColl und Alan Tilston
The Supernaturals4.53:44
24Sleeping Satellite
Techniker(in):
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Paul Wickens
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Musikvideos:
Sleeping Satellite von Tasmin Archer (British singer-songwriter)
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:42
25Stars
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red34:09
26Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:16
27I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal feat. Bebe Winans2.53:37
28Love Like This
recording of:
Love Like This
Verfasser(in):
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
29Don’t Let Go (Love)
Produzent(in):
Organized Noize (Atlanta hip-hop production group)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1997)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:52
30So Young
recording engineer:
Oliver Leiber und Barry Rudolph
Programmierung:
Leo Pearson (Irish music producer)
Produzent(in):
Jim Corr und Oliver Lieber
assistierende(r) Mix:
Ryan Freeland
Mix:
Bob Clearmountain
Gitarre:
Anto Drennan
Schlagzeug:
Gota Yashiki, Groove Activator (Gota Yashiki)
Sologesang:
Andrea Corr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
aufgenommen bei:
Ollywood Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
So Young
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs3.53:52
31It Must Have Been Love (from the film “Pretty Woman”)
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
32One Week
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Charlie Brocco (von 1998-03 bis 1998-04) und Kevin Szymanski (von 1998-03-04 bis 1998-04-04)
Mix:
David Leonard (US producer and engineer) (von 1998-03 bis 1998-04)
Akustikgitarre:
Ed (von 1998-02 bis 1998-03)
E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Kevin (von 1998-02 bis 1998-03)
E-Kontrabass [electric double bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [dans la maison]:
Ed (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [vocals]:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, Vereinigte Staaten (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:50
33Semi‐Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:28
34Regret (2015 remaster)
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Stephen Hague und New Order (UK synth pop band)
Mix:
Mike “Spike” Drake und Stephen Hague
phonographisches Urheberrecht (℗) von:
Qwest Records (in 1993)
recording of:
Regret
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Notting Hill Music (UK) Ltd., Vitalturn Co., Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
New Order3.64:09
35Getting Away With It (2013 remaster)
Electronic5:15
36Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
37I Don’t Want to Wait
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole3.25:20
38Freak Like Me (radio edit)
recording engineer und Mix:
Jamie Staub
Produzent(in):
Mass Order
Bass und Synthesizer [gangsta lead]:
Mark Valentine
drum machine und Keyboard:
Loren Hill
Gitarre:
Kevin Veney
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
produced for:
Double Lady Productions
aufgenommen bei und mixed at:
Green Street Recording in SoHo, New York, New York, Vereinigte Staaten
Bearbeitung von:
Freak Like Me von Adina Howard
a cappella versions:
Freak Like Me (a cappella) von Adina Howard
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard43:56
39Crazy
Techniker(in):
Robin Hancock (UK music engineer/remixer/producer), Tony Phillips (engineer, mix, remix credits) und Ren Swan
Produzent(in):
Trevor Horn
Mix:
Trevor Horn und Tony Phillips (engineer, mix, remix credits)
Sologesang:
Seal (English‐born singer and songwriter)
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Crazy von Seal (English‐born singer and songwriter)
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal3.754:30
40The Best (edit)
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:14
41You Don’t Love Me (No, No, No) (extended mix)
recording of:
You Don’t Love Me (No, No, No)
Verfasser(in):
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Dawn Penn
Version von:
You Don’t Love Me
Dawn Penn4:38
42Love Shine a Light
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1997) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1997)
recording of:
Love Shine a Light (in 1997)
Texter und Komponist(in):
Kimberley Rew
Katrina and the Waves22:52
43Ain’t No DoubtJimmy Nail34:08
44Juicy (radio edit; 2014 remaster)
The Notorious B.I.G.14:16
45Flava in Ya Ear
recording of:
Flava in Ya Ear
Verfasser(in):
Craig Mack
publisher:
For Ya Ear Music
Craig Mack3:37
46Stay
Produzent(in):
Nigel Lowis
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
cover recording of:
Stay
Verfasser(in):
Mark Elmer Stevens (US funk musician/songwriter, brother of Chaka Khan) und Robert S. Khozouri
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Eternal3.63:52
47One Way
Produzent(in):
Al Scott (Oysterband, engineer, song writer), Levellers und Andrew Scarth
Mix:
Andrew Scarth
Bassgitarre:
Jeremy Cunningham (UK bassist for the Levellers) (in 1998)
Didgeridoo:
Stephen Boakes (in 1998)
Geige / Violine:
Jon Sevink (in 1998)
Gitarre:
Simon Friend (in 1998)
Schlagzeug:
Charlie Heather (in 1998)
Sologesang:
Mark Chadwick (singer/songwriter/guitarist for the Levellers) (in 1998)
aufgenommen bei:
Metway Studios in Brighton, Brighton and Hove, England, Vereinigtes Königreich (in 1998)
mixed at:
Parkgate Studios in Battle, East Sussex, England, Vereinigtes Königreich (in 1998)
recording of:
One Way (in 1998)
Verfasser(in):
Mark Chadwick (singer/songwriter/guitarist for the Levellers), Jeremy Cunningham (UK bassist for the Levellers), Simon Friend, Charlie Heather und Jon Sevink
publisher:
Universal Music (plain logo: “Universal Music”)
Levellers3:25
48I Wanna Be Down (single version)
Brandy44:08
49Heaven Is a Halfpipe
recording of:
Heaven Is a Halfpipe
Verfasser(in):
Roy C. Hammond (US southern soul singer & songwriter), johne. Necro, Matthew und Geoff Turney
publisher:
MNO Music, OPM Den Music, Shakey Lo Music und Street Tuff Tunes
OPM4:08
50Girls & Boys
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Girls & Boys
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
MCA Music Ltd.
Blur3.74:19
51I Know Where It’s At
recording of:
I Know Where It’s At
Verfasser(in):
Walter Becker, Donald Fagen, Paul Griffin (American pianist, session musician), Karl Gordon (British DJ, producer, rapper, and songwriter) und Shaznay Lewis
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
All Saints4:55
52Give It Up
phonographisches Urheberrecht (℗) von:
EMI‐Medley (Danish division of EMI Music Group) (in 1994)
cover recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
Cut ’n’ Move54:25
53So Into You
Samples:
Say Yeah von Commodores (US funk/soul band with Lionel Richie)
recording of:
So Into You
Verfasser(in):
Tim Kelley, Ronald LaPread, Lionel Richie, Bob Robinson (US R&B producer/songwriter) und Tamia Washington (Canadian R&B and soul singer)
publisher:
Cambrae Music, Jobete Music Co., Inc., Libren Music, Plus 1 Publishing, Songs by Barometer Music Royalty Fund I, Time for Flytes Music und WC Music Corp.
basiert auf:
Say Yeah
Tamia4:22
54I Want Her
recording of:
I Want Her
Verfasser(in):
Teddy Riley (US R&B singer & producer) und Keith Sweat
Keith Sweat3:44
55Stroke You Up
Changing Faces3:36
56Oblivion
Hintergrundgesang:
Anita Madigan
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Oblivion
Verfasser(in) und arranger:
Terrorvision (British rock band)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Terrorvision43:04
57Bentley’s Gonna Sort You Out
Bentley Rhythm Ace5:07
58Just a Little Bit (Motiv8 radio edit)
Produzent(in):
Richard Burton (aka Richie Boy) (Aufgabe: original production), Steve Rodway und Bob Wainwright (Aufgabe: original production)
Mix:
Steve Rodway
remixer:
Motiv8
produced for:
Nuff Respect Productions und The Next Room
recording of:
Ooh Aah… Just a Little Bit
Verfasser(in):
Steve Rodway und Simon Tauber
publisher:
Peermusic (UK) Ltd.
Gina G3.53:23
59The Sea
Produzent(in):
Morcheeba und Pete Norris (UK producer/engineer)
Bassgitarre [bass]:
L. Gordon
Bratsche / Viola:
M. Posner, S. Wright (violist) und T. Grant (violist)
Cello:
E. Pritchard und R. Bridgmont
Geige / Violine:
C. Hughes (violinist), D. Emanuel (violinist), E.R. Singleton (violinist), H. Ball (violinist), I. McLeod (violinist) und P. Oxer
Geige / Violine [lead violin]:
S. Bentley-Klein
Keyboard [keyboards]:
D. Pipkin
Waldhorn:
D. Lee (UK french horn player)
Saiteninstrumente arranger:
S. Bentley-Klein
recording of:
The Sea
Verfasser(in):
Paul Godfrey, Ross Godfrey und Skye Edwards (Skye Edwards, singer for Morcheeba)
Morcheeba3.255:47
60Son of a Gun
recording of:
Son of a Gun (JX song)
Komponist(in):
Jake Williams (UK techno producer aka Rex The Dog, JX, Mekka, Oblik)
publisher:
Mushroom Music (Mushroom label’s publishing company)
JX33:13
61Don’t Walk Away
recording of:
Don't Walk Away
Verfasser(in):
Vassal Benford und Ronald Spearman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und MCA Music Ltd.
Jade43:36
62How to Dance
Produzent(in):
Martin Neumayer
Samples:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) von Chic (US disco group) (in 1990: Sologesang), Got to Have Your Love von Mantronix (the group) (in 1990: Bass) und Kiss von Art of Noise feat. Tom Jones (Welsh pop singer) (in 1990: Sologesang)
recording of:
How to Dance (in 1990)
Texter:
Klaus Biedermann, Jennece S. Moore (rapper Jennece S. Moore), Martin Neumayer, Paul Pfab und Helmut Wolfgruber
Komponist(in):
Klaus Biedermann, Martin Neumayer, Paul Pfab und Helmut Wolfgruber
publisher:
HoBo Music & Media GmbH
Bingo Boys3:47
63Love Conquers All
recording of:
Love Conquers All
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd. und Neutron Music
ABC5:07
64Cleopatra’s Theme
recording of:
Cleopatra's Theme
Texter:
Cleopatra Higgins
Verfasser(in):
Cleopatra (UK girl group)
Cleopatra34:09
65Someday
recording of:
Someday
Verfasser(in):
Marshall Jefferson
CeCe Rogers7:17
66Dreams (Tee’s radio mix; 2007 remaster)
cover recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
The Corrs3:53
67Your Loving Arms
recording of:
Your Loving Arms
Verfasser(in):
David Harrow (English record producer, DJ, and multimedia artist) und Billie Ray Martin
Billie Ray Martin6:38
68Private Line
Gerald Levert5:41
69Strong Enough
Programmierung und Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
leitende(r) Produzent(in):
Rob Dickins
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Bass und Bassgitarre:
Winston Blissett
Gitarre [guitars]:
Adam Phillips (British guitarist and singer)
Keyboard [keyboards]:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Hintergrundgesang [backing vocals]:
Paul Barry (songwriter/musician), Hamish Stewart (Scottish guitarist, bassist, singer composer & producer) und Sylvia Mason James (British singer)
Sologesang:
Cher
Saiteninstrumente [Laughs And Lager Jeff "Duo" Taylor string] arranger:
Robin Smith (songwriter/pianist/conductor/producer) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
arranger:
Na (Arranger)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Strong Enough
Verfasser(in):
Paul Michael Barry (songwriter/musician) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher2.653:44
70Too Blind to See It
recording of:
Too Blind to See It
Texter und Komponist(in):
Steve “Silk” Hurley (Chicago house DJ/producer)
Kym Sims3:31
71Freak Me
recording of:
Freak Me
Verfasser(in):
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) und Keith Sweat
Silk44:18
72Don’t Worry
recording of:
Don’t Worry
Verfasser(in):
Kim Appleby und Craig Logan
Kim Appleby2.353:31
73Cecilia
Suggs feat. Louchie Lou & Michie One3:03
74California Love
Zapp & Roger feat. Dale DeGroat & Big Robb4:53
75Not So Manic Now
Programmierung:
Steve Hillier
assistierende(r) Techniker(in):
Meabh
Techniker(in):
Sam Hardaker
Produzent(in):
Stephen Hague und Graeme Robinson
Mix:
Mike “Spike” Drake und Stephen Hague
Bass und Gast-Bass:
Phil Spalding
Cello und Gast-Cello:
Audrey Riley
Gast-Keyboard und zusätzlich Keyboard:
Jon Kirby
Gast-Perkussion und Perkussion:
Andy Duncan (UK drummer and producer)
Gitarre:
Chris Wilkie
vocals:
Sarah Blackwood (UK musician/DJ, member of Dubstar)
zusätzlich arranger:
Jon Kirby
cover recording of:
Not So Manic Now
Verfasser(in):
David Harling, Jon Kirby, Martin Mason und Graeme Robinson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rough Trade Music Publishing Ltd
Dubstar2.654:30
76Remember (single mix)BT3:41
77You Sexy Thing (radio edit)
T‐Shirt3:59
78Fairground
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Mick Hucknall (lead singer of Simply Red) und Stewart Levine (record producer and saxophonist)
früheste Veröffentlichung:
Fairground von Simply Red (English soul and pop band)
recording of:
Fairground
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red3.54:27
79Let Me Take You There
Produzent(in):
John Coxon
recording of:
Let Me Take You There
Verfasser(in):
Alison Clarkson (British dance music singer-songwriter), John Coxon, Charles Dawes und Carl Sigman
basiert auf:
It’s All in the Game
Betty Boo2.53:59
80TroubleShampoo2.53:13
81Goldeneye (single edit)
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:30
82Ghetto Romance (single version)
recording of:
Ghetto Romance
Verfasser(in):
Tim Kelley und Bob Robinson (US R&B producer/songwriter)
Damage23:46
83Arms Around the World
recording of:
Arms Around the World
Verfasser(in):
John Holliday, Denis Ingoldsby, Louise Nurding (British pop singer), Oliver Smallman und Trevor Steel
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), First Avenue Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Louise23:48
84Da Funk
Produzent(in):
Thomas Bangalter und Guy‐Manuel de Homem‐Christo
phonographisches Urheberrecht (℗) von:
Daft Trax (in 1996) und Daft Life Ltd. (holding, file NO releases here!) (in 2015)
produced for:
Daft Trax
aufgenommen bei und mixed at:
Daft House in Paris, Île-de-France, Frankreich
Samples:
Bounce, Rock, Skate, Roll I von Vaughan Mason & Crew und I’m Gonna Love You Just a Little More Baby von Barry White and His Orchestra
Musikvideos:
Da Funk von Daft Punk (French electronic duo)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 30) und Indie 88: Top 500 Indie Rock Songs (Nummer: 240)
recording of:
Da Funk
Verfasser(in):
Thomas Bangalter und Guy‐Manuel de Homem‐Christo
publisher:
Daft Music, Delabel Éditions (publisher; do NOT use as release label) und Zomba Music Publishing (music publisher – add no releases here!)
Daft Punk3.85:29
85Easy
Produzent(in):
Faith No More (von 1992-01 bis 1992-03) und Matt Wallace (US producer & engineer) (von 1992-01 bis 1992-03)
zusätzliche(r) Produzent(in):
Faith No More (in 1993) und Matt Wallace (US producer & engineer) (in 1993)
E-Bass:
Billy Gould (von 1992-01 bis 1992-03)
E-Gitarre:
Jim Martin (ex-Faith No More guitarist) (von 1992-01 bis 1992-03)
Keyboard:
Roddy Bottum (von 1992-01 bis 1992-03)
Schlagzeug:
Mike Bordin (American drummer) (von 1992-01 bis 1992-03)
zusätzlich Keyboard:
Billy Gould (in 1993)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (von 1992-01 bis 1992-03)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!)
Remix von:
Easy (1992 first version – with spoken word intro) von Faith No More
Musikvideos:
Easy von Faith No More
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 9)
cover recording of:
Easy (von 1992-01 bis 1993)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Faith No More4.53:08
86Ironic (2015 remaster)
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:50
87Ghetto Heaven (2012 remaster)
recording of:
Ghetto Heaven
Verfasser(in):
Peter Lord Moreland, V. J. Smith (Vernon Jeffrey Smith, producer, writer, musician) und Sandra St. Victor
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Maanami Music und Vermal Music (publishing)
The Family Stand34:37
88What Can I DoThe Corrs4:15
89Barber’s Adagio for Strings (Ferry Corsten remix; radio edit)
Produzent(in):
William Orbit (English musician, composer and record producer)
zusätzliche(r) Produzent(in):
Ferry Corsten (Dutch DJ and producer)
remixer:
Ferry Corsten (Dutch DJ and producer)
recording of:
Adagio for Strings (catch‐all for arrangements)
Komponist(in):
Samuel Barber (American composer) (in 1936)
Arrangement von:
Adagio for Strings
William Orbit3.653:39
90Hypnotize (2014 remaster)
recording engineer:
Axel Niehaus (German-born engineer and producer) und Doug Wilson (engineer)
Techniker(in):
Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones (engineer R&B / Urban)
Produzent(in):
Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence (US hip-hop producer aka Amen-Ra) und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
zusätzliche(r) Produzent(in):
Richard “Younglord” Frierson (producer Richard Frierson)
Mix:
Lane Craven und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Editing:
Richard “Younglord” Frierson (producer Richard Frierson)
Hintergrundgesang:
Pam Long
Sologesang:
The Notorious B.I.G.
phonographisches Urheberrecht (℗) von:
Bad Boy Records LLC (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
produced for:
Bad Boy Entertainment, Inc. und The Mystery System, Inc.
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
mixed at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
engineered at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
Samples:
Rise von Herb Alpert
Teil von:
BILLIONS CLUB
recording of:
Hypnotize
Verfasser(in):
Andy Armer, Christopher Wallace (The Notorious B.I.G.), Deric Angelettie, Ron Lawrence (US hip-hop producer aka Amen-Ra), Randy Alpert und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
quotes lyrics from:
La Di Da Di
The Notorious B.I.G.4.153:50
91All 4 LoveColor Me Badd43:31
92My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
The Payback von James Brown (The Godfather of Soul)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.64:42
93What You Want
recording engineer:
Stephen Dent
Produzent(in):
Nashiem Myrick und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Mix:
Rich Travali (Engineer)
Gast-turntable:
I-Roc
Gast-Interpret(in):
Total (American R&B group)
Interpret(in):
Total (American R&B group)
Samples:
Right On for the Darkness von Curtis Mayfield und Right On for the Darkness (7" single) von Curtis Mayfield
recording of:
What You Want
Komponist(in):
Keisha Spivey (US R&B vocalist, member of Total), Mason Durrell Betha (US rapper), Nashiem Myrick und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Mase feat. Total34:03
94It’s All Been Done
Assistent recording engineer:
Bob MacLeod (in 1998-02) und Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) und David Leonard (US producer and engineer) (in 1998-03)
Produzent(in):
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) und Susan Rogers (US sound engineer) (in 1998)
assistierende(r) Mix:
Femio Hernandez (in 1998-04)
Mix:
Tom Lord‐Alge (in 1998-04)
Akustikgitarre und E-Gitarre:
Ed (von 1998-02 bis 1998-03) und Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
E-Bass [electric bass]:
Jim (von 1998-02 bis 1998-03)
Keyboard [keyboards]:
Kevin (von 1998-02 bis 1998-03)
Perkussion und Schlagzeug [drums]:
Tyler (von 1998-02 bis 1998-03)
Hintergrundgesang [vocals]:
Ed (von 1998-02 bis 1998-03), Jim (von 1998-02 bis 1998-03), Kevin (von 1998-02 bis 1998-03) und Tyler (von 1998-02 bis 1998-03)
Sologesang [lead vocal]:
Steven (Barenaked Ladies) (von 1998-02 bis 1998-03)
sonstiger Gesang [parlez français]:
Natacha Hébert (von 1998-02 bis 1998-03)
sonstige Unterstützung:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (Aufgabe: produced under license) und Warner Special Products (Aufgabe: produced by arrangement by)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Vereinigte Staaten (in 1998-02) und Phase One Studios in Toronto, Ontario, Kanada (in 1998-03)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten (in 1998-04)
recording of:
It’s All Been Done (von 1998-02 bis 1998-03)
Texter und Komponist(in):
Steven Page (Barenaked Ladies)
publisher:
Treat Baker Music (in 1997) und WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies43:26
95Bootie Call
Schlagzeug [drums]-Programmierung:
Karl Gordon (British DJ, producer, rapper, and songwriter)
zusätzliche Keyboard-Programmierung:
Sean Cox
Techniker(in):
Marcellus Fernandes (aka Mark Frank)
Produzent(in):
Karl Gordon (British DJ, producer, rapper, and songwriter)
Instrumente:
Karl Gordon (British DJ, producer, rapper, and songwriter)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1997)
recording of:
Bootie Call
Verfasser(in):
Karl Gordon (British DJ, producer, rapper, and songwriter) und Shaznay Lewis
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd und STL Songs Ltd.
All Saints3.653:36
96True Companion
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Geige / Violine:
Robin Batteau
Gitarre:
Marc Cohn
Keyboard:
Eric Rehl und Ben Wisch
Orgel:
John Leventhal
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 1991 bis heute)
recording of:
True Companion
Verfasser(in):
Marc Cohn
publisher:
Sony/ATV Harmony
Marc Cohn4:10
97Making Moves With Puff
Craig Mack4:25
98Officially Missing You
recording of:
Officially Missing You
Verfasser(in):
Seven Aurelius
publisher:
Marcus Aurelius Music (ASCAP; Marcus “7 Aurelius” Vest)
Tamia44:02
99Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
100Big Calm
Produzent(in):
Morcheeba und Pete Norris (UK producer/engineer)
zusätzlich turntable [scratches]:
DJ Swamp
recording of:
Big Calm
Verfasser(in):
Jason Furlow, Paul Godfrey, Ross Godfrey und Skye (Skye Edwards, singer for Morcheeba)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Morcheeba3.256:01